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Georges Méliès filmography

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Georges Méliès filmography

Georges Méliès (1861–1938) was a French filmmaker and magician generally regarded as the first person to recognize the potential of narrative film. He made about 520 films between 1896 and 1912, covering a range of genres including trick films, fantasies, comedies, advertisements, satires, costume dramas, literary adaptations, erotic films, melodramas, and imaginary voyages. His works are often considered as important precursors to further developments in modern narrative cinema, though some recent academicians have argued that Méliès's films are better understood as spectacular theatrical creations rooted in the 19th-century féerie tradition.

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After attending the first demonstration of the Lumière Brothers' Kinetoscope in December 1895, he bought a film projector from the British film experimenter Robert W. Paul and began using it to project short films at his theater of illusions, the Théâtre Robert-Houdin, in Paris. Having studied the principles on which Paul's projector ran, Méliès was able to modify the machine so that it could be used as a makeshift camera. He began making his own short films with it in May 1896, founded the Star Film Company in the same year, and built his own studio in Montreuil, Seine-Saint-Denis in 1897. His films A Trip to the Moon (1902), The Kingdom of the Fairies (1903), and The Impossible Voyage (1904) were among the most popular films of the first few years of the twentieth century, and Méliès built a second studio, complete with artificial light fittings, in 1907. However, various factors (American film piracy, price standardizations prescribed in 1908 by the Motion Picture Patents Company, and the waning popularity of fanciful magic films chief among them) led eventually to Méliès's financial ruin and the closing of his studio. His last films were made under the supervision of the rival filmmaker Charles Pathé, and in 1922–23 Méliès sold his studios, closed the Théâtre Robert-Houdin, and discarded his own collection of his negative and positive prints. In 1925 he began selling toys and candy from a stand in the Gare Montparnasse in Paris. Thanks to the efforts of film history devotées, especially René Clair, Jean George Auriol, and Paul Gilson, Méliès and his work were rediscovered in the late 1920s, and he was awarded the Legion of Honor in 1931.

In the list below, Méliès's films are numbered according to their order in the catalogues of the Star Film Company. In Méliès's numbering system, films were listed and numbered according to their order of production, and each catalogue number denotes about 20 meters of film (thus, for example, A Trip to the Moon, at about 260 meters long, is listed as #399–411). The original French release titles, as well as the original titles used in the US and UK versions of the Star Film catalogues, are listed in the body of the filmography; notable variant titles are provided in smaller text. The parenthetical descriptive subtitles used in the catalogues (e.g. scène comique) are also provided whenever possible. Films directed by Méliès but not originally released by the Star Film Company (such as The Coronation of Edward VII, released by Charles Urban, or The Conquest of the Pole, released by Pathé Frères) are also included. Where available, the list also includes information on whether each film survives, survives in fragmentary form, or is presumed lost. Unless otherwise referenced, the information presented here is derived from the 2008 filmography prepared by Jacques Malthête, augmented by filmographies prepared in the 1970s by Paul Hammond and John Frazer.

Later projects

Following the revival of interest in Méliès and his work in the late 1920s, he took part in several film projects:

  • On 16 December 1929, a "Gala Méliès" was held at the Salle Pleyel in Paris in honor of the filmmaker. At the end of the program, after a screening of some of Méliès's films from the 1900s, a new film was projected, described by Méliès's granddaughter Madeleine Malthête-Méliès as follows:
  • In 1933, Jean Aurenche and Jacques B. Brunius asked Méliès to make an advertising film for the Régie des Tabacs of France. Méliès's contribution, his final completed work as a film director, was a 28-second sequence featuring two uses of the stop substitution effect. It was reused in Brunius's 1939 film Violons d'Ingres.
  • In the autumn of 1937, Méliès began work on a new film, Le Métro fantôme, with a scenario by Jacques Prévert. However, Méliès died on 21 January 1938 and the project was not completed.
  • Questionably attributed films

    The following films appear in the 1970s filmographies by Paul Hammond and John Frazer, but not in the 2008 filmography by Jacques Malthête. Catalogue numbers are unknown in all cases, and all films are presumed lost.

    Misattributed films

    The following films have occasionally been erroneously credited to Méliès:

    References

    Georges Méliès filmography Wikipedia


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