| Leonard Ratner|| September 2, 2011|
| University of California, Berkeley (1947)|
Classic Music: Expression, Form, and Style
Guggenheim Fellowship for Humanities, US & Canada
Leonard Ratner Wikipedia
Leonard G. Ratner (July 30, 1916 – September 2, 2011), was an American musicologist, Professor of Musicology at Stanford University, He was a specialist in the style of the Classical period, and best known as a developer of the concept of Topic theory.
Ratner was born in Minneapolis, Minnesota. After studying the violin and viola, and studying composition with Frederick Jacobi, Arnold Schoenberg, Ernest Bloch, and Arthur Bliss, he received a Ph.D. in musicology in from the University of California at Berkeley under Manfred Bukofzer, the first such degree to be given by that university.
In 1947, he joined the newly formed Department of Music at Stanford University, and continued there until his retirement in 1984 composing, teaching, and conducting research on music theory. He composed a chamber opera, The Necklace, and several chamber works. He taught composition and theory to advanced students and coached chamber music; he also taught elementary music appreciation courses for undergraduates, Stanford alumni, and the general public. He was awarded a Guggenheim Fellowship for1962, and elected as a Fellow of the American Academy of Arts and Sciences in 1998.
His research was devoted to emphasizing "sonata form's harmonic underpinnings as an antidote to the thematic perspective" and developing a theory of musical period and form.Music: The Listener's Art NY: McGraw-Hill. 1st ed. 1957; 2nd. ed 196; 3rd ed. 1977
Harmony, Structure, and Style NY: McGraw-Hill, 1962
Classic Music: Expression, Form, and Style NY: Schrimer, 1980
Review by Jane Stevens, Journal of Music Theory 27 (1983)
The Musical Experience: Sound, Movement, and Arrival NY:Freeman, 1983
'Romantic Music: Sound, and Syntax NY: Schrimer, 1992
the Beethoven String Quartets: Compositional Strategies and Rhetoric Stanford: Stanford Bookstore, 1995
"Harmonic aspects of Classic Form" Journal of the American Musicological Society 2 (3), Autumn, 1949 p.159-68
"Eighteenth-Century Theories of Musical Period Structure" Musical Quarterly 42(4) Oct. 1956 p 439-454
"On the nature and value of theoretical training" ("A Forum: Music theory for the Layman") Journal of Music Theory 3 (1959) 58-69
"Approaches to Musical Historiography of the Eighteenth Century" Current Musicology 9 (1969) 154-57
"Key Definition: A structural problem in Beethoven's Music" Journal of the American Musicological Society, 23(3) Autumn, 1970 472-83
"Texture: A Rhetorical element in Beethoven;s Quartets" Israel Studies in Musicology 2 (1980) p. 51-62
"Topical content in Mozart's Keyboard Sonatas" Early Music' 19 (4) (1991) 615-19
"'Mozart's Parting Gifts" Journal of Musicology 18(1) Winter, 2001, 189-211
"Development" and "Sonata Form" in Harvard Dictionary of Music, 2nd ed., 1969.
"Koch, Heinrich Cristoph" "Period" and "Riepel, Joseph" in New Grove Dictionary of Music and Musicians 1980