|Origin Chicago, Illinois, US|
Name Henry Threadgill
Genres Jazz, avant-garde jazz
|Music group Air|
Years active 1960s–present
|Birth name Henry Luther Threadgill|
Born February 15, 1944 (age 71) (1944-02-15)
Occupation(s) Musician, bandleader, composer, sideman
Education American Conservatory of Music, Englewood Technical Prep Academy
Albums Made in Chicago, Too Much Sugar for a Dime, This Brings Us to Volume 1, Makin' a Move, Carry the Day
Instruments Alto saxophone, flute
A conversation with henry threadgill
Henry Threadgill (born February 15, 1944) is an American composer, saxophonist, and flautist, who came to prominence in the 1970s leading jazz ensembles with unusual instrumentation and often incorporating genres other than jazz. He has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid.
- A conversation with henry threadgill
- Henry threadgill s zooid
- Awards and honors
- As leader
- As sideman
He was awarded the 2016 Pulitzer Prize for Music for his album In for a Penny, In for a Pound, which premiered at Roulette Intermedium on December 4, 2014
Henry threadgill s zooid
Threadgill performed as a percussionist in his high-school marching band before taking up baritone saxophone, alto saxophone, and flute. He studied at the American Conservatory of Music in Chicago, majoring in piano, flute, and composition. He studied piano with Gail Quillman and composition with Stella Roberts. He was an original member of the Association for the Advancement of Creative Musicians (AACM) in his hometown of Chicago and worked under the guidance of Muhal Richard Abrams before leaving to tour with a gospel band. In 1967, he enlisted in the U.S. Army, playing with a rock band in Vietnam in 1967 and 1968. He was discharged in 1969.
After returning to Chicago, Threadgill joined fellow AACM members bassist Fred Hopkins and drummer Steve McCall in a trio which would eventually become the group Air. He moved to New York City, where he formed his first group, X-75, a nonet consisting of four reed players, four bass players, and a vocalist.
In the early 1980s, Threadgill created his first critically acclaimed ensemble as a leader, the Henry Threadgill Sextet (actually a septet; he counted the two drummers as a single percussion unit), which released three albums on About Time Records. After a hiatus, he formed New Air with Pheeroan akLaff, replacing Steve McCall on drums, and reformed the Henry Threadgill Sextett (with two t's at the end). The six albums the group recorded feature some of his most accessible work, notably on the album You Know the Number. The group's unorthodox instrumentation included two drummers, double bass, cello, trumpet, and trombone, in addition to Threadgill's alto saxophone and flute. Among the players were drummers akLaff, John Betsch, Reggie Nicholson and Newman Baker; bassist Fred Hopkins; cellist Diedre Murray; trumpeters Rasul Siddik and Ted Daniels; cornetist Olu Dara; and trombonists Ray Anderson, Frank Lacy, Bill Lowe, and Craig Harris.
During the 1990s, Threadgill pushed the musical boundaries even further with his ensemble Very Very Circus. The group consisted of two tubas, two electric guitars, a trombone or French horn, and drums. With this group he explored more complex and highly structured forms of composition, augmenting the group with Latin percussion, French horn, violin, accordion, vocalists, and exotic instruments. He composed and recorded with other unusual instruments, such as a flute quartet (Flute Force Four, a one-time project from 1990); and combinations of four cellos and four acoustic guitars (on Makin' a Move).
He was signed by Columbia Records for three albums. Since the dissolution of Very Very Circus, Threadgill has continued in his iconoclastic ways with ensembles such as Make a Move and Zooid. Zooid, currently a sextet with tuba (Jose Davila), acoustic guitar (Liberty Ellman), cello (Christopher Hoffman), drums (Elliot Kavee) and bass guitar (Stomu Takeishi), has been the primary vehicle for Threadgill's compositions in the 2000s.
Awards and honors
In 2016, Threadgill's composition In for a Penny, In for a Pound was awarded the Pulitzer Prize for Music.
In July 2016, he received the Vietnam Veterans of America Excellence in the Arts Award at the VVA National Leadership Conference in Tucson.
"Run Silent, Run Deep, Run Loud, Run High" (conducted by Hale Smith) and "Mix for Orchestra" (conducted by Dennis Russell Davies), were both premiered at the Brooklyn Academy of Music in 1987 and 1993 respectively. He has had commissions from Mordine & Company in 1971 and 1989, from Carnegie Hall for "Quintet for Strings and Woodwinds" in 1983 and 1985, the New York Shakespeare Festival in 1985, Bang on a Can All-Stars in 1995, "Peroxide" commissioned by the Miller Theatre Columbia University in 2003 for "Aggregation Orb", a commission from the Talujon Percussion Ensemble in 2008, a piece "Fly Fliegen Volar" commissioned and premiered at the Saalfelden Jazz Festival with the Junge Philharmonie Salzburg Orchestra in 2007, a premier of the piece "Mc Guffins" with Zooid at the Biennale Festival in Italy in 2004 to name some.
Henry Threadill Sextett
Very Very Circus
Make a Move
Ensemble Double Up
With Muhal Richard Abrams
With Anthony Braxton
With Chico Freeman
With Roscoe Mitchell
With Frank Walton
With David Murray
With Material / Bill Laswell
With Sly & Robbie / Bill Laswell
With Carlinhos Brown / Bill Laswell
With Leroy Jenkins
With Kip Hanrahan
With Billy Bang
With Abiodun Oyewole
With Flute Force Four (Threadgill, Pedro Eustache, Melecio Magdaluyo, James Newton)
With Douglas Ewart
With Jean-Paul Bourelly
With Ejigayehu "Gigi" Shibabaw
With Lucky Peterson
With Dafnis Prieto
With Wadada Leo Smith
With Jack DeJohnette