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Luchino Visconti

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Luchino Visconti

Theatre Director

Luchino Visconti wwwdvdsreleasedatescompictures80029000Luchin

Full Name
Luchino Visconti di Modrone

2 November 1906 (
Milan, Lombardy, Kingdom of Italy

Eriprando Visconti (nephew)

Palme d'Or 1963 Il Gattopardo Golden Lion 1965 Vaghe stelle dell'Orsa

March 17, 1976, Rome, Italy

Two screenplays: La terra trema, Senso

Guido Visconti di Modrone

Carla Erba, Giuseppe Visconti di Modrone

The Leopard, Death in Venice, Rocco and His Brothers, Senso, The Damned

Similar People
Helmut Berger, Claudia Cardinale, Vittorio De Sica, Federico Fellini, Alain Delon

Documentary on luchino visconti mp4

Luchino Visconti di Modrone, Count of Lonate Pozzolo (2 November 1906 – 17 March 1976), was an Italian theatre, opera and cinema director, as well as a screenwriter. He is best known for his films Ossessione (1943), Senso (1954), Rocco and His Brothers (1960), The Leopard (1963) and Death in Venice (1971).


Luchino Visconti Luchino Visconti Wikipedia the free encyclopedia

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Luchino Visconti Luchino Visconti pictures and photos

Luchino Visconti was born into a prominent noble family in Milan, one of seven children of Giuseppe Visconti di Modrone, Duke of Grazzano Visconti and Count of Lonate Pozzolo, and his wife Carla (née Erba, heiress to Erba Pharmaceuticals). He was formally known as Count don Luchino Visconti di Modrone, and his family is a branch of the House of Visconti. In his early years, he was exposed to art, music and theatre: he studied cello with the Italian cellist and composer Lorenzo de Paolis (1890–1965) and met the composer Giacomo Puccini, the conductor Arturo Toscanini and the writer Gabriele D'Annunzio.

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During World War II, Visconti joined the Italian Communist Party.

Luchino Visconti Romy Schneider director Luchino Visconti Magda Schneider and Alain

Visconti made no secret of his homosexuality. His last partner was the Austrian actor Helmut Berger, who played Martin in Visconti's film The Damned. Berger also appeared in Visconti's Ludwig in 1972 and Conversation Piece in 1974, along with Burt Lancaster. Other lovers included Franco Zeffirelli, who also worked as part of the crew in production design, as assistant director, and other roles in a number of Visconti's films, operas, and theatrical productions.

Luchino Visconti Helmut Berger and Luchino Visconti on the set of Ludwig Helmut

Visconti smoked 120 cigarettes a day. He suffered a stroke in 1972, but continued to smoke heavily. He died in Rome of another stroke at the age of 69. There is a museum dedicated to the director's work in Ischia.


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He began his filmmaking career as an assistant director on Jean Renoir's Toni (1935) and Partie de campagne (1936), thanks to the intercession of their common friend, Coco Chanel. After a short tour of the United States, where he visited Hollywood, he returned to Italy to be Renoir's assistant again, this time for La Tosca (1939), a production that was interrupted and later completed by German director Karl Koch because of World War II.

Luchino Visconti Luchino Visconti Italian Director Luchino Visconti Biography

Together with Roberto Rossellini, Visconti joined the salotto of Vittorio Mussolini (the son of Benito, who was then the national arbitrator for cinema and other arts). Here he presumably also met Federico Fellini. With Gianni Puccini, Antonio Pietrangeli and Giuseppe De Santis, he wrote the screenplay for his first film as director: Ossessione (Obsession, 1943), the first neorealist movie and an unofficial adaptation of the novel The Postman Always Rings Twice.

Luchino Visconti 27 best Luchino Visconti images on Pinterest Alain delon Leopards

In 1948, he wrote and directed La terra trema (The Earth Trembles), based on the novel I Malavoglia by Giovanni Verga. In the book by Silvia Iannello, Le immagini e le parole dei Malavoglia, the author selects some passages of the Verga novel, adds original comments and Acitrezza's photographic images, and devotes a chapter to the origins, remarks and frames taken from the movie.

Visconti continued working throughout the 1950s, although he veered away from the neorealist path with his 1954 film, Senso, shot in colour. Based on the novella by Camillo Boito, it is set in Austrian-occupied Venice in 1866. In this film, Visconti combines realism and romanticism as a way to break away from neorealism. However, as one biographer notes, "Visconti without neorealism is like Lang without expressionism and Eisenstein without formalism". He describes the film as the "most Viscontian" of all Visconti's films. Visconti returned to neorealism once more with Rocco e i suoi fratelli (Rocco and His Brothers, 1960), the story of Southern Italians who migrate to Milan hoping to find financial stability. In 1961, he was a member of the jury at the 2nd Moscow International Film Festival.

Throughout the 1960s, Visconti's films became more personal. Il Gattopardo (The Leopard, 1963), is based on Lampedusa's novel of the same name about the decline of the Sicilian aristocracy at the time of the Risorgimento. It starred American actor Burt Lancaster in the role of Prince Don Fabrizio. This film was distributed in America and Britain by Twentieth-Century Fox, which deleted important scenes. Visconti repudiated the Twentieth-Century Fox version.

It was not until The Damned (1969) that Visconti received a nomination for an Academy Award, for "Best Screenplay". The film, one of Visconti's best-known works, concerns a German industrialist's family which slowly begins to disintegrate during the Nazi consolidation of power in the 30s. Its decadence and lavish beauty are characteristic of Visconti's aesthetic.

Visconti's final film was The Innocent (1976), in which he returns to his recurring interest in infidelity and betrayal.


Visconti was also a celebrated theatre and opera director. During the years 1946 to 1960 he directed many performances of the Rina Morelli-Paolo Stoppa Company with actor Vittorio Gassman as well as many celebrated productions of operas.

Visconti's love of opera is evident in the 1954 Senso, where the beginning of the film shows scenes from the fourth act of Il trovatore, which were filmed at the Teatro La Fenice in Venice. Beginning when he directed a production at Milan's Teatro alla Scala of La vestale in December 1954, his career included a famous revival of La traviata at La Scala in 1955 with Maria Callas and an equally famous Anna Bolena (also at La Scala) in 1957 with Callas. A significant 1958 Royal Opera House (London) production of Verdi's five-act Italian version of Don Carlos (with Jon Vickers) followed, along with a Macbeth in Spoleto in 1958 and a famous black-and-white Il trovatore with scenery and costumes by Filippo Sanjust at the Royal Opera House in 1964. In 1966 Visconti's luscious Falstaff for the Vienna State Opera conducted by Leonard Bernstein was critically acclaimed. On the other hand, his austere 1969 Simon Boccanegra with the singers clothed in geometrical costumes provoked controversy.

Other films

  • Giorni di gloria, documentary, 1945
  • Appunti su un fatto di cronaca, short film, 1951
  • Siamo donne (We, the Women), 1953, episode Anna Magnani
  • Boccaccio '70, 1961, based on the episode Il lavoro in Boccaccio's Decameron
  • Le streghe (The Witches), 1967, episode La strega bruciata viva
  • Alla ricerca di Tadzio, TV movie, 1970
  • References

    Luchino Visconti Wikipedia