Inbetween Worlds

Cast

Development

Feo Aladag came up with the idea of making a film about German soldiers in Afghanistan when she saw a newspaper photograph showing a German soldier in Afghanistan back in 2002/3.

It seemed unfair to her how the work of German soldiers was being reflected in German society she describs in an interview with the magazine Indie Wire: "Too much of too unreflected United We Stand makes me shiver, but too little respect for commitment and bravery make me feel worse. [...] It seemed time to shift perspective and move beyond the trauma. It's vital to communicate, to tell stories, to trigger some sort of dialogue and empathy by generating options of identification".

Aladag's research began with lots of reading about the German army and Afghanistan. During research, she made three trips to Afghanistan, each time for two to three weeks. She lived with German soldiers, went out on patrols with them, made contact with the locals and started listening to their stories. Like the one of the 18-year-old Afghan main actor Mohsin Ahmady who does not know his exact date of birth and has had first-hand experience of what it means to grow up in Afghanistan: In 2002, while still a pupil at the Gore Mar High School, he had to deal with the death of his father. Since then, as an eldest son, he has worked in order to earn money for his family and taken every opportunity to advance his education.

Filming locations

Inbetween Worlds was shot primarily on location in northern Afghanistan, in and around the cities of Mazar-e-Sharif and Kunduz. This was necessary for the highest authenticity in environment, cast and atmosphere. Director Aladag said "I didn’t want a German Turk speaking a fantasy dialect in Morocco". Shooting locations in Germany were North Rhine Westphalia and Lower Saxony.

Critical reception

Deborah Young describes in The Hollywood Reporter that the "territories are bound to appreciate the realism and muscular shooting by a woman director and crew (shades of Kathryn Bigelow and Zero Dark Thirty) on location in northern Afghanistan" and that "the immediacy and tension with which Aladag conveys the daily life of the soldiers is something to take home".

Guy Lodge writes in the Variety that the film "is a sensitive corrective to more partisan war dramas" and that the "film's visual palette, as well as its marriage of classic melodrama with contempo grit, is most strongly reminiscent of Susanne Bier's earlier work; if seen in the right places, it’s slick enough to potentially secure her an English-language assignment".

Fionnuala Halliganut wrote in Screen Daily that Inbetween Worlds is a "nuanced story, stylishly shot with a good deal of integrity", which '"should attract international arthouse audiences intrigued by the added weight of a German military presence in a modern battle zone".