Jonny Polonsky

Career

Born in Chicago, Illinois and raised in suburban Wilmette, Illinois, Polonsky began writing, recording and self-releasing homemade cassettes as a teenager, under the name The Amazing Jonny Polonsky. Titles included Aw, Blow it Out Yer Ass!, Premium White American, and I Like Porn. Polonsky handed these tapes out to friends, and to musicians he admired. Using the 411 public phone records, Polonsky was able to reach and befriend musical heroes of his such as Tom Waits guitarist Marc Ribot, Circle Jerks bassist Zander Schloss, Reeves Gabrels of Tin Machine, David Bowie and The Cure, and Pixies frontman Frank Black/Black Francis.

Marc Ribot turned legendary New York composer John Zorn onto these early tapes, and Zorn invited Polonsky to play his New Jewish Music festival in 1992 at CBGB's Gallery. Polonsky's band featured Marc Ribot on guitar, Sebastian Steinberg of Soul Coughing on bass, and Sim Cain of Rollins Band on drums. Of that performance, singer Jeff Buckley (who was in attendance) was later quoted as saying, "He came to CBGB's Gallery and ripped it up...He killed 'em...The charm of it is that he's brought it into his own thing. It's a nice miniature. He does it with soul; you can tell the difference between someone who just slips into The Beatles or something and someone like him."

A year later, Reeves Gabrels introduced Polonsky to Frank Black, who became an immediate fan. In 1994, original Pixies manager Ken Goes began representing Polonsky, and Frank Black produced a demo for him. On the strength of this demo recording, producer Rick Rubin signed Polonsky as a solo artist to his label American Recordings.

The Frank Black-produced demos were eventually scrapped, and Polonsky decided to rerecord the songs in his childhood home in Wilmette, using digital home recording equipment. He produced, recorded and performed everything himself on his debut record for American. Hi My Name is Jonny was mixed by producer/mixer Brendan O'Brien and was released by American Recordings on January 16, 1996. It received a great critical reception by international news outlets, from The New York Times to MTV.

Immediately after the record's release, Polonsky and his live band toured as the main support act for Frank Black for twelve weeks in North America. They also performed on the Second Stage for the 1996 Lollapalooza summer tour.

Polonsky then disappeared from recording and touring as a solo artist. He reemerged as a touring musician in the late 90's and into the new millennium with Local H and Pete Yorn, among others.

In 2004 Polonsky released The Power of Sound, and he and his band supported Audioslave on their five-week North American club tour in the spring of 2005.

In 2006, Polonsky formed the short lived band Big Nose with Brad Wilk and Tim Commerford of Rage Against the Machine and Audioslave. Big Nose collaborated on two songs with Tool and A Perfect Circle frontman Maynard James Keenan. Keenan ended up using the two songs, Sour Grapes and Momma Sed, for his music/art project Puscifer. Polonsky wrote, recorded and toured with Puscifer from 2007 to 2010.

Since that time, he has also recorded and/or performed with Johnny Cash., Neil Diamond, and Dixie Chicks

In 2012, Polonsky released his third full length, Intergalactic Messenger of Divine Light and Love as an internet only digital release. It was recorded in Rick Rubin's recording studio, Akademie Mathematique of Philosophical Sound Research, and mixed by Tom Petty/Slayer mix engineer Jim Scott. A new album is due in 2015, titled The Other Side of Midnight and was mixed by Dean Hurley at David Lynch's Asymmetrical Studios.

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