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Judy Carmichael

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Name
  
Judy Carmichael


Role
  
Jazz Pianist

Judy Carmichael static1squarespacecomstatic54c26474e4b0ef5f4ba

Books
  
Judy Carmichael You Can Play Authentic Stride Piano: Piano Solos

Albums
  
High on Fats ...And Other Stuff

Movies
  
O.C. Smith: How Sweet It Is, New Orleans Jazz

Similar People
  
Chris Flory, Harry Allen, Michael Hashim, Chuck Redd, Mike Renzi

Judy Carmichael Playing Honeysuckle Rose


Judy Carmichael (born November 27, 1957) is a Grammy-nominated jazz pianist and vocalist who is one of the few jazz pianists honored as a Steinway Artist.

Contents

Judy Carmichael Live from The Hamptons Interview with the Artist

Tanglewood jazz festival judy carmichael jazz inspired


Stride piano

Judy Carmichael LondonJazz Review Judy Carmichael at Crazy Coqs

She specializes in a rare form of pre-1950s jazz, stride piano, a highly physical style of playing first made popular by Fats Waller. The music was long associated with big, powerful—mostly black—men, so when Carmichael first emerged on the scene as a young, thin, white, ex-beauty queen, it was a shock. Count Basie was so taken with her playing that he nicknamed her "Stride". With stride piano, the pianist alternates low bass notes on beats one and three with chords on beats two and four with their left hand and plays figures and improvised lines with their right. "What made me unusual when I started doing that was that all the people playing stride were big men, and I was a surfer girl from California," she told The New York Times.

Judy Carmichael Judy Carmichael Stride Pianist Jazz Piano Vocalist

Reviewing her first album Two-Handed Stride in 1980, Scott Yanow wrote: "The recording debut of pianist Judy Carmichael was a major, if somewhat unheralded event. The first important stride pianist to emerge in nearly 30 years, Carmichael has proved to be a consistently creative and exciting performer (rather than imitative) within the genre of classic jazz and swing during the years since her debut. For this set (originally out on Progressive and reissued on CD) Carmichael is joined by altoist Marshall Royal, guitarist Freddie Green, bassist Red Callender, and drummer Harold Jones which gives some of the music a Count Basie feel. However, Carmichael's own musical personality was already nearly fully formed by the date. Highlights of the joyous music include "Christopher Columbus", "Honeysuckle Rose", "A Handful of Keys" and "I Would Do Anything for You."

Radio and TV

On radio, Carmichael has been a guest performer on Garrison Keillor's A Prairie Home Companion, and also made radio appearances on NPR's Morning Edition. She primarily appears on radio as the host of Public Radio's Judy Carmichael's Jazz Inspired, a radio program that interviews creative people from all walks of life who talk about their creative process, and how their interest in jazz has affected that process.

On television, she has appeared on Entertainment Tonight and CBS Sunday Morning, both with host Charles Kuralt and with Charles Osgood.

Her show appears on American public radio, as well as Sirius/XM's NPR Now channel. She also writes articles for JazzTimes. She produced and hosted a fifteen-part series for public radio: Pet Style Radio with Judy Carmichael.

Carmichael is the nationally syndicated host of Judy Carmichael's Jazz Inspired, a National Public Radio show and Sirius/XM show and podcast that debuted in 1993 and broadcasts on over 170 stations throughout North America. It is also broadcast on Sirius XM Satellite Radio's NPR NOW Channel and abroad. The show celebrated its 20th anniversary in 2013. She has interviewed numerous celebrities, including an interview with Raiders of the Lost Ark actress Karen Allen, actor Chevy Chase, singer Tony Bennett, rock pianist Billy Joel, actors John Lithgow, Robert Redford, F. Murray Abraham, and many more.

Early life

Carmichael was born Judith Lea Hohenstein in suburban Southern California on November 27, 1957. Carmichael was taught piano by her mother beginning around age 4 and continued with two years of formal piano training. Her first public performance on piano, when she was 17, was at UCLA's Royce Hall, sharing billing with Edgar Bergen, Jo Stafford and Paul Weston. Shortly afterwards, she shared a bill with Eubie Blake at a performance for the L.A. ragtime association, The Maple Leaf Club.

Her love of ragtime began when her grandfather offered $50 to his first grandchild who could play "Maple Leaf Rag".

My grandfather said he'd give $50 to any of his grandchildren who could play "Maple Leaf Rag" [...] I told my piano teacher that I wanted to learn it, but she refused to teach it to me. She said I wasn't good enough. So I taught myself. I learned it note by note. As soon as I'd learned it, I played it for my grandfather, took the $50 and quit taking lessons.

Professional career

Her first professional gig happened at age 19 when a friend told her about a gig on the Pavillion Queen ferry boat, doing cocktail cruises in Newport Beach, California.

She attended California State University at Fullerton as a German Major and later Cal State Long Beach as a Communications Major. She continued as a professional ragtime pianist in her early 20's, eventually shifting to jazz. She performed ragtime and stride at Disneyland for five years.

There she met trumpeter Jackie Coon, a well known Los Angeles studio musician who encouraged her and then pointed Basie drummer Harold Jones her way when Jones was substituting at Disneyland. Through Jones, she met guitarist Freddie Green and vocalist Sarah Vaughan. She joined their golf foursome, and all of them, Vaughn in particular, encouraged her to make a record.

While shopping for a label in New York City, Carmichael went to hear Roy Eldridge and he asked her to sit in. After hearing her play, Eldridge sent her to Dick Wellstood and to Tommy Flanagan, so they could hear her. Eldridge remained a supporter of Carmichael's, periodically sending her music he wanted her to play.

Carmichael lived in New York and California in the early 80's, keeping the Disney gig and working L.A. and Manhattan clubs and European festivals, eventually moving to New York full-time in 1985.

Carmichael tried to break into the jazz scene in Los Angeles, but most of the jazz clubs she found were male-dominated, intimidating, and a little unsafe to be a female musician. Carmichael was the first female instrumentalist to be hired by Disneyland (and shared a dressing room with 10 men). No other woman instrumentalist was hired during Carmichael's five years at Disney and she was always the only woman instrumentalist at jazz festivals. She finally shared the stage with another woman when she was a guest on Marian McPartland's Piano Jazz in 1988, but another woman onstage wouldn't happen again for over 20 years.

Carmichael often performs alone, but has also performed in a trio and quintet, most often with saxophonist Michael Hashim of the Widespread Jazz Orchestra, and guitarist Chris Flory, who has also been a member of Scott Hamilton's jazz combo. Other sidemen have included Red Callender, Freddie Green, Harold Jones, Marshal Royal, Jeff Rupert, Harry Allen, George Duvivier, James Chirillo, and Ray Brown#Musicians.

Festivals and concerts

Carmichael has played major festivals and concert halls throughout the world. She has toured for United States State Department in Australia, India, Portugal, Brazil, Morocco and Singapore. In 1992, she was the first jazz musician sponsored by the United States Government tour to China.

Her performances include Carnegie Hall, Jazz Festival 2008 Brazil, Jazz at Lincoln Center's Fats Waller Festival Peggy Guggenheim Museum, Tanglewood Jazz Festival, and 92d Street Y's Jazz in July

She made her debut as a vocalist on September 10, 1996 at the Tavern on the Green restaurant in New York City with Steve Ross.

Carmichael, particularly as ambassador and revivalist of a form of jazz that peaked in its mainstream popularity with artists with colorful names like Fats Waller, James P. Johnson, and Willie "The Lion" Smith and Jelly Roll Morton, faded in the memory of all but the most dedicated of jazz aficionados, is known for being one of the most accessible jazz pianists in the business.

I pride myself in making my concerts user-friendly, [...] I want to make the concert seem like I'm playing in their living room. I don't think welcoming means a smoky club atmosphere with dishes crashing in the background and musicians with an off-putting attitude.

Recording

In 1980, Carmichael made her recording debut on Progressive and has gone on to record 13 albums to date. Two have been for larger labels. The majority are released on her label, C&D Productions. Her debut album, Two Handed Stride was recorded with Basie sidemen Marshal Royal, Freddie Green, Red Callender, and Harold Jones, and was nominated for a Grammy Award. The compilation of this album and her second, Jazz Piano, were rereleased on a CD compilation on C&D Productions label. Her album Southern Swing (2008) was recorded live at the Wangaratta Festival of Jazz.[18] Her first all vocal CD I Love Being Here With You, released in 2013, was the first where she ceded piano duties to someone else, in this case Mike Renzi (formerly music director for Peggy Lee, Mel Torme, Tony Bennett and Sesame Street). Carmichael followed with her first CD of originals (music Harry Allen, lyrics Judy Carmichael) Can You Love Once More? Judy & Harry play Carmichael & Allen.

Other work

She has given private recitals for Rod Stewart, Robert Redford, President Bill Clinton, and Gianni Agnelli.[citation needed] She has appeared with Joel Grey, Michael Feinstein, Dick Hyman, Marcus Roberts, Steve Ross, and the Smothers Brothers.[citation needed] At her first major European jazz festival in Nice, France, she did two piano concerts with John Lewis, Francois Rilhac and Joe Bushkin. Carmichael has served on a variety of music panels at the NEA. She has spoken before the National Council on the Arts and she has been an advocate for fellowship grants for individual performers.[3] She oversaw music education activities for the Port Jeff Education and Arts Conservancy, a community center in Port Jefferson, New York, near her home of Sag Harbor.[14] In 2000 Carmichael created her own radio show/podcast, Judy Carmichael’s Jazz Inspired, which she continues to host and produce. She interviews celebrated artists about their love for jazz and how it inspires them. The show, now in its 17th year is carried on NPR and SiriusXm.

Awards and honors

Carmichael is listed in American Women in Jazz, Who's Who in American Woman, Who's Who in the East, Who's Who in Finance and Industry in America, Who's Who in the World and in the Encyclopedia of Jazz.

Carmichael received several grants from the National Endowment for the Arts (NEA). With them, her noteworthy projects include a documentary of early jazz musicians, and a project to discuss with college students nationwide the history and development of jazz piano.

Her album Two Handed Stride was nominated for a Grammy Award.

Discography

  • Two Handed Stride, (Progressive, 1980)
  • Jazz Piano, (1983)
  • Old Friends, (C&D, 1985)
  • Pearls, (Jazzology, 1985)
  • Trio, (C&D, 1993)
  • Basie Called Her Stride (C&D, 1994)
  • Chops, (C&D, 1994)
  • Judy, (C&D, 1994)
  • High on Fats and Other Stuff, (C&D, 1997)
  • Southern Swing, (2008)
  • Come and Get It, (C&D/CD Baby, 2012)
  • I Love Being Here With You, (CD Baby, 2014)
  • Books

  • You Can Play Authentic Stride Piano
  • Introduction to Stride Piano
  • Her arrangement of "Ain't Misbehavin'" appears in an anthology of jazz standards:

  • Steinway & Sons Vol. 4: Piano Stylings of the Great Standards
  • References

    Judy Carmichael Wikipedia


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