International Cycling Film Festival

Early years

The International Cycling Film Festival was established in December 2005 in Bochum by the chairman of the cycling club Team Hollandse Frietjes – non-professional cycling, Gernot Mühge. The festival launched in September 2006 under the name "International Cycling Video Festival" (German: Internationales Festival des Radsport-Videos). Featured were 17 films from the USA, Scotland, Switzerland, Austria and Germany. The first three festivals took place at “Goldkante”, a club for the local art scene and social-cultural events in Bochum. During these years the festival was arranged as a three-days festival, containing two film evenings at the first two days and ending with a time trial for both cyclists and movie makers at the third day. The laudatory for the Goldene Kurbel in these years was Frank Hörner, director of the Theater Kohlenpott, which is a children and youth theatre in the Flottmann-Hallen, Herne. He facilitated the transfer of the ICFF from Bochum to nearby Herne.

Flottmann-Hallen years

Since a continuous growth by an increasing number of participants and a rising variety and quality of film contributions the festival was renamed "International Cycling Film Festival” 2009. Also the festival's venue “Goldkante” became too small for the audience over the years. Based on the existing cooperation to the Theater Kohlenpott the makers of the festival decided to move the 4th International Cycling Film Festival to Herne 2009. From then until now the festival takes place at the Flottmann-Hallen, a former machine-tool factory, which was transformed into a cultural centre for Herne following its closure in 1983. During the years 2010 to 2012 the ICFF was included in the “VVicycle- Herne Film and Bicycle Days”, an organizational umbrella for different film festivals taking place in the Flottmann-Hallen.

“The fantastic bicycle film" (German: Der fantastische Fahrradfilm) was the particular motto of the 6th International Cycling Film Festival. The motto was repeated as "The fantastic bicycle film reloaded" during the 8th ICFF 2013. These two specific programs included anime, animation and auteur films from Argentina, Austria, Greece, Germany, Japan, Italy, Poland and Portugal.

Polish-German period of the ICFF

In Summer 2011, during a meeting on future cooperation among bicycle activists in the Ruhr district held in the bike kitchen in Dortmund, Aleksander Kopia, founder of the Silesian Bicycle Initiative (Polish: Śląska Inicjatywa Rowerowa), Poland met people from the ICFF. From that point the Polish initiative is a partner of the ICFF. First guest performances in Poland occurred in the Silesian Voivodeship in Katowice and in Częstochowa in summer 2012. This gave rise to the idea of setting up a second ICFF in Poland based on equal partnership between the Polish and German makers of the ICFF. So 2013 the program of the festival was shown simultaneously in Herne and Częstochowa. Furthermore, a new prize for bicycle-related films was created. The award was named Trzy złote szprychy (English: Three Golden Spokes) and is the audience award of the festival’s Polish edition. In 2014, the Polish edition of the ICFF moved from Częstochowa to Kraków. Since that time the ICFF is under the patronage of the German Consulate General in Kraków. The Polish festival edition is supported by the Goethe-Institut, a German cultural association encouraging international cultural exchange.

A Dutch-Polish-German film festival since 2015

In 2014 the Dutch movie maker Erwin Zantinga from Groningen became a new member of the ICFF board after he presented his film “Two wheels and a hayfork” at the 9th ICFF in Herne personally. Due to this new cooperation between Dutch, Polish and German festival makers Groningen became an additional venue off the ICFF. In the same time the makers of the ICFF started collaboration with the party Alliance '90/The Greens of the municipality of Wiesbaden. As a result, the German Film Heritage Foundation Murnau Stiftung was found as the fifth fixed venue of the ICFF. It is now a trinational festival with board members from and fixed venues in Poland, the Netherlands and Germany.

With its further expansion also the approach of the festival was more and more outlined. Nowadays its mission is two-fold. First, the ICFF focuses on the bicycle as a subject of cinematic art. This part of the festival is represented by movie makers like Werther Germondari, Michael Dudok de Wit, Jörn Staeger, or Michael Klöfkorn, who contributed to the festival. Second, the ICFF screens films as a means of expression in the fast growing bicycle culture. It is a forum for movie makers from the bicycle community like Lucas Brunelle or Casey Neistat.

Award Goldene Kurbel

The Goldene Kurbel (English: Golden Crank) is the highest price awarded to the best film in the festival, counting as The Oscar for bicycle films. It is the oldest film prize for bicycle-related films. The award is chosen by a jury of local film, bicycle and art experts who are also in charge for the official selection of the festival program. The Goldene Kurbel consists of a golden right-side crank arm of a bicycle on the top of a wooden base. The crank stands as a symbol for the bicycle and refers also to the crank of early hand-cranked film cameras.

Awardees

The Goldene Kurbel of the 11th ICFF was given to Cycologic, a documentary about the power of women on bikes in Uganda, directed by Emilia Stålhammar, Veronica Pålsson and Elsa Lövdin, Sweden. The film was shot in Kampala, Uganda, in an absurd mess of mini vans and lorries; in this particular traffic the bicycle appears as a statement of social justice, equity and quality of life (not only) for African people. The film focusses on the political work of Amanda Ngabirano and other women for the creation of car free zones and bike lanes as well their promotion of women in cycling: “Seeing a woman riding a bicycle should not be seen as a sign of courage and fearlessness, but rather a sign of safe streets; and that should be the focus of the planning authorities”, so Amanda.

The winner of the 10th ICFF in 2015/2016 was Wytse Koetse for his film De Benen van Amsterdam, a portrait of Frans van der Meer, Amsterdam’s most authentic bicycle repairmen. The film demonstrates that bicycles are the legs of Amsterdam, and by fixing bicycles Frans keeps the city running. Wytse Koetse’s touching documentary shows Frans’ 90 years old workshop transforming the big city of Amsterdam into a village, where people need their bikes fixed for their daily life, they meet and provide mutual support.

2014 the Goldene Kurbel was given to The Bell from Pijus Mickus, Lithuania. The Bell is a film about a girl’s dream of a cycle of her own, fulfilled by her loving parents. Since the bell does not ring the young owner starts her first ride to let the bell repaired. But the bike ride through the Lithuanian landscape appears difficult; the bicycle falls apart into pieces. Pijus Mickus' short shows powerfully expressive performance dance, with Indrė Pivoraitė and her bicycle as a congenial dance partner in the leading roles.

The prize for the best film 2013 was given to Three-Legged Horses from Felipe Bustos Sierra, Edinburgh, Scotland. His short shows an evening in the live of a professional cycle rickshaw driver, the friendly contacts with passersby, street musicians, colleagues, but also by the demanding fight against gravity, physical pain and nasty passengers. Referring to this contrast the film ends in a big brass party including the whole nightlife of Edinburgh. Three-Legged Horses shows the bright and dark site of professional bicycle driving, the fascination of free urban life, the solidarity among a modern precariat on the one hand, and on the other hand the vulnerability and toughness of this particular work life. The film won both Goldene Kurbel and audience award of the 8th ICFF.

Father and Daughter, a Dutch animation from Michaël Dudok de Wit was the Goldene Kurbel awardee in 2012. The metaphorical and touching film tells the story of a young girl, beginning with the goodbye of her father who leaves in a small boat. Over and over the girl took the bike to come back to the point where he left. This scene recurs for several stages of her life, i.e. as young woman cycling with her girlfriends, with her husband and children, as an elder woman, yet within her there is always a deep longing for her father. The compelling film won the audience award of the ICFF 2012, too.

The film prize 2011 was awarded to the American short Cycle of love by Catherine Marshall. It is the first contribution for the ICFF, within which bicycles play all parts in the film. The festival jury was positive about the amazing expressivity of Catherine Marshall's playing act bicycles, which was needed for the tragicomical love story of her film.

2010 the Goldene Kurbel was given to the Romanian artist Alexei Gubenco and his movie Vive La Crise!. The animation takes the economic and financial crisis as a starting point: "The short shows in an optimistic and satirical way the benefits of the cycle for both individuals and society, referring to the (as it were) anti-consumerism character of cycling", so the 2010th jury's comment.

The winner in 2009 was the German movie maker Jörn Staeger. His film Rad (English title: Wheel) is a short about a bizarre cycling trip under time pressure and against bicycle-specific obstacles: men, dogs, bike chains.

The 2008 prize winner was the movie maker Mike Tereba from Luxembourg for his contribution Psyclist, a gloomy feature film dedicated to a cyclist who was killed in a bicycle accident.

Winners of the Goldene Kurbel in previous years were the German movie maker Sören Büngener for his film A Look in the Mirror in 2007; a year earlier, in 2006, the Goldene Kurbel was awarded to the Austrian/German artists Sylvia Winkler und Stephan Köperl and their film doored in downtown.

Audience awards

11th ICFF 2016/2017

10th ICFF 2015/2016

4th ICFF 2009

Souvenir Stefan Götz

The sporting competition "Souvenir Stefan Götz" marks the end of each German edition of the International Cycling Film Festival. It is named after the first sponsor of the Team Hollandse Frietjes. It also refers to the Tour de France and its Souvenir Henri Desgrange.

In the first few years of the festival the Souvenir Stefan Götz took the form of an individual and team time trial over about 20 km, which was open to both audience and movie makers. 2009 the Souvenir Stefan Götz was a match sprint over about 800 metres, 2011 it was an Urban Cycle Polo match, 2012 a Goldsprint. From 2013 onwards it is a so-called Vinylsprint race, which is an invention of the ICFF makers.

Vinylsprint

The Vinylsprint is a variation of a Goldsprint race. It was invented by one of the makers of the ICFF, Patrick Praschma, and introduced at the 8th ICFF. Similar to the Goldsprint two stationary bicycles are its basis. The bicycles are coupled with belt-drive turntables: Pedaling the stationary bicycle operates a record player. Its tone arm is connected with a computer, and the stylus works as a speed sensor for the stationary bike. The racetrack is simulated by a video projection, both cyclists have to ride a similar virtual parkour on the cinema screen.

Winners of the Souvenir Stefan Götz

2016: Philipp Todtberg, Carpentry student, Dortmund

2015: Uwe Hermesmeier, Board Member ADFC Mönchengladbach, Mönchengladbach.

2014 and 2013: Axel Rickel, Bicycle salesman, Dortmund

2012: Pierre Cournoyer, Performing Artist at Roomservice, Herne

2011: Bike Polo Team "Champagneros", Duisburg

2009: Gernot Mühge, founding director of the ICFF, Bochum

2008: Thomas Wisiolek, amateur cyclist

2007: Rolf Trovato, amateur cyclist

2006: Holger Zepper, movie maker

Guest performances

The first guest performance of the ICFF took place in the German Museum for Sport and Olympics (German: Deutsches Sport & Olympia Museum), Cologne, in 2011. Since this time regularly guest performances of the ICFF take place in the Centennial Hall (German: Jahrhunderthalle Bochum) during the festival “Bicycle Summer of Industrial Culture”, and in the cultural center Langer August in Dortmund in cooperation with the local Critical Mass. In 2015 the ICFF started a cooperation with the Murnau Stiftung, Wiesbaden. Guest performances of the ICFF normally contain a selection of films from recent years.

Reception

No one has yet approached the subject of cycling in such an entertaining, amusing and aesthetically pleasing manner.