7.6 /10 1 Votes
Written by Kenneth Lonergan Date premiered March 13, 2001 First performance 13 March 2001 Original language English language | 3.8/5 Goodreads Characters Jeff
William
Dawn
Bill Genre Drama Playwright Kenneth Lonergan | |||||||||||||||||||||||||||||||||
 | ||||||||||||||||||||||||||||||||||
Place premiered Playwrights Horizons, New York City Setting lobby of a middle-income high-rise apartment building in Manhattan, and the street outside Places premiered Playwrights Horizons, New York City Similar The Waverly Gallery, This Is Our Youth, As Bees In Honey Drown, How I Learned to Drive, The Herbal Bed | ||||||||||||||||||||||||||||||||||
Lobby hero kenneth lonergan dawn
Lobby Hero is a play by Kenneth Lonergan. It premiered Off-Broadway in 2001.
Contents
Lobby hero kenneth lonergan dawn act 2 scene 1
Production history
Lobby Hero premiered Of-Broadway Playwrights Horizons, on March 13, 2001 and closed on April 15, 2001, reopening at the John Houseman Theare on May 8, 2001 and closing on September 2, 2001. The cast featured Glenn Fitzgerald as Jeff, Dion Graham as William, Heather Burns as Dawn, and Tate Donovan as Bill, and was directed by Mark Brokaw.
The UK première was staged at the Donmar Warehouse, in previews on April 4, opening April 10 and closing on May 4, 2002. The cast included Gary McDonald (William), Charlotte Randle (Dawn), Dominic Rowan (Bill), and David Tennant (Jeff), and was again directed by Mark Brokaw. This production transferred to the New Ambassadors Theatre from June 26 (opening July 1) to August 10, 2002.
Plot summary
The show follows a security guard in his late twenties, his strict supervisor, and an overbearing cop and his rookie female partner. The show is set in a foyer of a middle-income Manhattan apartment building in the middle of the night.
Character summaries
Reviews
Toby Young said in a review in The Spectator, "Lobby Hero is a fantastic play but I'd be hard pushed to say why. You can tell it's good because, within about five minutes, any sense you have of being a member of the audience, sitting down and watching a group of actors perform on stage, has vanished.... In what amounts to an out-of-body experience, you're totally absorbed in what's going on...Lonergan is particularly good, both here and in This Is Our Youth, at showing how good intentions can be undermined by unconscious desires. Few of his characters are capable of resisting their own malignant impulses."