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Harry Barris

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Genres
  
Jazz

Instruments
  
Piano


Name
  
Harry Barris

Role
  
Singer

Harry Barris 1bpblogspotcom9w0DmriUL34TekPcNxdgoIAAAAAAA

Born
  
November 25, 1905 New York City, New York, United States (
1905-11-25
)

Occupation(s)
  
Vocalist, composer, pianist

Associated acts
  
Bing Crosby, The Rhythm Boys, Paul Whiteman, Al Rinker

Died
  
December 13, 1962, Burbank, California, United States

Spouse
  
Loyce Whiteman (m. 1931–1946), Hazelle Thompson (m. 1925–1930)

Books
  
From Monday On: As Performed by Bing Crosby, Single Songbook

Children
  
Marti Barris, Hazelle Dare

Movies
  
King of Jazz, Priorities on Parade, The Spirit of Notre Dame, Two Plus Fours, The Great American Mug

Similar People
  
Bing Crosby, Paul Whiteman, Gus Arnheim, Ted Koehler, Harry Tobias

Harry Barris (November 24, 1905 – December 13, 1962) was an American popular singer and songwriter, and is one of the earliest singers to use "scat singing" in recordings. Barris, one of Paul Whiteman's Rhythm Boys, along with Bing Crosby and Al Rinker, scatted on several songs, including "Mississippi Mud," which Barris wrote in 1927.

Contents

Harry Barris I Surrender Dear sheet music by Harry Barris Piano Vocal Guitar

Harry barris in secret sinners 1933


Biography

Barris was born to Jewish parents in New York City. Gary Giddins described him as "small, wiry, and moon-faced with glittery eyes, and dark hair slicked back and parted in the middle." He was educated in Denver, Colorado. Barris became a professional pianist at the age of 14. He led a band which toured the Far East at the age of 17.

Barris married Hazelle Thompson in 1925.

The same year, Barris played the piano and occasionally sang in Paul Ash's orchestra. In the same year, Al Rinker and Bing Crosby became members of Paul Whiteman's Orchestra as a singing duo. However, at the Paul Whiteman Club, where there were no microphones, they could not be heard by the audience. They were promptly dropped from the bill. However, a band member who knew Barris suggested that they add him to make a trio. With Barris's help, they were heard, and The Rhythm Boys were formed.

In 1930, Barris divorced Hazelle Thompson. The Rhythm Boys left Paul Whiteman the same year and joined Gus Arnheim's Cocoanut Grove Orchestra. After one recording together, "Them There Eyes" (November 1930), the boys decided to quit, and they went their separate ways. However, Barris changed his mind and returned to the Cocoanut Grove to complete his contract. Barris joined Arnheim's singing group The Three Ambassadors. Barris met Loyce Whiteman, who also sang with the Orchestra, and married her in 1931. They appear together in an episode of Rambling 'Round Radio Row. They had one daughter, Marti Barris, who also became a musician. They divorced in 1946.

Barris appeared in 57 films between 1931 and 1950, usually as a band member, pianist and/or singer. In 1932, Barris signed a contract to star in six shorts for Educational Pictures, similar to Bing Crosby's launch into films. The first of these shorts was That Rascal. In The Lost Weekend (1945), he is the nightclub pianist who humiliates Ray Milland by singing "Somebody Stole My Purse". An unusual change of pace for Barris was his comedy role in The Fleet's In (1942), as a runty sailor named Pee Wee who perpetrates malapropisms in a surprisingly deep voice.

During World War II, Barris, along with Joe E. Brown, went overseas to entertain troops.

Barris had a lifelong drinking problem. In a fall, he fractured his hip in March 1961. Despite a series of operations, he developed a cancerous tumor. He died in Burbank, California, aged 57. His composition "Never Been So Lost" was published shortly before his death.

  1. "Hong Kong Dream Girl" (1924), with George E. Springer
  2. "'Tain't Cold" (1925), with Jack Mills
  3. "And She'll Do It For a Long, Long Time" (1926)
  4. "Brown Sugar" (1926)
  5. "I'm Out in Nowhere, Going to Go Somewhere" (1926)
  6. "I Got a Sweet Lil' Girl" (1926)
  7. "Jimmy-Da-Walk, Da Boss-A New York" (1926), with Howard Johnson and James Cavanaugh
  8. "Why Does My Sweetie Love (Nobody But Me)" (1926), with Irving Mills
  9. "Mississippi Mud" (1927), with James Cavanaugh
  10. "That's Grandma" (1927), with Bing Crosby and James Cavanaugh
  11. "Play It, Red" (1927)
  12. "Sweet L'il" (1927)
  13. "From Monday On" (1928), with Bing Crosby
  14. "Wa-Da-Da (Ev'rybody's Doin' It Now)" (1928), with James Cavanaugh
  15. "What Price Lyrics?" (1928), with Bing Crosby and Matty Malneck
  16. "My Blue Print of Dreams" (1929), with Billy Moll
  17. "So the Bluebirds and the Blackbirds Got Together" (1929), with Billy Moll
  18. "That's What's Troubling Me" (1929), with Billy Moll
  19. "Ev'rything's Agreed Upon" (1930), with Bing Crosby
  20. "At Your Command" (1931), with Bing Crosby and Harry Tobias
  21. "Chances Are" (1931), with Gus Arnheim and Ralph Freed
  22. "It's the Darndest Thing" (1931)
  23. "I Surrender Dear" (1931), with Gordon Clifford
  24. "It Must Be True" (1931), with Gordon Clifford
  25. "Lies" (1931), with George E. Springer
  26. "What Good Would Be Tomorrow (Without You, Dear)" (1931), with Gus Arnheim and Ralph Freed
  27. "What Is It?" (1931), with Harry Tobias
  28. "Wrap Your Troubles in Dreams" (1931), with Ted Koehler and Billy Moll
  29. "I Got the Ritz From the One I Love (I Got the Big Go-By)" (1932), with J. C. Lewis
  30. "It Was So Beautiful" (1932), with Arthur Freed
  31. "Music Has Charms" (1932)
  32. "We're Alone" (1932), with Arthur Freed
  33. "It Will Be Too Bad for You" (1933)
  34. "I'm Satisfied" (1934), with Ralph Freed
  35. "Little Dutch Mill" (1934), with Ralph Freed
  36. "Lonesome China Boy" (1934), with Mort Greene
  37. "Flirtation" (1935), with Mort Greene
  38. "Thrilled" (1935), with Mort Greene
  39. "Never Been So Lost" (1962)

Selected filmography

  • Rambling 'Round Radio Row (1932)
  • That Rascal (1932)
  • He's a Honey (1932)
  • Now's the Time (1932)
  • Hot Competition (1933)
  • Some Like It Hot (1939)
  • Birth of the Blues (1941)
  • San Diego, I Love You (1944)
  • You Were Meant for Me (1948)
  • Solo recordings

    In 1926, Barris, billed as "Happy Harry Barris," made a solo record performing his own composition, "And She'll Do It For a Long, Long Time" (Cameo 1080), showcasing his talents as a pianist, vocalist, and songwriter. While this record survives, his few other solos recorded in 1926 have been destroyed. They include:

  • "Could I, I Certainly Could" (Victor Matrix BVE-37174)
  • "I'm Out in Nowhere, Going to Go Somewhere" (Victor Matrix BVE-37175)
  • "I Got a Sweet Lil' Girl" (Victor Matrix BVE-37176)
  • During the 1930s, it was uncommon to hear Barris perform completely solo outside of films. A rare example is a Cocoanut Grove broadcast tape of "It's the Darndest Thing."

    Wrap your troubles in dreams jazz guitar piano cover harry barris


    Minko kat bones wrap your troubles in dreams ted koehler billy moll harry barris


    References

    Harry Barris Wikipedia