Karl Christian Ludwig Hofer or Carl Hofer (11 October 1878 in Karlsruhe – 3 April 1955 Berlin) was a German expressionist painter. One of the most prominent painters of expressionism, he never was a member of one of the expressionist painting groups, like "Die Brücke", who influenced him. His work was considered degenerate art by the Nazis, and only after World War II did he regain recognition as one of the greatest German painters.
1926: Zwei Freunde (Two Friends), Oil on Canvas, Städel, Frankfurt am Main, Germany
1928: Großer Karneval (Big Carnival), Oil on Canvas, Bavarian State Picture Collection, Munich, Germany
1928: Yellow Dog Blues, Oil on Canvas, Private Collection
1930: Selbstbildnis mit Dämonen (Self Portrait with Demons), Oil on Canvas, Former Hofer Estate, Berlin, Germany
Mature work, 1933–1945
1933: Gefangene (Prisoner), Oil on Canvas, Berlinische Galerie, Berlin, Germany
1935: Frühe Stunde (Early Hour), Oil on Canvas, Portland Art Museum, Portland, USA
1935: Turmbläser (Trumpeters), Oil on Canvas, Former Hofer Estate, Berlin, Germany
1936: Agnuzzo – Italienische Landschaft (Agnuzzo – Italian Landscape), Oil on Canvas, The Detroit Institute of Arts, Detroit, USA
1937: Mann in Ruinen (Man in Ruins), Oil on Canvas, Staatliche Kunstsammlungen Kassel, Kassel, Germany
1943: Die Schwarzen Zimmer (2. Fassung) (The Black Rooms, 2nd version), Oil on Canvas, Neue Nationalgalerie, Berlin, Germany
1944: Der Brief (The Letter), Oil on Canvas, Private Collection
1944: Schwarzmondnacht (Black Moon), Oil on Canvas, Former Hofer Estate, Cologne, Germany
Late work, 1945–1955
1947: Höllenfahrt (Descent into Hell), Oil on Canvas, Former Hofer Estate, Cologne, Germany
1947: Ruinennacht (Night of Ruin), Oil on Canvas, Former Hofer Estate, Cologne, Germany
1948: Schwarzmond (2. Fassung)(Black Moon, 2nd version, Oil on Canvas, Former Hofer Estate, Cologne, Germany
1950: Im Gestein (In Rock), Oil on Canvas, Private Collection, Southern Germany
1951: Zwei Frauen (Doppelportrait), (Two Women) (Double Portrait), Oil on Cardboard, Private Collection, Cologne, Germany
1954: Zwei Masken (Two Masks), Oil on Canvas, Former Hofer Estate
1954: Drei Mädchen zwischen Leitern (Three Girls between Conductors), Oil on Canvas, Private Collection, Cologne, Germany
1954: Vater und Tochter (Father and Daughter), Oil on Canvas, Private Collection, Cologne, Germany
Literature
Karl Hofer: Über das Gesetzliche in der bildenden Kunst. Hrsg. Kurt Martin. Berlin 1956.
Karl Hofer: Erinnerungen eines Malers. München 1963.
Christine Fischer-Defoy (Hrsg. Karl-Hofer-Gesellschaft): Ich habe das Meine gesagt! – Reden und Stellungnahmen von Karl Hofer zu Kunst, Kultur und Politik in Deutschland 1945–1955. Berlin 1995.
Daniel Kupper (Hrsg.): Karl Hofer – Schriften. Berlin 1995.
Ernst Rathenau: Karl Hofer – Das graphische Werk. Berlin 1969.
Katherine Rigby: Karl Hofer. New York/London 1976.
Elisabeth Furler (Hg.): Karl Hofer – Leben und Werk in Daten und Bildern. Frankfurt am Main 1978.
Elisabeth Hofer-Richold, Ursula Feist und Günther Feist: Karl Hofer. Berlin 1983.
Renate Hartleb: Karl Hofer. Leipzig 1987.
Ursula Feist und Günther Feist (Hrsg.): Karl Hofer – Theodor Reinhart. Maler und Mäzen. Ein Briefwechsel in Auswahl. Berlin 1989.
Jürgen Schilling: Karl Hofer. Unna 1991.
Karl Bernhard Wohlert: Werkverzeichnis Karl Hofer. Karl-Hofer-Dokumentation. 3 Bände. VAN HAM Art Publications.
Hans Gerhard Evers (Hrsg.): Darmstädter Gespräch – Das Menschenbild in unserer Zeit. Darmstadt 1951.
Ausstellungskatalog: In Memoriam Will Grohmann – Wegbereiter der Moderne. Stuttgart 1987/1988.
Ausstellungskatalog: Abstraktion und Figuration. Galerie Pels-Leusden. Berlin 1989.