17 May 1904
November 15, 1976, Neuilly-sur-Seine, France
Dominique Fournier (m. 1949–1976), Jeanne Mauchain (m. 1933–1943), Gaby Basset (m. 1925–1931)
The Sicilian Clan, The Grand Illusion, Port of Shadows, Pepe le Moko, Hands Off the Loot
La derni re interview de jean gabin archive ina
Jean Gabin ([ʒɑ̃ gabɛ̃]; 17 May 1904 – 15 November 1976) was a French actor and sometime singer. Considered a key figure in French cinema, he starred in several classic films including Pépé le Moko (1937), La grande illusion (1937), Le Quai des brumes (1938), La bête humaine (1938), Le jour se lève (1939), and Le plaisir (1952). Gabin was made a member of the Légion d'honneur in recognition of the important role he played in French cinema.
- La derni re interview de jean gabin archive ina
- Jean gabin maintenant je sais
- Early life
- Early days
- WWII action
- Career slump
Jean gabin maintenant je sais
Gabin was born Jean-Alexis Moncorgé in Paris, the son of Madeleine Petit and Ferdinand Moncorgé, a cafe owner and cabaret entertainer whose stage name was Gabin, which is a first name in French. He grew up in the village of Mériel in the Seine-et-Oise (now Val-d'Oise) département, about 22 mi (35 km) north of Paris. He attended the Lycée Janson de Sailly. Gabin left school early, and worked as a laborer until the age of 19 when he entered show business with a bit part in a Folies Bergères production. He continued performing in a variety of minor roles before going into the military.
After completing his military service in the Fusiliers marins, he returned to the entertainment business, working under the stage name of Jean Gabin at whatever was offered in the Parisian music halls and operettas, imitating the singing style of Maurice Chevalier, which was the rage at the time. He was part of a troupe that toured South America, and upon returning to France found work at the Moulin Rouge. His performances started getting noticed, and better stage roles came along that led to parts in two silent films in 1928.
Two years later Gabin easily made the transition to talkies, in a 1930 Pathé Frères production titled Chacun sa Chance. Playing secondary roles, he made more than a dozen films over the next four years, including films directed by Maurice and Jacques Tourneur. However, he only gained real recognition for his performance in Maria Chapdelaine, a 1934 production directed by Julien Duvivier. He was then cast as a romantic hero in a 1936 war drama titled La Bandera; this second Duvivier-directed film established him as a major star. The following year he teamed up with Duvivier again, this time in the highly successful Pépé le Moko. Its popularity brought Gabin international recognition. That same year he starred in the Jean Renoir film La Grande Illusion, an anti-war film that ran at a New York City theatre for an unprecedented six months. This was followed by another one of Renoir's major works: La Bête Humaine (The Human Beast), a film noir tragedy based on the novel by Émile Zola and starring Gabin and Simone Simon, as well as Le Quai Des Brumes (Port of Shadows), one of director Marcel Carné's classics of poetic realism. He was divorced from his second wife in 1939.
In the late 1930s Gabin was flooded with offers from Hollywood; for a time he turned them all down, until the outbreak of World War II. After the German occupation of France in 1940, he joined Jean Renoir and Julien Duvivier in the United States. During his time in Hollywood, Gabin began a torrid romance with actress Marlene Dietrich which lasted until 1948. However, his films in America – Moontide (1942) and The Impostor (1944), the later reuniting him with Duvivier – were not successful.
Gabin was a difficult personality; he did serious damage to his Hollywood career while working for RKO Pictures. Scheduled to star in an RKO film, at the last minute he demanded Dietrich be given the co-starring role. The studio refused. After Gabin remained steadfast in his demand, he was fired, and the film project was shelved.
Undaunted, he joined General Charles de Gaulle's Free French Forces and earned the Médaille militaire and a Croix de guerre for his wartime valor fighting with the Allies in North Africa. Following D-Day, Gabin was part of the military contingent that entered a liberated Paris.
He was hired by Marcel Carné in 1946 to star in the film, Les Portes de la Nuit, but his conduct got him fired again. He found a French producer and director willing to cast him and Marlene Dietrich together, but their film Martin Roumagnac was not a success and their personal relationship soon ended. Following another box office failure in 1947, Gabin returned to the stage, but the production was a financial disaster. Nevertheless, he was cast in the lead role of the 1949 René Clément film Au-Delà Des Grilles, which won the Academy Award for Best Foreign Language Film. Despite this recognition, the film did not do well at the French box office, and the next five years brought little more than repeated failures.
His career seemed headed for oblivion. However, in the 1954 film Touchez pas au grisbi (Don't Touch the Loot), directed by Jacques Becker, Gabin's performance earned him critical acclaim. The film was very profitable internationally. He then worked once again with Jean Renoir in French Cancan, with María Félix and Françoise Arnoul. Gabin played Georges Simenon's detective Jules Maigret for three films in 1958, 1959 and 1963. Over the next twenty years he made almost 50 more films, most of them very successful commercially and critically, including many for Gafer Films, his production partnership with fellow actor Fernandel. His co-stars included leading figures of post-war cinema such as Brigitte Bardot (En cas de malheur), Alain Delon (Le Clan des Siciliens, Mélodie en sous-sol and Deux hommes dans la ville), Jean-Paul Belmondo (Un singe en hiver) and Louis de Funès (Le Tatoué).
Gabin died of leukaemia at the American Hospital of Paris, in the Parisian suburb of Neuilly-sur-Seine. His body was cremated, and—with full military honours—his ashes were scattered at sea from a military ship.