|Movement Kinetic Art|
|Name George Rhoads|
|Full Name George Pitney Rhoads|
Born January 27, 1926 (age 89) (1926-01-27) Evanston, Illinois, United States
Known for Audiokinetic Sculptures, Ball Machines, Origami, Painting, Wind Sculpture
Notable work 42nd Street Ballroom, Port Authority Bus Terminal, New York, NYNewton's Daydream, Clark Planetarium, Salt Lake City, UTTower of Sisyphus, Chesapeake Energy Corporation, Oklahoma City, OKHaving a Ball, Ontario Science Center, Toronto, OntarioUniversity Hospitals, Cleveland, OH
Education University of Chicago, Art Institute of Chicago
George rhoads monumental marble ball machines
George Rhoads (born January 27, 1926) is a contemporary American painter, sculptor, and origami master. He is best known for his whimsical audiokinetic sculptures in airports, science museums, shopping malls, children’s hospitals, and other public places throughout the world.
- George rhoads monumental marble ball machines
- George rhoads interview
- Early life
- Audiokinetic Ball Machine Sculptures
- Selected public works
George rhoads interview
George Rhoads was born in Evanston, Illinois, the oldest of four children. His father, Paul S. Rhoads, was a physician and professor of internal medicine at Northwestern University. His mother, Hester Chapin Rhoads, was trained as an interior decorator.
Rhoads attended the University of Chicago with the goal of studying physics and mathematics. After earning enough credits to complete his associate degree, Rhoads began taking design and drawing classes at Chicago’s Art Institute. Two years later he left Chicago and moved to New York City to become a painter. His work focused on portraits and impressionistic cityscapes, but he met with little critical or financial success.
In 1952, Rhoads moved to Paris to continue painting. It was there that he met American origami expert Gershon Legman who introduced him to the art of origami and the work of Akira Yoshizawa. This meeting sparked Rhoads’ interest and he began practicing origami and inventing new folds. His most notable contribution to the field became known as the Blintzed Bird Base, now a standard origami fold used for creating an animal with four legs, two ears, and a tail from a single sheet of paper.
Audiokinetic Ball Machine Sculptures
In the 1960s, Rhoads began experimenting with kinetic sound-producing metal sculptures. As he described these early machines: “You have a whole range of things happening in succession. Little balls rolling down a track are the motive power that hits a hammer that hits a xylophone bar or blows a whistle.” After seeing an exhibit of Rhoads' ball machines in Greenwich Village, sculptor Hans Van de Bovenkamp hired him to invent devices to use in his metal fountains. Eventually, Rhoads began creating fountains of his own. Rhoads continued to develop his audio-kinetic sculptures and his work gained national prominence after being featured on The David Frost Show and the Today show. In the early 1970s, shopping mall magnate David Bermant commissioned Rhoads to build audiokinetic sculptures for his shopping centers in Rochester, NY, and Hamden, CT, and for years afterward continued to promote and sell Rhoads’ work.
Rhoads’ sculptures became known for its precise clockwork-like mechanisms governed by weight and timing while still maintaining the appearance of spontaneity and randomness. He promoted the concept that the machine itself was a work of art, and his pieces were designed to demystify machinery and stimulate viewer reaction. Modernist sculptor and Professor Emeritus at Princeton University, James Seawright, said of Rhoads' sculptures: "they embody almost every basic element of machinery, combined in a bewildering variety of ways. There's a level of mechanical genius behind inventing complex mechanisms."
In response to the growing number of commissions, Rhoads partnered with Robert McGuire to create his sculptures at RockStream Studios in Ithaca, NY. The studio and Rhoads’ whimsical sculptures were later featured in an episode of Mister Rogers' Neighborhood.
In 1981, Rhoads was commissioned to build a sculpture entitled 42nd Street Ballroom for the New York/New Jersey Port Authority Bus Terminal in New York City, which ushered in a period of production for larger, monumental ball machine sculptures. In these large machines, chain-driven lifters carry balls to the top of the sculpture. Then, using only gravity, the balls travel down several different tracks that loop, twist, and spiral. The balls trigger motion, hit objects, strike bells, gongs, chimes, drums and even xylophone bars, allowing each machine to create its own music. Once the ball reaches the bottom of the sculpture, it is lifted to the top and the process continues.
Over the last fifty years, Rhoads’ sculptures have been installed in public spaces and private collections around the world. The pieces range in size from small wall-mounted sculptures to machines that fill entire rooms and span multiple stories. Some of his work belongs to permanent museum collections at institutions like the Museum of Modern Art in New York and the Art Institute of Chicago. Nearly all of his sculptures are still in operation today, and have been noted for their popularity with the public.
In 2007, Creative Machines (located in Tucson, AZ) took over the creation of Rhoads’ sculptures, and continues the tradition of Rhoads’ artwork today. Creative Machines continues to use the techniques developed by George Rhoads in their ball machine sculptures by incorporating similar fabrication methods, design elements, and strategies for making reliable, long lasting sculptures.
Selected public works
42nd Street Ballroom, Port Authority Bus Terminal, NY, NY
Exercise in Fugality, Logan Airport, Terminal A, Boston, MA
Science on a Roll, The Tech Museum of Innovation, San Jose, CA
Archimedean Excogitation, Museum of Science, Boston, MA
Uridice, Discovery Science Center, Costa Mesa, CA
Maquina del Vacilon, Papalote Museo del Nino, Mexico City, Mexico
Celestial Balldergarten, Philadelphia International Airport, Philadelphia, PA
Global Enerjoy, Future Energy Pavilion, Seville Expo ’92, Seville, Spain
Incrediball Circus II, Akron Children's Hospital, Akron, OH
Angel Music, Los Angeles International Airport, Los Angeles, CA.
Life Renews Itself, Ōsaka Namba Station, Osaka, Japan
Color Coaster, Stepping Stones Museum for Children, Norwalk, CT
Newton’s Daydream, Clark Planetarium, Salt Lake City, Utah
Pythagorean Fantasy, College of Engineering at the University of Colorado, Boulder, CO.
Based on Balls, Chase Field, Phoenix, AZ.
Loopy Links, Adventure of the Seas, Royal Caribbean Cruise Lines
Funkinetic, Science Centre Singapore, Singapore
Eureka, Discovery Communications, Bethesda Maryland
Electric Ball Circus, ABT Electronics, Glenville, IL.
Kinetikon, National Taiwan Science Education Center, Taipei, Taiwan.
Cavortech, Avampato Discovery Museum, Charleston, WV
Tower of Sisyphus, Chesapeake Energy Corporation, Oklahoma City Oklahoma
Life is a Ball, WMS Gaming, Waukegan, IL
Magic Menagerie, National Taiwan University Hospital, Taipei, Taiwan.