Nisha Rathode (Editor)

Fernando Solanas

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Years active  1962-present
Children  Juan Diego Solanas
Spouse  Angela Correa
Role  Film director
Name  Fernando Solanas

Born  16 February 1936 (age 79) (1936-02-16) Olivos, Buenos Aires, Argentina
Occupation  Film director, screenwriter, politician
Movies  Social Genocide, The Hour of the Furnaces, Tangos - the Exile of Gardel, Sur, The Journey

Sur fernando solanas 1988 part 1 12

Fernando Ezequiel 'Pino' Solanas (born 16 February 1936) is an Argentine film director, screenwriter and politician. His films include La hora de los hornos (1968), Tangos: el exilio de Gardel (1985), Sur (1988), El viaje (1992), La nube (1998) and Memorias del saqueo (2004), among many others.


Fernando Solanas Pino Solanas Wikiwand

Solanas studied theatre, music and law. In 1962, he directed his first short feature Seguir andando and in 1968 he covertly produced and directed his first long feature film La Hora de los Hornos, a documentary on neo-colonialism and violence in Latin America. The film won several international awards and was screened around the world. Solanas has won the Special Jury Award and the Critics Award at the Venice Film Festival and the Prix de la mise en scène at the Cannes Film Festival. In 1999 he was the President of the Jury at the 21st Moscow International Film Festival. He was awarded a special Golden Bear at the 2004 Berlin Film Festival. He collaborated with tango composer and musician Ástor Piazzolla on the soundtracks for various movies.



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Solanas was at the forefront of the Grupo Cine Liberación that shook Argentine cinema in the 1970s, developing its social conscience and political voice. He was active in the campaign to support Perón. Threatened by right-wing forces in the 1970s, one of his actors was assassinated and he himself was almost kidnapped.

Together with Octavio Getino, Solanas wrote the manifesto "Toward a Third Cinema". The idea of a political Third Cinema, opposed to Hollywood cinema and European auteur cinema, inspired film makers in many so-called developing countries.

Solanas went into exile in Paris in 1976, only returning to Argentina with the arrival of democracy in 1983.

Political work

He continued to make political films and was an outspoken critic of Carlos Menem, the Argentine President. Three days after such a public criticism, on 21 May 1991, Solanas was shot six times in his legs. Despite dealing with the attack and disability, Solanas became even more involved in politics and stood to be a Senator for Buenos Aires, receiving 7% of the vote in 1992. A year later he was elected a National Deputy for the Frente Grande list, although he left the party after a year.

Solanas continues to write and direct, including the 2005 film La Dignidad de los Nadies and the recently 2008 film La última estación. His son, Juan Solanas, is also a noted film director.

In October 2007, Solanas was a presidential candidate in the Argentine general election, 2007 for the Authentic Socialist Party. He became the 5th most voted candidate, with 1.58% of the vote.

In 2009, Solanas was elected as National Deputy for the city of Buenos Aires on the June 28th parliamentary elections, as his party Proyecto Sur became the 2nd force on the city by collecting 24.2% of the votes.


  • Seguir andando (1962) (short)
  • Reflexión ciudadana (1963) (short)
  • La hora de los hornos (The Hour of the Furnaces) (1968)
  • Argentina, Mayo de 1969: los caminos de la liberación (1969)
  • Perón, la revolución justicialista (1971)
  • Perón: actualización política y doctrinaria para la toma del poder (1971)
  • Los hijos de fierro (1972)
  • La mirada de los otros (1980) Filmed in Paris, France
  • El exilio de Gardel (Tangos) (1985)
  • Sur (1988)
  • El viaje (1992)
  • La nube (1998)
  • Afrodita, el sabor del amor (2001)
  • Memoria del saqueo (2004)
  • La dignidad de los nadies (2005)
  • Argentina latente (2007)
  • La próxima estación (2008)
  • La tierra sublevada (2009)
  • Quotes

    "The possibility of making a new cinema completely outside the system depends on whether or not filmmakers can transform themselves from 'directors' into total filmmakers. And no one can become a total filmmaker without being a film technician, without being capable of handling the production."


    Fernando Solanas Wikipedia

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