Genres Venezuelan folk music Active from 1984 Genre Music of Venezuela | Years active 1984–present Origin Caracas, Venezuela | |
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Associated acts Serenata Guayanesa, Camerata Criolla, Great Marshal of Ayacucho Symphony orchestra, Moisés Torrealba, Alexis Cárdenas, Ofelía del Rosal Website www.ensamblegurrufio.com.ve Past members Cristobal SotoLuis Julio Toro Albums Camerata Criolla, Serenata con Gurrufio Similar Serenata Guayanesa, Moisés Torrealba, Aldemaro Romero, Hamilton de Holanda, Luis Laguna |
Ensamble gurruf o pajarillo
The Ensamble Gurrufío is a quartet dedicated to the research, arrangement and reinterpretation of Venezuelan instrumental music. The group has won multiple awards both nationally in its native country of Venezuela and internationally.
Contents
- Ensamble gurruf o pajarillo
- Serenata guayanesa y ensamble gurruf o serenata con gurruf o 2015 musica venezolana full album
- History
- Repertoire and Style
- Reception
- Awards and recognition
- Discography
- Songs
- References
Serenata guayanesa y ensamble gurruf o serenata con gurruf o 2015 musica venezolana full album
History
The Ensamble Gurrufío was founded on 1984 by three young musicians, Luis Julio Toro (flute), Cristóbal Soto (mandolin), and Cheo Hurtado (cuatro). David Peña (bass) completed the quartet in 1989. All of the four are academy musicians and teachers with considerable background as soloists and performers. A fifth member, Juan Ernesto Laya (maracas), joined the ensemble since 1998, when Cristóbal Soto moved to a permanent residence in France. The group has occasionally incorporated additional members, such as Jaime Martínez (oboe) and Moisés Torrealba (bandola).
The ensemble has performed in collaboration with other Venezuelan groups, such as Serenata Guayanesa, the Camerata Criolla, and the Great Marshal of Ayacucho Symphony orchestra. Similarly, they have recorded together with foreign musicians like Bela Fleck, among others. Ensemble Gurrufío has performed in over 50 countries and was the first Venezuela instrumental group to have a show in Carnegie Hall in 1994.
In 2012, flutist Luis Julio Toro retired to devote time to other projects and was replaced by Manuel Rojas, a flutist who performed for multiple orchestras including the Simón Bolívar Symphony Orchestra.
Repertoire and Style
Their live performances and recordings are characterized by the addition of long-forgotten pieces, rescued through research and interaction with other scholars experienced in Venezuelan music. The group also performs versions of "gaitas" or traditional Venezuelan music.
Reception
Music critic Alex Ross, then working for The New York Times, attended Ensamble Gurrufío's performance at Carnegie Hall in 1994, stating that the group "illustrated the merengue, the joropo, the vals and other Venezuelan dances" and described their work as "complex pieces" that were "embroidered ... with deft improvisational touches".
Awards and recognition
Discography
Songs
Apure En un ViajeMaroa · 2015
PajarilloEnsamble Gurrufio & Orquesta Sinifonica Gran Mariscal de Ayacucho · 2015
El Diablo SueltoCosas del Ayer · 2015