Nationality Palestinian Known for Painting, Art History | Name Kamal Boullata Role Artist | |
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Notable work Palestinian Art: From 1850 to the Present Books Between Exits: Paintings by Hani Zurob | ||
Kamal boullata presents bilqis
Kamal Boullata is a Palestinian artist and art historian. His works are primarily done in acrylic and abstract in style focusing on the ideas of division in Palestinian identity, separation from homeland through utilization geometric forms as well as integration of Arabic words and calligraphy.
Contents
- Kamal boullata presents bilqis
- Kamal boullata bilqis opening night
- Biography
- Style
- Public collections
- Books
- References
Kamal boullata bilqis opening night
Biography
Kamal Boullata was born in Jerusalem in 1942. He studied at the Fine Arts Academy in Rome and at the Corcoran Gallery School of Art in Washington, D.C. In 1993 and 1994 Kamal was awarded Fulbright Senior Scholarships to conduct research on Islamic art in Morocco. Kamal, whose work has been exhibited throughout Europe, the United States and the Middle East, lived and worked in Menton in Southern France, and now in Berlin, Germany.
Kamal Boullata was a fellow resident at The Wissenschaftskolleg zu Berlin (Institute for Advanced Study, Berlin).
Style
Boullata works mainly in silk screen. His compositions are based on the angular Kufi script, which he uses as a representational form of art. In a review of his work, Moroccan art critic Abdelkebir Khatibi wrote: “Elaborated with remarkable continuity and patience, Boullata's work is that of a surveyor, an artist of proportion and measurement. Behind this passion for geometry lies the tradition of icon-painting, which forged the beginnings of his artistic training, a tradition that has maintained a venerable continuity between Byzantium and the Arabo-Islamic civilization of the Middle East.”
Boullata recalls sitting for hours on end as a small boy in front of the Dome of the Rock, engrossed in sketching its innumerable and unfathomable geometric patterns and calligraphic engravings. Those patterns he saw as a child still echo endlessly throughout his adult work. In an interview he recalled "I keep reminding my self that Jerusalem is not behind me, it is constantly ahead of me."
Public collections
Public collections holding his art