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Francesca da Rimini or Francesca da Polenta (1255–ca. 1285) was the daughter of Guido da Polenta, lord of Ravenna. She was a historical contemporary of Dante Alighieri, who portrayed her as a character in the Divine Comedy.
Pl cido domingo sings paolo datemi pace from zandonai s francesca da rimini
Life and death
Daughter of Guido I da Polenta of Ravenna, Francesca was wedded in or around 1275 to the brave, yet crippled Giovanni Malatesta (also called Gianciotto or "Giovanni the Lame"), son of Malatesta da Verucchio, lord of Rimini. The marriage was a political one; Guido had been at war with the Malatesta family, and the marriage of his daughter to Giovanni was a way to solidify the peace that had been negotiated between the Malatesta and the Polenta families. While in Rimini, she fell in love with Giovanni’s younger (and still hale) brother, Paolo. Though Paolo too was married, they managed to carry on an affair for some ten years, until Giovanni ultimately surprised them in Francesca's bedroom sometime between 1283 and 1286, killing them both.
In Inferno
In the first volume of The Divine Comedy, Dante and Virgil meet Francesca and her lover Paolo in the second circle of hell, reserved for the lustful. Here, the couple is trapped in an eternal whirlwind, doomed to be forever swept through the air just as they allowed themselves to be swept away by their passions. Dante calls out to the lovers, who are compelled to briefly pause before him, and he speaks with Francesca. She obliquely states a few of the details of her life and her death, and Dante, apparently familiar with her story, correctly identifies her by name. He asks her what led to her and Paolo's damnation, and Francesca's story strikes such a chord within Dante that he faints out of pity.
Reception after Dante
In the years following Dante's portrayal of Francesca, legends about Francesca began to crop up. Chief among them was one put forth by poet Giovanni Boccaccio in his commentary on The Divine Comedy, Esposizioni sopra la Comedia di Dante; he stated that Francesca had been tricked into marrying Giovanni through the use of Paolo as a proxy. Guido, fearing that Francesca would never agree to marry the crippled Giovanni, had supposedly sent for the much more handsome Paolo in Giovanni's stead. It wasn't until the morning after the wedding that Francesca discovered the deception. This version of events, however, is very likely a fabrication. It would have been nearly impossible for Francesca not to know who both Giovanni and Paolo were, and to whom Paolo was already married, given the dealings the brothers had had with Ravenna and Francesca's family. Also, Boccaccio was born in 1313, some 27 years after Francesca's death, and while many Dante commentators after Boccaccio echoed his version of events, none before him had mentioned anything similar.
In the 19th century, the story of Paolo and Francesca inspired numerous theatrical, operatic and symphonic adaptations.
Ary Scheffer, Francesca da Rimini and Paolo Malatesta appraised by Dante and Virgil, oil on canvas (1835; Wallace Collection, London; an 1855 version is in the Louvre, Paris)
Gustave Doré, Francesca da Rimini, several illustrations to Dante's Inferno (1857)
