Janine Burke

Education and career

Burke graduated from the University of Melbourne in 1974 with a Bachelor of Arts (Hons). In 1986 she was awarded a Master of Arts at La Trobe University, and a PhD from Deakin University in 2002.

In 1973, Burke began to publish art reviews and essays and, the following year, co-curated "A Room of One's Own: Three Women Artists", Australia's first feminist art exhibition. In 1975, she was commissioned to curate "Australian Women Artists: 1840-1940" by Kiffy Rubbo, director of the George Paton Gallery, University of Melbourne. A national touring exhibition, it became a bestselling book in 1980. In 1975, Burke was a founding member of the Women's Art Movement in Melbourne, and the following year, she was a founding member of the feminist arts journal Lip. From 1977-1982, she lectured in art history at the Victorian College of the Arts. She resigned to become a professional writer and independent scholar.

In 1983, after the publication of Joy Hester, Burke left Australia for Tuscany where she had a residency at Paretiao, the house of Australian artist Arthur Boyd which is situated near Palaia, halfway between Pisa and Florence. Judith Blackall, now gallery curator and manager, National Art School Sydney, had established the Boyd home as a studio and residency for artists, administered by the Australia Council for the Arts. Artists resident around the same time as Burke included Janet Laurence, Elizabeth Gower, John Neeson and Domenico de Clario.

There Burke completed her first novel, Speaking, and began her next novel, Second Sight, which won the 1987 Victorian Premier's Literary Award for fiction. She then moved to Florence where she studied Italian at the British Institute. In 1984, she lived in Paris, returning to Australia for the publication of Speaking. For a time, Burke lived in Sydney and rural St. Andrews in Victoria, before travelling in France, Italy and Greece. In 1986, she was a writer-in-residence in Hobart and in 1989 at the University of New England, Armidale. In the mid-80s, she settled in Robe Street, St Kilda, where Joy Hester and Albert Tucker had lived in the 1940s. She continued to write novels and short stories, as well as contributing art reviews and essays to journals and newspapers. Burke was an advisory editor to art and literary journals including Meanjin, Island, Art and Australia and Imprint. She has judged literary awards, including the Hazel Rowley Literary Fellowship and The Age Book of the Year award. Between 1994-1997, she was a member of the programming committee of the Melbourne Writers Festival.

Albert Tucker, helpful to Burke when she was writing Joy Hester, had returned to live in St Kilda and the two resumed their friendship. In 1995, Burke published Dear Sun: The Letters of Joy Hester and Sunday Reed, the correspondence between Hester and arts patron Sunday Reed. Tucker made his photographs available for Burke to illustrate the book. Sunday, Hester's closest friend, had adopted Hester's son, Sweeney. In 1981, Sunday and John Reed's home and their art collection became the Heide Museum of Modern Art. When Burke was a lecturer at the Victorian College of the Arts, Sweeney, an artist and a former gallery director, was a mature age student in the printmaking department. Sweeney assisted Burke with her research on Hester. In 1979, Sweeney committed suicide.

From 1996-2004, Burke was a trustee of Heide MoMA. She was a member of the committee which oversaw the restoration of Heide I, the Reed's original home on the property, which opened to the public in 2001. Burke's biography of Tucker, written with Tucker's approval, ran into strife prior to its publication in 2002. Tucker died in 1999 without reading the manuscript. Australian Gothic, A Life of Albert Tucker was Burke's doctoral dissertation and the first biography of Tucker. Tucker's widow, Barbara, objected to the book and refused to allow copyright permission to reproduce his paintings. The book was illustrated with Tucker's photographs which are not subject to copyright, if taken before the 1950s. In 1998, Burke had curated the first major exhibition of Tucker's photographs, titled The Eye of the Beholder: Albert Tucker's Photographs which toured nationally. In a controversial aspect of Australian Gothic, Burke wrote it was unlikely that Sweeney was the son of Albert Tucker, but rather of well-known Melbourne drummer Billy Hyde (1918–1976). Burke based her comments on conversations with Tucker, Sweeney, Gray Smith (Hester's second husband) and Nadine Amadio, a close friend of Sunday Reed's. In late 2001, when the row about the book made news, Ken Fletcher, chairman of the Heide board, asked Burke to resign. It was believed that the Tucker Gift to Heide MoMA, administered by Tucker's widow, was in jeopardy. The gift was worth several million dollars and comprised works by Tucker, Hester, Boyd, Sidney Nolan and Danila Vassilieff. Burke refused to leave the board and the Tucker Gift went ahead. The controversy is discussed by Katrina Strickland in Affairs of the Art: Love, Loss and Power in the Artworld (2013).

The Heart Garden: Sunday Reed and Heide (2004) takes its title from a small, heart-shaped garden of forget-me-nots and chamomile that Reed planted to commemorate her relationship with Sidney Nolan. In the biography, Burke wrote that Reed had assisted Nolan in painting the Ned Kelly series. She based her theory on the close collaborative relationship that Reed and Nolan enjoyed, evidenced by archival research, and by Nolan's watercolour For the one who paints such beautiful squares (c.1946-1947, Heide MoMA) that is dedicated to Sunday. Currently, Burke is consultant to a film project about Heide based on her books with producer Richard Keddie.

After visiting the Freud Museum London where Sigmund Freud's art collection of over 2000 antiquities is housed, Burke wrote The Gods of Freud: Sigmund Freud's Art Collection (2006) which was shortlisted for the NSW Premier's Literary Award. In 2007, with the co-operation of Freud Museum London, she curated "An Archaeology of the Mind: Sigmund Freud's Art Collection" for Monash University Museum of Art and the Nicholson Museum, University of Sydney. Burke has also curated "Freud and Eros: Love, Lust and Longing" at the Freud Museum London in 2014.

In 2011, Burke held her first photography exhibition, Personal View: Photographs 1978-1986, at VCA Margaret Lawrence Gallery, Melbourne. A book of the same name was published by Monash University Publishing to coincide with the exhibition.

Nest: The Art of Birds (Allen&Unwin 2012) was also an exhibition of the same title which Burke curated for McClelland Sculpture Park and Gallery in 2013. The nests were selected from the collection of Museum Victoria and the private collection of Gay Bilson.

With Adrian Martin, she organised "Impresario: Paul Taylor Art & Text POPISM" at Monash University in 2012. Edited by Helen Hughes and Nicholas Croggan, the papers were published as Impresario: Paul Taylor The Melbourne Years 1981-1984(2013).

In 2014, Burke organised "Kiffy Rubbo and the George Paton Gallery: Curating the 1970s" at the University of Melbourne. She co-edited a book of the same name with Helen Hughes in 2016.

Awards, nominations and competitive grants

Non-fiction

Fiction (adult)

Fiction (young adult)

Exhibitions curated

Exhibitions

Collections

Burke's photographs are held in the following collections:

Burke's papers are held in the following collections: