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Henry Burr

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Birth name  Harry Haley McClaskey
Occupation(s)  Singer
Labels  Columbia, Victor
Role  Singer
Music group  Peerless Quartet
Genres  vocal
Years active  late 1890s–1941
Name  Henry Burr
Education  Mount Allison University
Henry Burr Henry Burr tenor 18851941 Biographies The Virtual
Also known as  Irving Gillette Henry Gillette Alfred Alexander Robert Rice Carl Ely Harry Barr Frank Knapp Al King Shamus McClaskey
Born  January 15, 1882 St. Stephen, New Brunswick, Canada (1882-01-15)
Died  April 6, 1941, Chicago, Illinois, United States
Albums  Henry Burr Anthology / The Original King Of Pop
Similar People  Albert Campbell, Billy Murray, Arthur Collins, Frank C Stanley, Marion Harris

Henry burr are you lonesome tonight 1927


Henry Burr (January 15, 1882 – April 6, 1941) was a Canadian singer of popular songs in the early 20th century, an early radio performer and producer. He was born Harry Haley McClaskey and used Henry Burr as one of his many pseudonyms, in addition to Irving Gillette, Henry Gillette, Alfred Alexander, Robert Rice, Carl Ely, Harry Barr, Frank Knapp, Al King, and Shamus McClaskey. He was one of the first singers to make popular acoustic recordings and one of the most prolific recording artists of all time, with more than 12,000 recordings by his own estimate. A tenor, he performed as a soloist and also in duets, trios and quartets. His most famous collaboration was the Peerless Quartet.

Contents

Henry Burr Henry Burr tenor 18851941 Biographies The Virtual

Henry burr when you and i were young maggie 1909


Early years

Henry Burr httpsuploadwikimediaorgwikipediacommonsthu

Born in the border town of St. Stephen, New Brunswick, Canada, Harry McClaskey was the son of a candy and tobacco store owner, A. A. McClaskey. His mother was the former Ida Connors and he was the youngest of four children. His vocal talents were recognized early and by the age of 5 he was performing publicly in St. Stephen. At age 10 he was the mascot for the Saint John Bicycle and Athletic Club in the nearby city of Saint John, singing "Her Eyes Don't Shine Like Diamonds" and at age 13 he was performing onstage as a boy tenor with the Artillery Band in Saint John. The family had moved to Saint John by this time. Perhaps doubting that he could make a career in music, he later attended Mt. Allison Academy in Sackville, New Brunswick, and afterwards worked for his father. On April 14, 1901, he appeared at the opera house in Saint John in his first notable concert with the Scottish soprano Jessie MacLachlan. On September 30, 1901 he was discovered by the Metropolitan Opera baritone Giuseppe Campanari who was in Saint John to perform at the St. John Opera House. Campanari insisted that McClaskey go to New York for musical training.

Recording artist

Henry Burr A Trip to HENRY BURR39S Unmarked Grave

Emboldened by Campanari's endorsement, McClaskey ventured to New York in 1902, where he began lessons and sang with the Grace Methodist Episcopal Church choir. He ultimately rose to tenor soloist for the choir. His teachers included John Dennis Meehan (or Mehan) and Kate Stella Burr, from whom he would adopt his stage name in her honour.

Henry Burr Henry Burr Meet Me Tonight in Dreamland 1910 YouTube

It was around 1902 that he started to make recordings with Columbia Records and he used the name Henry Burr at that time. He arrived at a particularly opportune time for Columbia, as their star tenor George J. Gaskin was in the final years of his career. He started recording for Edison Records as well in November 1904, under the name Irving Gillette. Disagreements with company executives resulted in him no longer recording for Edison after October 1914. He first recorded with Victor on January 4, 1905, and the recordings were first released that March. On April 7, 1905 he recorded Egbert Van Alstyne's "In the Shade of the Old Apple Tree" which proved to be highly popular. It was also recorded by contemporary Billy Murray the same year. Burr proved to be a successful artist, recording as noted, thousands of songs for various labels under various names. He would record with Leeds Talk-O-Phone and the American Record Company as well.

Collaborations

In 1906, Burr joined the Columbia Male Quartet which was recording for the Columbia Record Company as second tenor under the management of Frank C. Stanley. They were later renamed the Peerless Quartet when they moved to the Victor label. When Stanley died in 1910, Burr took over management of the group. It continued on as a popular recording and live performance team (with various personnel and name changes over the years) until 1928, when it disbanded. Burr was also a member of other recording groups, including the Metropolitan Trio and the Manhattan Mixed Trio, both of which featured him with Frank C. Stanley and Elise Stevenson. In 1921, he was a minor collaborator on Broadway, contributing music to a summertime review called The Broadway Whirl.

Burr also recorded successfully in a duo with Albert Campbell. The pair had a succession of major commercial hits between 1911 and 1925, including "The Trail of the Lonesome Pine" (1913); "Till We Meet Again" (1919); and "I'm Forever Blowing Bubbles" (1919).

As a businessman

By 1915, he was in a comfortable position financially, and he began to seek ways to invest his money. That year, he formed the Paroquette Record Manufacturing Company with Fred Van Eps, based in New York City. The Paroquette system used vertical cut records and featured his own recordings and those of several other performers. As a novel introduction in a highly competitive market, the Paroquette recording technique was an early failure, and the company was out of business by 1917. Burr also tried music publishing, and he also shared ownership in a banjo factory with Van Eps for a short while.

Early radio

Burr performed live on the radio while broadcasting technology was still in its infancy. He made his first appearance in 1920 in Denver, Colorado using a microphone improvised from a wooden bowl with an inverted telephone transmitter. The broadcast was heard as far west as San Francisco. Burr is also credited with making the first transcontinental 'broadcast' by singing into the telephone in New York and being heard by diners wearing headphones at a Rotary dinner in California. Also in 1920, he signed an exclusive contract with Victor that lasted seven years. A lucrative contract, it made him (for a time) a wealthy man.

By the late 1920s, his recording career was over – electrical recording technologies had led to the crooner style of tenor first exemplified in the singing of Gene Austin and Al Bowlly – but the commercial potential of radio continued to interest Burr. As a result, he became involved in early radio programming, forming Henry Burr, Inc. in 1928 as a producer of radio programming. He produced numerous programs for commercial radio networks into the 1930s. He originated the Cities Service broadcast, which he produced for two years.

In October 1929, he reportedly lost a substantial portion of his wealth in the Wall Street Crash of 1929. Within a month, however, he was appointed Director of the Artist's Bureau at CBS which had just been organized under the ownership of William S. Paley.

Around 1935, he returned to performing on the radio as a member of the WLS Chicago National Barn Dance troupe, which was broadcast over NBC on Saturday evenings. He soon became a featured performer on the show, which he stayed with for five years until shortly before his death. He suffered from throat cancer and died in Chicago on April 6, 1941. Buried near his stepdaughter Marguarite in Mount Vernon, New York, where he had lived, he was survived by his wife, Cecilia.

Audio

  • When you and I were young, Maggie (1916 solo performance) From Virtual Gramophone.
  • Samples from Archeophone Records
  • Henry Burr recordings, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.
  • Songs

    My Buddy
    The Rose of No Man’s Land
    M-o-t-h-e-r
    Love Me And The World Is Mine
    A Baby's Prayer At Twilight
    Last Night Was The End Of The World
    Goodbye Broadway - Hello France
    Carry Me Back to My Carolina Home
    When I Leave the World Behind
    Just a Baby’s Prayer at Twilight
    Old Pal - Why Don't You Answer Me?
    What Do You Mean - You Didn't Want To Do It?
    When the Sun Goes Down in Dixie
    Hawaiian Butterfly
    One Wonderful Night
    Tired of Me
    Au Revoir But Not Good Bye [Recorded 1917]
    Mother Dear
    Mighty Lac' A Rose
    Don't Bite the Hand That's Feeding You [Recorded 1915]
    Stay Down Here Where You Belong
    Your lips are No Man’s Land but mine
    West of the Great Divide
    I'd Love You All Over Again
    There's a Little Spark of Love
    The Prisoner's Sweetheart
    When Dreams Come True
    My Hawaiian Sunshine
    I'd Love to Fall Asleep and Wake Up in My Mammy's Arms
    Rags
    A Picture Without a Frame
    Peter Pan Rec

    References

    Henry Burr Wikipedia


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