Full Name Helena Waldmann Name Helena Waldmann | Education University of Giessen | |
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Born 1962 Burghausen, West Germany Occupation ecotopia dance productions Known for Theatre director, choreographer, set designer | ||
Helena waldmann burkabondage
Helena Waldmann is a German theater director, set designer, and choreographer who was born in Burghausen, Germany in 1962.
Contents
- Helena waldmann burkabondage
- Helena waldmann glucksstuck
- Life and education
- Works
- Main choreographies
- Created as free lanced director
- Prizes and awards
- Literature
- References
Helena waldmann glucksstuck
Life and education
Since her beginnings studying Applied Theatre Studies in Gießen, her first works at the German State Theatres in the early 90s with teachers such as Heiner Müller, George Tabori and Gerhard Bohner, several years at the Mousonturm in Frankfurt, and with her free-lance productions made in coproduction with German and international theatres and festivals, she points to social sore spots, creating total works of art that go far beyond traditional dance-theatre.
Helena Waldmann’s works have won prizes and travelled around the world – to Europe, India, Iran and Afghanistan, Egypt, Palestine, Kenia, South America, Korea and Vietnam. Her opinion is in demand in symposiums, as a lecturer and in workshops in Afghanistan, Bangladesh, Ethiopia, Germany, Greece, India, Iran, Japan, Korea and Switzerland. These journeys have also continually inspired her to make new works: works such as “Letters from Tentland”, produced in Tehran for six Iranian women, “Return to sender”, her commentary on European immigration policy, performed by six exiled Iranian women, as well as “Feierabend! - das Gegengift -”, her anarchic, delirious antidote to the dictatorship of our modern meritocracy. In the captivating “BurkaBondage” she presented the Muslim veil and Japanese bondage in an uptempo relationship between shackle and protection. “get a revolver”, a solo for Brit Rodemund, who in 2011 was named “Dancer of the Year”, is a celebration of forgetting in which Helena Waldmann senses a possible happiness. In “Happy Piece” she declares the smallest stage to a powder keg of dance. Four fearless heralds of fortune find happiness in the rebelliousness of energy and in their dignity.
Works
Helena Waldmann's works, such as Die Krankheit Tod, Vodka konkav, and Cheshire Cat, created between 1993 and 1999, were internationally acclaimed. The political force of her choreographies after 2000 resulted from a mimicry of exile and inner immigration. She became the first female director from the West to be invited to work in Iran. The result was Letters from Tentland, which was produced recently in Tehran for six Iranian women. Her ballet, Crash, about extreme sports was produced in Saarbrücken. Other works include Return to Sender, a commentary on European immigration policy, and Feierabend! das Gegengift, produced in Berlin.
In 2003, Waldemann received the UNESCO Prize for her Brazilian production Headhunters. Her teaching positions, workshops, and numerous commissions have taken her to Switzerland, Greece, China, Brazil, Iran, Palestine, India, Afghanistan, Japan, and Bangladesh. Waldmann's performance has toured through India and Sri Lanka at the invitation of the Goethe-Institut.
Burka Bondage is about the passion and pain of two women struggling for freedom under the burka and the restraints of Japanese bondage. Waldemann juxtaposed the Muslim burqa and Japanese bondage—a technique that shackles, and created Burka Bondage "to illustrate the interdependence and knotting together of practices, cultures as well as individuals".
Revolver Besorgen (Get a revolver), another of her productions, is dedicated to people with dementia. Waldmann focuses on the social stigma associated with the loss of memory. Waldmann describes the ability to forget as an essential, basic function of the human memory; it is one that brings freedom like the "Delete" key on the computer.