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Louis Nicolas Clerambault

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Occupation
  
Composer and organist

Name
  
Louis-Nicolas Clerambault

Years active
  
1704-1749

Role
  
Musician

Louis-Nicolas Clerambault wwwmusicologieorgBiographiescclerambault01jpg
Born
  
19 December 1676 (
1676-12-19
)
Paris, France

Died
  
October 26, 1749, Paris, France

Books
  
First Organ Book, First Organ Book: Organ - Method or Collection

Similar People
  
Francois Couperin, Marie‑Claire Alain, Jean Gilles

Louis nicolas clerambault suite du deuxieme ton recit


Louis-Nicolas Clerambault (19 December 1676 – 26 October 1749) was a French musician, best known as an organist and composer. He was born, and died, in Paris.

Contents

Louis nicolas clerambault suite du deuxieme ton capri


Biography

Clerambault came from a musical family (his father and two of his sons were also musicians). While very young, he learned to play the violin and harpsichord and he studied the organ with Andre Raison. Clerambault also studied composition and voice with Jean-Baptiste Moreau.

Clerambault became the organist at the church of the Grands-Augustins and entered the service of Madame de Maintenon. After the death of Louis XIV and Guillaume-Gabriel Nivers, he succeeded the latter at the organ of the church of Saint-Sulpice and the royal house of Saint-Cyr, an institution for young girls from the poor nobility. He was responsible there for music, the organ, directing chants and choir, etc. It was in this post—it remained his after the death of Madame de Maintenon—that he developed the genre of the "French cantata" of which he was the uncontested master. In 1719 he succeeded his teacher Andre Raison at the organs of the church of the Grands-Jacobins.

His Motet du Saint Sacrement in G major is one of the first French works known to have been performed in Philadelphia.

Works

His important published work includes:

  • a large number of religious pieces with chants and choirs, (motets, hymns, Magnificat, Te Deum etc.);
  • more than 25 secular cantatas on subjects often inspired by Greco-Roman myths;
  • sonatas for violin and basso continuo:
  • a book of dance pieces for the harpsichord (1704) in which he adopted the tradition of the unmeasured prelude;
  • a book of organ pieces in two suites (1710) in which melodic charm wins out over religious spirit. These two collections seemed destined to begin a cycle of pieces in all keys but Clerambault never completed the cycle.
  • References

    Louis-Nicolas Clerambault Wikipedia