Name Lucien Muratore Role Actor | Education Conservatoire de Paris | |
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Died July 16, 1954, Paris, France Movies Le Chanteur inconnu, A Woman of Impulse, The Faceless Voice, Manon Lescaut Spouse Lina Cavalieri (m. 1913–1927), Marguerite Beriza Similar People Lina Cavalieri, Robert Winthrop Chanler, Giuseppe Campari, Victor Tourjansky | ||
Marriage location United States of America | ||
Lucien muratore il pescatore canta
Lucien Muratore (29 August 1876 - 16 July 1954, Paris) was a French actor and operatic tenor, particularly associated with the French repertory.
Contents
- Lucien muratore il pescatore canta
- French tenor lucien muratore ariane circa 1906
- Life and career
- Selected filmography
- References
French tenor lucien muratore ariane circa 1906
Life and career
Lucien Muratore was born and trained in Marseille, first as a cornist, and later as an actor. He made his debut at the Odéon theatre in Paris, where he played opposite such actresses as Sarah Bernhardt and Réjane. He then studied at the Paris Music Conservatory, and made his operatic debut in 1902, at the Opéra-Comique, creating the King in Reynaldo Hahn's La carmélite.
He made his debut at La Monnaie in 1904, as Werther, and the following year at the Palais Garnier, as Renaud in Lully's Armide.
He created several Massenet operas such as Ariane and Bacchus, at the Opéra, and Roma, in Monte Carlo. He also took part in the creation of La Catalane by Le Borne, Monna Vanna by Henry Février, Déjanire by Camille Saint-Saëns, and Pénélope by Gabriel Fauré.
He became principal French tenor with the Boston Opera Company, the Chicago Grand Opera Company (1913–1914), the Chicago Opera Association (1915–1921), and the Chicago Civic Opera (1922). He also appeared at the Teatro Colón in Buenos Aires.
Muratore retired from the stage in 1931. He was married first to soprano Marguerite Bériza, and later to soprano Lina Cavalieri, with whom he appeared in a silent movie, Manon Lescaut, in 1914.
In 1944 Muratore was for a few weeks Director of the Opéra-Comique but was removed on the Liberation of Paris.
His art of singing was at times almost overshadowed by his immense talent as an actor and elegance on stage.
His students included Kenneth Neate, to whom he gave some of his own costumes for Don José (Bizet's Carmen).