Tripti Joshi (Editor)

Jean Aurenche

Updated on
Edit
Like
Comment
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Name
  
Jean Aurenche

Role
  
Screenwriter

Siblings
  
Marie-Berthe Aurenche



Died
  
September 29, 1992, Bandol, France

Awards
  
Cesar Award for Best Writing - Adaptation, Cesar Award for Best Writing

Movies
  
Forbidden Games, Four Bags Full, The Hunchback of Notre, Coup de Torchon, The Clockmaker

Similar People
  
Pierre Bost, Claude Autant‑Lara, Bertrand Tavernier, Jean Delannoy, Marie‑Berthe Aurenche

Jean Aurenche (1903–1992) was a French screenwriter. During his career, he wrote 80 films for directors such as René Clément, Bertrand Tavernier, Marcel Carné, Jean Delannoy, Sidney Lumet and Claude Autant Lara. He is often associated with the screenwriter Pierre Bost, with whom he had a fertile partnership from 1940 to 1975.

Contents

The Early Years

In the 1920s and 1930s, Jean Aurenche was friends with some members of the surrealist groups. His sister Marie-Berthe was the wife of Max Ernst and Max Ernest soon became friend with Jean Aurenche. Later, he even appeared in some film commercials directed by Jean Aurenche (for the "Nicolas" Wine, the "Barbes" stores and so on...). Jean Aurenche was also a close friend of Jean Cocteau who helped him publish several of his short stories in the famous "NRF".

In 1933, Jean Aurenche co-directed two short documentaries with Pierre Charbonnier : "Pirates du Rhône " and Bracos de Sologne". He later co-wrote the short film Monsieur Cordon with director Pierre Prévert. He soon turned to screenwriting, writing or co-writing several films like L'affaire du Courrier de Lyon (1936) by Maurice Lehmann and Claude Autant-Lara, L'affaire Lafarge or, more famously, Hôtel du Nord that he co-wrote with Marcel Carné and Henri Jeanson.

Aurenchébost

In 1942, starting with Douce (directed by Autant-Lara), Aurenche formed a longstanding partnership with Pierre Bost. Their method of writing together initially worked as such : Jean Aurenche wrote the treatment of the screenplay (sometimes based on a novel) and Pierre Bost then expanded this outline and wrote the dialogue. But soon, both of them wrote all the script together without any clear division of the writing. Together, Aurenche & Bost wrote several great success of this time period, often associated with director Claude Autant-Lara : le Diable au corps (1945), l'Auberge rouge (1951), le Rouge et le Noir (1954), la Traversée de Paris (1956). Meanwhile, Aurenche & Bost started a fertile collaboration with Jean Delannoy, writing for him La Symphonie Pastorale (1947) which won the Palme d'Or at the Cannes Festival of 1947. During this time, they also worked with René Clément (Au-delà des grilles, Jeux interdits and Gervaise). The film Jeux Interdits won the Academy Award on the Best Foreign Film in 1952 and soon became a classic. All these critic and commercial triumph contributed to make of Aurenche one of the most revered screenwriters of his time.

The Later Years

In 1954, future filmmaker François Truffaut wrote an article in Les Cahiers du Cinema harshly criticizing the work of Jean Aurenche & Pierre Bost. The writing team progressively went out of fashion and barely worked during the 1960s as their favorite collaborators (Autant-Lara, Clément, Dleannoy) grew older and retired. In 1970, young filmmaker Bertrand Tavernier (who was a fan of their work), asked them to write with him an adaptation of L'Horloger d'Everton (a Georges Simenon novel) for his first feature film. The film, titled L'Horloger de Saint Paul was a great success, both public and critical. Aurenche and Tavernier quickly became close collaborators, even after Pierre Bost's death in 1975. They went on to write three more films together and even co-directed a documentary about surrealist writer Philippe Soupaul. In 1975, Jean Aurenche and Bertrand Tavernier reworked an outline written in 1951 by Aurenche & Bost. This became the film le Juge et l'Assassin which garnered great reviews when it was released in 1976.

During the 80s, Jean Aurenche kept on working with several directors like Robert Enrico (De Guerre Lasse), Bertrand Tavernier (Coup de Torchon, based on the Jim Thompson novel "Pop. 1280" and L'Étoile du Nord de Pierre Granier-Deferre. He died in 1992 in Bandol. He was 89.

Hommages

Soon after his death, a compilation of interviews with Jean Aurenche was published. Named La Suite à l'écran (To be continued on the screen), this book co-wrote by French journalist Alain Riou contained insights andinformations about most of Jean Aurenche's screenplays and collaborators. Later, almost ten years after his death, Bertrand Tavernier co-wrote and directed a film about the life of Jean Aurenche and Jean Devaivre (a French assistant director) during World War II. The film, named Laissez Passer was starring Jacques Gamblin (as Jean Devaivre) and Denis Podalydès (as Jean Aurenche).

En 2010, French cinema channel Cine Cinema broadcast a 52 minutes documentary about the life and work of Jean Aurenche, which also available in DVD. Titled Jean Aurenche, écrivain de cinéma, this film was directed by Alexandre Hilaire and Yacine Badday. It features some of Jean Aurenche collaborators like Jean-Pierre Mocky, Alain Riou or Bertrand Tavernier. It also features Jean Aurenche through footage of a 1970 interview.

Filmography

  • 1933 : Monsieur Cordon directed by Pierre Prévert
  • 1937 : Les Dégourdis de la 11e directed by Christian-Jaque
  • 1937 : Vous n'avez rien à déclarer ? directed by Léo Joannon
  • 1937 : L'Affaire du courrier de Lyon de Maurice Lehmann et Claude Autant-Lara
  • 1938 : L'Affaire Lafarge directed by Pierre Chenal : histoire
  • 1938 : Le Ruisseau directed by Maurice Lehmann : adaptation
  • 1938 : Hôtel du Nord directed by Marcel Carné : adaptation
  • 1939 : La Tradition de minuit
  • 1940 : Cavalcade d'amour
  • 1940 : The Emigrant directed by Léo Joannon : histoire
  • 1940 : The Mondesir Heir d'Albert Valentin : histoire
  • 1941 : Madame Sans-Gêne directed by Roger Richebé : adaptation
  • 1942 : Le Moussaillon:
  • 1942 : Romance à trois directed by Roger Richebé : adaptation
  • 1942 : Le Mariage de Chiffon directed by Claude Autant-Lara : adaptation
  • 1942 : Défense d'aimer
  • 1942 : Huit Hommes dans un château: adaptation
  • 1942 : Lettres d'amours
  • 1943 : L'Épouvantail : histoire
  • 1943 : Domino de Roger Richebé
  • 1943 : Douce directed by Claude Autant-Lara
  • 1943 : Adrien directed by Fernandel
  • 1944 : Le Voleur de paratonnerres: sur une idée de
  • 1944 : Le Voyageur sans bagage de Jean Anouilh
  • 1944 : Les Petites du quai aux fleurs de Marc Allégret : scénario
  • 1946 : Sylvie et le fantôme by Claude Autant-Lara
  • 1946 : Les J3 : adaptation
  • 1946 : La Symphonie pastorale directed by Jean Delannoy
  • 1947 : Le Diable au corps directed by Claude Autant-Lara
  • 1947 : Les Amants du pont Saint-Jean d'Henri Decoin
  • 1949 : Au-delà des grilles ou Trois jours d'amour (Le Mura di Malapaga) - (Les Murs de Malapaga) by René Clément
  • 1949 : Occupe-toi d'Amélie by Claude Autant-Lara
  • 1950 : Dieu a besoin des hommes by Jean Delannoy
  • 1951 : Gibier de potence de Roger Richebé : scénario
  • 1951 : The Red Inn by Claude Autant-Lara: scénario, adaptation and dialogues
  • 1952 : Les 7 péchés capitaux : segments La Luxure de Yves Allégret, L'Orgueil de Claude Autant-Lara et Huitième pêché de Georges Lacombe : scénario
  • 1952 : Jeux interdits de René Clément : scénario, dialogue
  • 1953 : Les Orgueilleux d'Yves Allégret
  • 1954 : Le Blé en herbe de Claude Autant-Lara
  • 1954 : Destinées (segment Jeanne) directed by Jean Delannoy
  • 1954 : Mam'zelle Nitouche d'Yves Allégret
  • 1954 : Le Rouge et le Noir directed by Claude Autant-Lara
  • 1955 : Chiens perdus sans collier de Jean Delannoy : histoire et scénario
  • 1956 : Gervaise directed by René Clément
  • 1956 : La Traversée de Paris directed by Claude Autant-Lara : dialogue et scénario
  • 1956 : Notre Dame de Paris directed by Jean Delannoy
  • 1958 : En cas de malheur de Claude Autant-Lara : scénario
  • 1958 : Le Joueur directed by Claude Autant-Lara
  • 1959 : La Femme et le pantin directed by Julien Duvivier
  • 1959 : Le chemin des écoliers directed by Michel Boisrond
  • 1959 : La Jument verte directed by Claude Autant-Lara
  • 1965 : Le Journal d'une femme en blanc : adaptation
  • 1966 : Paris brûle-t-il ? by René Clément
  • 1967 : Le Plus Vieux Métier du monde - one segment - directed by Claude Autant-Lara et Philippe de Broca
  • 1969 : Les Patates de Claude Autant-Lara : scenario
  • 1974 : L'Horloger de Saint-Paul directed by Bertrand Tavernier : scénario
  • 1975 : Que la fête commence directed by Bertrand Tavernier : scénario
  • 1976 : Le Juge et l'Assassin directed by Bertrand Tavernier
  • 1980 : La Dame aux camélias directed by Mauro Bolognini : histoire
  • 1981 : Coup de torchon by Bertrand Tavernier : scénario
  • 1982 : L'Étoile du Nord by Pierre Granier-Deferre : an adaption of Georges Simenon's novel La Locataire
  • 1987 : Fucking Fernand by Gérard Mordillat
  • 1987 : De guerre lasse by Robert Enrico
  • 1989 : La Passion de Bernadette by Jean Delannoy
  • References

    Jean Aurenche Wikipedia