Metaform

Biography

Metaform grew up in Los Angeles in a musical household. His Dad played Leonard Cohen, Simon & Garfunkel, and Ravi Shankar records, while Mom listened to Whitney Houston and Curtis Mayfield. His parents divorced in 1988 and soon after he moved to San Francisco with his mother and three sisters. He spent the year of 1998 as an intern at Spark Studios in Oakland, California, in which time he had experience working with E-40, Tone Capone, and Scarface. He spent the year of 1999 shipping records for TRC distribution at which time he delved deeper into the already buzzing Bay-Area Hip-Hop scene. From 2000-2005, he worked as a free-lance sound engineer and worked with many high-profile acts including: DJ Jazzy Jeff, Afrika Bambaataa, Pharcyde, Hieroglyphics, Living Legends, Goapele, Zion I, and many others. He graduated from San Francisco State University in 2005 before moving back to Los Angeles and then to Tokyo.

Metaform began playing piano at age 7, guitar at age 13 and at age 16 he started a heavy metal band with two classmates; they mostly played Metallica and Slayer covers. At age 18 Metaform joined the now defunct San Francisco punk rock band, The Breakouts, as rhythm guitar and they played several club shows in San Francisco. After The Breakouts, Metaform met 4X-ampL (who now resides in Montreal) in an audio engineering class. The two quickly became friends and formed the rock group Team USA (along with Casten on drums) and Metaform played guitar and contributed vocals. Later, Metaform and 4X-ampL formed the electronica duo Razed High. During this time Metaform was known as Hai-Ding, a play on words in that he was "in hiding" and working on what would later become Standing on the Shoulders of Giants.

Tokyo, Japan. Justice Aaron has lived and worked in Tokyo, Japan, since July 2006.

Standing on the Shoulders of Giants

His instrumental opus, Standing on the Shoulders of Giants, was released on April 15, 2008, which spent the entire month of May on the College Music Journal's top 20. It was produced and engineered by Metaform at his various home studios over a five-year period in which he kept in deep isolation, it is hailed as one of the top ten records of 2008 by Eddie Fleisher of Alternative Press Magazine. Since its release, the album has received praise in major publications including URB, REMIX, XLR8R, and Alternative Press. Alternative Press reviewed the album as "One of the best instrumental hip-hop records in years." while JIVE Magazine noted "Metaform takes the listener on an audible journey that few other producers are capable."

Beats from the Crypt: Early Works

Released in the same year as "Standing...", this LP of B-sides and rarities was adored by fans of the first album in that it was also constructed primarily from samples. The album cover shows an early desk work station which was used by the artist for late night writing sessions. This record is also where he first exposes his voice on such tracks as "Right Next to You" and "Blue Skies".

The Electric Mist

Released June 15, 2010, The Electric Mist represented Metaform's break from traditional sample/loop based song writing into original synth-based song construction. The record was met with mixed reactions by existing fans, and ushered in a new audience who was attracted by the dark and sexy electro-pop sound. The Electric Mist was featured on the popular torrent site "Demonoid" where it was released for free by Justice Aaron, and remained in the top 10 music list for 2 years being downloaded over 300,000 times.

The Midnight Machine

A science fiction opera trilogy which Justice began developing in 2009. Act 1 will be released on June 4, 2013.