An epitaph (from Greek ἐπιτάφιος epitaphios "a funeral oration" from ἐπί epi "at, over" and τάφος taphos "tomb") is a short text honouring a deceased person. Strictly speaking, it refers to text that is inscribed on a tombstone or plaque, but it may also be used in a figurative sense. Some epitaphs are specified by the person themselves before their death, while others are chosen by those responsible for the burial. An epitaph may be written in prose or in poem verse; poets have been known to compose their own epitaphs prior to their death, as did William Shakespeare.
Most epitaphs are brief records of the family, and perhaps the career, of the deceased, often with a common expression of love or respect—for example, "beloved father of ..."—but others are more ambitious. From the Renaissance to the 19th century in Western culture, epitaphs for notable people became increasingly lengthy and pompous descriptions of their family origins, career, virtues and immediate family, often in Latin. Notably, the Laudatio Turiae, the longest known Ancient Roman epitaph, exceeds almost all of these at 180 lines; it celebrates the virtues of an honored wife, probably of a consul.
Some are quotes from holy texts, or aphorisms. One approach of many epitaphs is to 'speak' to the reader and warn them about their own mortality. A wry trick of others is to request the reader to get off their resting place, inasmuch as the reader would have to be standing on the ground above the coffin to read the inscription. Some record achievements (e.g., past politicians note the years of their terms of office). Nearly all (excepting those where this is impossible by definition, such as the Tomb of the Unknown Soldier) note name, year or date of birth, and date of death. Many list family members and the relationship of the deceased to them (for example, "Father / Mother / Son / Daughter of").
Heroes and Kings your distance keep;
In peace let one poor poet sleep,
Who never flattered folks like you;
Let Horace blush and Virgil too.
— David Hilbert (Mathematician)
Wir müssen wissen. Wir werden wissen.
(English: We must know. We will know.)
— Clay Allison (Gunfighter)
He never killed a man that did not need killing.
— John Keats
Here lies One whose Name was writ in Water
— Hans-Joachim Marseille
— Sonny Bono
And the beat goes on.
— Joseph Conrad (taken from Edmund Spenser's The Faerie Queene)
Sleep after toyle, port after stormie seas,
Ease after warre, death after life, does greatly please.
— Mel Blanc
That's all folks.
I've finally stopped getting dumber.
(Hungarian: Végre nem butulok tovább.)— Paul Erdős
— Simonides's epigram at Thermopylae
Go tell the Spartans, stranger passing by
that here, obedient to their law, we lie.
I told you I was ill.
(Irish: Duirt me leat go raibh me breoite.)— Spike Milligan
— Thomas Thetcher tombstone epitaph in Winchester Cathedral
Here sleeps at peace a Hampshire Grenadier
Who caught his early death by drinking cold small beer.
Soldiers, be wise at his untimely fall,
And when you're hot, drink strong or none at all.
— Epitaph for the Unknown Soldier, written by W. H. Auden
To save your world you asked this man to die:
Would this man, could he see you now, ask why?
— Unknown Soldier's epitaph, Athens; passages taken from Pericles' Funeral Oration
There is borne an empty hearse
covered over for such as appear not.
Heroes have the whole earth for their tomb.
— Virginia Woolf
Against you I will fling myself, unvanquished and unyielding, O Death!
Good frend for Iesvs sake forebeare,
To digg the dvst encloased heare.
Bleste be man spares thes stones,
And cvrst be he moves my bones.
(In modern spelling):
Good friend for Jesus' sake forbear,
To dig the dust enclosed here.
Blessed be the man that spares these stones,
And cursed be he that moves my bones.
Epitaphs in music
In a more figurative sense, the term may be used for music composed in memory of the deceased. Igor Stravinsky composed in 1958 Epitaphium for flute, clarinet and harp. In 1967 Krzysztof Meyer called his Symphony No. 2 for choir and orchestra Epitaphium Stanisław Wiechowicz in memoriam. Jeffrey Lewis composed Epitaphium – Children of the Sun for narrator, chamber choir, piano, flute, clarinet and percussion. Bronius Kutavičius composed in 1998 Epitaphium temporum pereunti. Valentin Silvestrov composed in 1999 Epitaph L.B. (Епітафія Л.Б.) for viola (or cello) and piano. In 2007 Graham Waterhouse composed Epitaphium for string trio as a tribute to the memory of his father William Waterhouse. The South African poet Gert Vlok Nel wrote an (originally) untitled song, which appeared on his first music album 'Beaufort-Wes se Beautiful Woorde' as 'Epitaph', because his producer Eckard Potgieter told him that the song sounded like an epitaph. David Bowie's final album, Blackstar, released in 2016, is generally seen as his musical epitaph, with singles 'Blackstar' and 'Lazarus' often singled out.
Epitaph in space
In the late 1990s, a unique epitaph was flown to the moon along with the ashes of geologist and planetary scientist Eugene Shoemaker. At the suggestion of colleague Carolyn Porco, Shoemaker's ashes were launched aboard the Lunar Prospector spacecraft on January 6, 1998. The ashes were accompanied by a laser-engraved epitaph on a small piece of foil. The spacecraft, along with the ashes and epitaph, crashed on command into the south polar region of the moon on July 31, 1999.