A graveyard slot (or death slot) is a time period in which a television audience is very small compared to other times of the day, and therefore broadcast programming is considered far less important. Graveyard slots are usually in the early morning hours of each day, when most people are asleep. Because there is little likelihood of having a substantial viewing audience during this time period, providing useful television programming during this time is usually considered unimportant; some broadcast stations go off the air during these hours, and some audience measurement systems do not collect measurements for these periods. Some broadcasters may do engineering work at this time. Others use broadcast automation to pass-through network feeds unattended, with no one outside of broadcasting authority-mandated personnel and emergency anchors/reporters present at the local station overnight. A few stations use "we're always on" or a variant to position their 24-hour operation as a promotional selling point, though as this is now the rule rather than the exception it was in the past, it has now mainly become a selling point for a station's website instead.
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Programming
The most well-known graveyard slot in most parts of the world is the overnight television slot, after late night television and before breakfast television/morning show (between 2:00 AM and 6:00 AM). During this time slot, most people that are at home are asleep, and most of those that are awake are either at work, away from the television, trying to fall asleep, or just returning home from a bar and too intoxicated to pay attention, leaving only insomniacs, intentionally nocturnal people, and irregular shift workers as potential audiences. Because of the small number of people in those categories, the overnight shift was historically ignored as a revenue opportunity, although increases in irregular shifts have made overnight programming more viable than it had been in the past. In the United States, for example, research has shown that the number of televisions in use at 4:30 AM doubled from 1995 to 2010 (8% to 16%).
Since the advent of home video recording, some programs in this slot may be transmitted mainly with home taping in mind. Among these are the BBC's Sign Zone and their former specialist service BBC Select, which were for specialist audiences. Some channels may carry adult-oriented content in the graveyard slot, although programming of a pornographic nature is restricted to subscription channels in most countries because government communications regulations forbid pornography on over-the-air channels at any time of the day.
The slot is used in the United States by some niche networks to transmit live sports such as cricket, Nippon Professional Baseball, Philippine Basketball Association matches, and Australian rules football from Australia, India, Japan, the Philippines, and other nations where the American overnight is the Asian afternoon and evening. Some limited prime-time or noontime general programming from those nations is also transmitted live to the United States, and for anime sites such as Crunchyroll which have arrangements with Japanese networks to premiere episodes day-date-and-time, it can be considered that site's official primetime slot.
The United States graveyard slot is often the premiere slot for content streaming on demand. 12:01 a.m. in the Pacific Time Zone (or 3:01 a.m. Eastern and 8:01 a.m. UTC), where the streaming provider Netflix is based, is when that provider often releases and premieres their series and films for the first time worldwide across all time zones, along with Amazon Prime. Hulu chooses to release their series at 12:01 a.m. Eastern.
Since the 1980s, graveyard slots, once populated by broadcasts of syndicated reruns and old movies, have increasingly been used for program-length infomercials or simulcasting of home shopping channels, which provide a media outlet with revenue and a source of programming without any programming expenses or the possible malfunctions which might come with going off-the-air; the graveyard slots can also be used as dumping grounds for government-mandated public affairs programming, or for station groups which are required by their parent companies to carry programming, to air those shows otherwise unpalatable in prime timeslots; for instance with Sinclair Broadcast Group, a public affairs program by political commentator Armstrong Williams (who has business interests with Sinclair), The Right Side, is required to be aired by all Sinclair stations, but is often seen in graveyard slots on those stations instead of its intended weekend late morning slots as many Sinclair stations choose locally instead to present E/I and paid programming at that time. The most often seen original programming in the overnight period in the past was daytime talk shows which had failed to find an audience in their original timeslots and are being burned off, though with cable networks airing the same talk shows, usually a same-day late repeat of a successful talk show or infotainment news program is now carried; this is prevalent in markets with sports teams where coach's shows and team highlight shows preempt primetime infotainment shows before primetime, allowing it to be seen in some form on a station without penalty to the syndicator.
The Big Three television networks in the United States all offer regular programming in the overnight slot (ABC and CBS use overnight newscasts, with an emphasis on sports scores from West Coast games that typically conclude after 1 AM ET and international financial markets with the ending of the Australasian and beginning of the European trading day, all of which takes place between 2 and 5 AM ET, and NBC, which dropped its overnight news in the late 1990s, replays the fourth hour of Today and CNBC's Mad Money). Each network also produces its early morning newscast at 4 a.m. local time so that it may be tape delayed to air before local news. Also, since the proliferation of digital video recorders, several cable and satellite outlets have begun airing original or rarely seen archival programming in these time slots to make them available to those recording them on DVRs (special restrictions prevent stations from using the overnight graveyard slot for E/I shows). An emerging trend in the United States is an increasingly early local newscast, which now begins as early as 4:00 AM in some major markets, targeting those who work early shifts or are returning from late shifts; this early newscast would fit into the overnight daypart rather than breakfast television.
The graveyard slots' lack of importance sometimes benefits programs. Producers and program-makers can afford to take more risks, as there is less advertising revenue at stake. For example, an unusual or niche program may find a chance for an audience in a graveyard slot (a current day example is adult swim's FishCenter Live, which features games projected onto the video image of an aquarium), or a formerly popular program that no longer merits an important time slot may be allowed to run in a graveyard slot instead of being removed from the schedule completely. However, abusing this practice may lead to channel drift if the demoted programs were presented as channel stars at some time.
Another thing to note is the prevalence of cheaply produced local advertisements which allow an advertiser to purchase time on the station for a low cost, advertisements for services of a sexual nature or ads for "mail-order bride" services, and public service announcements airing in this time slot due to the reduced importance of advertising revenue.
Up until 2014, some cable networks would broadcast educational programing that educators can tape as part of Cable in the Classroom during these hours.
Japan
Japanese over-the-air stations broadcast late night anime almost exclusively, starting in the Late night television slot at 11:00 PM, but bridging the graveyard slot and running until 4:00 AM. Because advertising revenue is scant in these time slots, the broadcasts primarily promote DVD versions of their series, which may be longer, uncensored, and/or have added features like commentary tracks, side stories and epilogues.
United Kingdom
In the UK, overnight is from 12:30 AM to 6:00 AM.
BBC One showed Sign Zone from 2000 to 2013 during this time before simulcasting with BBC World News (in a 3 way simulcast between BBC One, BBC News Channel and BBC World News for the second part). Nowadays, BBC World News comes on usually after midnight or 1am depending on which film is broadcast for the first part and usually following Weatherview BBC Two shows Sign Zone and repeats for the first part and then either BBC Learning Zone or closes down which is marked in schedules as "This is BBC Two" depending on the time of year. ITV shows Jackpot247 (After Midnight on STV; Teleshopping on UTV) and then repeats before showing ITV Nightscreen until 5am on weekdays followed by The Jeremy Kyle Show, and 6am at the weekend. Channel 4 shows repeats and films during these hours apart from Wednesdays where sports including, Motor Racing, Triathlon and Beach Volleyball are shown. During the National Football League season for American football, the American NBC's Sunday Night Football game, along with playoff games and the Super Bowl, are carried live, which is often also the case with other popular American sports airing in primetime in the UK on Sky Sports and BT Sport. Channel 5 shows Supercasino with some repeats towards the end. Most digital channels during this time either go off air or show simulcast with shopping channels and some stay on the air. BBC News Channel simulcasts with BBC World News during these hours.
United States
Examples of graveyard slots in the United States, outside of the traditional overnight slots, include:
Since 2005, CBS is the only major network that continues to air a full line-up of first-run scripted programming on Fridays, and has become successful with this time slot in the last 15 years. The CW has also maintained an entire primetime schedule of scripted programs since 2010, with similar success.
Despite being a known graveyard slot, there have been notable exceptions to this rule, such as The Brady Bunch, Sanford and Son, Full House, Homicide: Life on the Street, Reba, Numb3rs, Ghost Whisperer, CSI: NY, and Shark Tank. In addition, a handful of cable channels have also had success with Friday night programming. This includes USA Network, which had a lineup of original programming on Friday evenings from 2002 to 2010 featuring Monk as the lineup's centerpiece, and Disney Channel, which since 2006 has successfully maintained a schedule of largely scripted Friday night programming which appeals to pre-teens and young teenagers (including series such as Wizards of Waverly Place, Phineas & Ferb, The Suite Life on Deck, Jessie and most recently Girl Meets World). Original made-for-TV movies occasionally premiere in the slot several times per year as an attempt to keep potential movie-goers at home. ABC had notable success on Friday evenings with its TGIF lineup beginning in 1989, but the time slot's ratings began to wane in the late 1990s. ABC made another attempt at Friday success in the 2012–13 season, moving the family-oriented Tim Allen sitcom Last Man Standing to Fridays for its sophomore season. Despite this move, the show's ratings held steady from the previous season, when it aired on Tuesdays.
Content requirements
In Canada, federal regulations require television channels and radio stations to carry a certain percentage of Canadian content (or Cancon). It is common for most privately owned television channels to air the bulk of their Cancon in such graveyard slots (especially weekday mornings and Saturday nights), ensuring they can meet their required percentages of Canadian programming while leaving room for more popular foreign programming in other time periods. For over-the-air terrestrial television stations, the overnight hours are generally not subject to Canadian content (Cancon) requirements, allowing some opportunity for niche or experimental programming during those hours, although most commonly infomercials air instead. Canadian radio stations have similar practices regarding broadcasts of Canadian music, known pejoratively as the "beaver hour".
Likewise, in the United States, some stations attempt to bury mandated E/I educational television programming in graveyard slots, though under current regulations by the Federal Communications Commission (FCC), Children's television series must air during times when children are awake (current standards state between 7:00 a.m. and 10:00 p.m.). Thus, these channels will "bury" E/I programs in the middle of a block of infomercials during daytime television hours, when most children are at school and are unlikely to ever see them.