Kirby Dick

Life and career

Dick was born in Phoenix, Arizona. He studied at Nova Scotia College of Art and Design, California Institute of the Arts, and the American Film Institute. His first documentary feature, Private Practices: The Story of a Sex Surrogate (1986), enjoyed a successful festival run.

Dick spent the following decade pursuing a variety of projects while working on Sick: The Life and Death of Bob Flanagan, Supermasochist (1997). Sick examined the life of performance artist Bob Flanagan, who utilized sadomasochism as a therapeutic device to help cope with cystic fibrosis and agreed to participate in documentary only if his eventual death was included. The film was an international festival hit, winning a Special Jury Prize at the 1997 Sundance Film Festival and helping to establish Dick's position in the world of independent filmmaking.

His next film, Chain Camera (2001), was made entirely with footage shot on consumer digital video cameras by students at John Marshall High School, located near Dick's home in Los Angeles. The film premiered at the 2001 Sundance Film Festival. Dick followed up this project with Derrida (2002), which he co-directed with Amy Ziering. The film explores the life and work of French philosopher Jacques Derrida while questioning the limitations of biography. It won the Golden Gate Award at the 2002 San Francisco International Film Festival.

Dick's next project, Twist of Faith (2005), followed a man who decides to speak out about his childhood sexual abuse at the hands of a Catholic priest. Released during the midst of the Catholic sex abuse scandal, the film garnered widespread attention and was nominated for an Academy Award for Best Documentary Feature.

Twist of Faith marked the beginning of a politicization of Dick's work, as his subsequent films would similarly expose the hypocrisy of powerful organizations. This Film Is Not Yet Rated (2006) investigated the Motion Picture Association of America and its secretive ratings board. The film argues that the MPAA serves the interests of the major Hollywood studios at the expense of independent filmmakers and also that the organization often turns a blind eye to violence while working to effectively censor sexual content, especially when it involves homosexuality or female sexual empowerment.

Dick's 2009 film, Outrage, discusses supposedly closeted politicians, predominantly Republican, who vote against gay rights. The film also criticizes the mainstream media's reluctance to report on this subject. The film received an Emmy nomination for Outstanding Investigative Journalism.

The Invisible War

In 2012, Dick directed The Invisible War, which examined the epidemic of rape in the U.S. military. The film was heralded for exposing a culture of sexual abuse at Marine Barracks Washington. Several government officials have commented on the film's influence on policy, including Secretary of Defense Leon Panetta, who has stated that viewing the film convinced him to implement a wave of reforms designed to reduce the prevalence of military sexual assault.

The film’s revelations have also been discussed in congressional hearings and spurred lawmakers to seek better safeguards for assault survivors. Senator Kirsten Gillibrand credits the film with inspiring her to introduce the Military Justice Improvement Act, which would establish an independent judiciary to oversee accusations of sexual assault in the armed forces.

Among other honors, The Invisible War received a nomination for Best Documentary Feature at the 85th Academy Awards and won Emmy Awards for Best Documentary Feature and Outstanding Investigative Journalism.

Themes

Dick's work often focuses on issues of secrecy, hypocrisy, and human sexuality. Many of his films explore subjects and issues that have traditionally been taboo, such as homosexuality, sadomasochism, and sexual abuse. Ryan Stewart of Cinematical notes that, "Kirby Dick has been compared to photographer Diane Arbus in the way he prefers to open the camera lens to the pained, the freakish and the inexplicable that exists on the margins of everyday life."

Aesthetically, Dick often employs intricately edited montages that blend together television news clips, archival footage, music videos, documentary interviews, and other sources. Beginning with This Film Is Not Yet Rated, he has also pioneered applying the "fair use" doctrine to appropriate copyrighted footage without the need to obtain licenses or compensate rights holders.

Dick often employs a cinéma vérité style of filmmaking. He has said that he prefers to work this way because it allows for a more complex relationship with his subjects. In many cases, Dick has also encouraged his subjects to record their own footage, which is then incorporated into the finished film.

His later works have often involved investigations into powerful organizations, such as the Catholic Church or the United States military. Critics have increasingly remarked on the impact of his films as investigative journalism, with The New York Times's A. O. Scott saying that, "Kirby Dick has become one of the indispensable muckrakers of American cinema, zeroing in on frequently painful stories about how power functions in the absence or failure of accountability."