Years active 1998–present | Role Singer Name Eric Appapoulay | |
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Occupation(s) Record producer, songwriter, musician, remixer Instruments guitar, bass, drums and percussion, piano, keyboards Labels 679/Atlantic, V2 Records Website thesanctuarystudio.co.uk Similar People Plan B, IG Culture, Mark Rankin, Al Shux, Daniel Bedingfield | ||
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Eric Appapoulay (born 21 December 1971) is a British singer, songwriter, composer, arranger, programmer, multi-instrumentalist and guitarist. Appapoulay has been the guitar player for Neneh Cherry, the musical director for Daniel Bedingfield, the bassist for both Plan B and Nitin Sawhney, and the performing artist on the debut album Faith is Trust. Appapoulay is also currently the guitarist with Yusuf Islam. He is the co-owner of The Sanctuary Recording Studio in London, and member of SMV known for their work on the 2010 award-winning Plan B album, The Defamation of Strickland Banks.
Contents
- Ant hatcher eric appapoulay play hindi wedding
- Eric appapoulay on his musical beginnings acm masterclass
- History
- Band
- Production
- Making of the album
- Vocals
- Instruments and performance
- Writing and arrangement
- Featuring and presenting
- References
Eric appapoulay on his musical beginnings acm masterclass
History
Appapoulay was born in East London to Mauritian parents. He has two siblings named Maryse Appapoulay and Caroline Appapoulay. He began playing (sega) traditional music from Mauritius at age eight alongside reggae, calypso, soca and high life. He studied classical guitar privately, inspired by John Williams. He listened to flamenco guitar, Paco de Lucia, also blues, rock and country, and artists such as B.B. King, Eric Clapton, Jimi Hendrix, Carlos Santana, Kelly Joe Phelps and Mark Knopfler. Much later jazz/fusion influences from George Benson, Earl Klugh, Larry Carlton, Robin Ford, Pat Metheny, Bireli Lagrene and Scott Henderson.
Band
Founding member of Quite Sane, the 1995 Capital Radio young band of the year.
Production
He was a composer with Lounge Productions in the UK. In 2006, he set up The Sanctuary Recording Studio with partner David McEwan.
With a career in the music industry for over 25 years he has worked with many great artists that include: Yusuf, Neneh Cherry, Daniel & Natasha Bedingfield, Craig David, Keri Hilson, Jason Derulo, Lionel Richie, Don Blackman, Beverley Knight, Lucie Silvas, Nitin Sawhney, MPHO, Patrice Bart-Williams, Terri Walker, Nate James, Tackhead, Anette Peacock, Ola, New Sector Movements, Liquid Biskit, Zen Badism, Jhelisa Anderson, Glen Scott, Wisechildren, Colin Emmanuel, Jimmy Dawkins, DJ Pogo, Mc Ty, Jonzi D, Manifest, Wunmi, Kojo Antwi, Vikter Duplait, Eska Mtungwasi, Marcina Arnold, Natalie Williams, Julie Dexter.
Appapoulay was the touring Guitarist for Neneh Cherry in 1992, Musical director for New Sector Movements in 1997, Bass player for Nitin Sawhney between 1998–2000, Musical director for Daniel Bedingfield's band between 2000–2006, Co-writer of the song "Do Ya" with Lionel Richie for his 2004 album 'Just For You', touring Guitarist for Natasha Bedingfield in 2007 and Craig David between 2007–2008. He toured with Patrice between 2008–2010 and Yusuf since 2008 and is doing a tour of Europe in May 2011 with Yusuf (aka Cat Stevens) as a Guitarist and Lead vocalist.
He also produced tracks for British MC/Singer Plan B for his number 1 award-winning album The Defamation of Strickland Banks including the top 10 single "She Said". He was the Bass Player for 90% of the Plan B's album alongside Jodi Milner, and also did backing vocals, Piano & additional guitars. The bulk of the material on The Defamation of Strickland Banks was recorded by Eric Appapoulay and co-owner David McEwan at their own studio in South London, The Sanctuary Recording Studio. Partly because they were simultaneously working on its hip-hop counterpart.
Making of the album
Prominent in both The Sanctuary Recording Studio and on The Defamation of Strickland Banks is Appapoulay's upright piano. Ben Drew explained that "Because of how old it is, and some things are slightly out of tune, it reminded me of those old hip-hop records where the sampled piano does sound a little but gritty," "That's why I loved it. It looks great and it's got a proper resonance."
In a SOS interview, Appapoulay described their process during recording sessions: "It was just Ben and myself and Richard and Tom. We would be in the room together, Ben’d be on his acoustic guitar in that little doorway bit with his mic, setting down the guides. I had guitar in the Fender Twin, drums just clean, and then the bass I put through the LA2A, because I love the way it warms it up. Then we were using the bass amp as well, because we had the whole band in one room — the control room was in the drum room that you see now — so we were jamming like in a rehearsal. It had a band feeling, like Motown, where they just used to sit in one room and record together. That was the idea with this place, I wanted the whole band to feel like it was a gig scenario, playing as a band."
After the album's completion it shot to the top of the European charts, won several awards in 2010, and is nominated for February 2011's Brit Award for two awards including the MasterCard British Album of the Year.