Director Andrea M. Massari Founded 2011 | Phone +39 800 167 619 | |
 | ||
Established November 3, 2011; 5 years ago (2011-11-03) Website www.gallerieditalia.com Hours Open today · 9:30AM–7:30PMFriday9:30AM–7:30PMSaturday9:30AM–7:30PMSunday9:30AM–7:30PMMondayClosedTuesday9:30AM–7:30PMWednesday9:30AM–7:30PMThursday9:30AM–10:30PM Similar Museo del Novecento, Museo Poldi Pezzoli, Galleria d'Arte Moderna, Royal Palace of Milan, Pinacoteca di Brera Profiles | ||
Bellotto e canaletto lo stupore e la luce la mostra alle gallerie d italia di milano
The Gallerie di Piazza Scala (or Gallerie d'Italia - Piazza Scala) is a modern and contemporary museum in Milan, Italy. Located in Piazza della Scala in the Palazzo Brentani and the Palazzo Anguissola, it hosts 195 artworks from the collections of Fondazione Cariplo with a strong representation of nineteenth century Lombard painters and sculptors, including Antonio Canova and Umberto Boccioni. A new section was opened in the Palazzo della Banca Commerciale Italiana on October 25, 2012 with 189 art works from the twentieth century.
Contents
- Bellotto e canaletto lo stupore e la luce la mostra alle gallerie d italia di milano
- Section I Canova bas reliefs
- Section II Hayez and painters of Romanticism
- Section III Giovanni Migliori and Vedutistas of the Romanticism
- Section IV historic depictions of the Risorgimiento
- Section V Vedute of the Cathedral of Milan
- Section VI Vedute of Navigli
- Section VII Lombard Vedute
- Section VIII Revival of the Bourgeois Salon
- Section IX genre scenes
- Section X from the Macchiaioli to the Divisionists
- Section XI Alpine vedute
- Section XII Symbolism
- Section XIII Umberto Boccioni From Pointillism to Futurism
- Ouverture 1
- Ouverture 2
- References
Section I: Canova bas reliefs
The works of Antonio Canova in Rezzonico reliefs. Between Socratic Homeric epics and ethics, between Christian virtues and enlightened philanthropy (Rooms 1, 2, 3 and 4).
Section II: Hayez and painters of Romanticism
Francesco Hayez and the great romantic themes. Between historic painting and melodrama (Room 5).
Section III: Giovanni Migliori and Vedutistas of the Romanticism
Giovanni Migliara and the picturesque charm of the ancient monuments. Molteni, Pietro Ronzoni, il Piccio, Angelo Inganni, protagonists of the Lombard Romanticism (Rooms 6 and 7).
Section IV: historic depictions of the Risorgimiento
Gerolamo Induno, Sebastiano De Albertis and the Risorgimento (Rooms 8 and 9).
Section V: Vedute of the Cathedral of Milan
The image of Milan in the view and perspective of painting. The cathedral (Rooms 10, 11, 12 and 13).
Section VI: Vedute of Navigli
The image of Milan. The popular appeal of the Navigli (Room 14).
Section VII: Lombard Vedute
The Lombard landscape. Between the evocative poetry of Manzoni and the quest for truth. (Room 15).
Section VIII: Revival of the Bourgeois Salon
The revival of the eighteenth century in the bourgeois salon (Room 16).
Section IX: genre scenes
The genre painting. Scenes from the life of the people (Rooms 17 and 18).
Section X: from the Macchiaioli to the Divisionists
From the Macchiaioli to the Divisionists. The atmospheric trial on the real (Room 18).
Section XI: Alpine vedute
Alpine painting. From the sublime poetry to the landscape as an expression of feelings and emotions (Rooms 19 and 20).
Section XII: Symbolism
Symbolism. Between nature and allegory (Rooms 21 and 22).
Section XIII: Umberto Boccioni. From Pointillism to Futurism
Umberto Boccioni. From Pointillism to Futurism (Room 23).