7.2 /10 1 Votes
Originally published 2008 | 3.6/5 Goodreads | |||||||||||||||||||||||||||||||||
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Similar The Night Season, The Painter, Never So Good, Welcome to Thebes, England People Very Nice | ||||||||||||||||||||||||||||||||||
Her Naked Skin is a 2008 play by Rebecca Lenkiewicz. It is often incorrectly noted as the first play by a female writer to be produced on the Olivier Stage at London's Royal National Theatre where it premiered on 24 July 2008. In reality it is the third play by a female writer to be produced there, and the first original play by a female writer, as the first two were adaptations: Pam Gems's adaptation of The Seagull in 1991, and Helen Edmundson's Coram Boy in 2005. The premiere was directed by Howard Davies. In an interview, the National's director Nicholas Hytner stated "[Lenkiewicz's] new play ... will take its place in the Olivier rep alongside work by Shaw, Middleton and Tony Harrison."
Contents
Ccm acting presents her naked skin
Plot
The play is set during British women's struggle for the vote in the early 20th century, beginning with a suffragette committing suicide at the Derby and ending with the outbreak of World War I. It is centred on a love-affair between two fictional suffragettes, one upper-class (played in the premiere by Lesley Manville) and the other working-class (played in the premiere by Jemima Rooper).
Inception
In a National Theatre programme note, Lenkiewicz has written "I used to work at the National Film Theatre as an usherette and on my breaks I'd often go out to the river with a cup of tea and scour the bookstalls under Waterloo Bridge. One large paperback volume Shoulder to Shoulder cried out to me to be bought. It was by Midge Mackenzie and was a documentary account of the suffragettes. It was a battered copy and cost a tenner...and from devouring that book came my urge to write about the period and a desire to put those women into the foreground once more; their bravery and brilliance."
Reception
Most of the critical reaction to the premiere was good, managing four stars in the Evening Standard, Guardian, Independent and Time Out and three in the Times, though the critic from The Times criticised what he saw as the caricaturing of the male characters. Some critics also felt the lesbian love affair was concentrated on at the expense of the historical background, though some have argued against such as criticism
Cast
* = Also credited as Ensemble