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Elizabeth Nourse

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Nationality
  
American

Role
  
Artist

Name
  
Elizabeth Nourse


Movement
  
Realist

Known for
  
Painting

Elizabeth Nourse Elizabeth Nourse Expert art authentication certificates

Born
  
October 26, 1859 (
1859-10-26
)
Mount Healthy, Ohio

Awards
  
1921 Laetare Medal (Notre Dame University);Gold Medal, Panama-Pacific International Exhibition, San Francisco (1915)

Elected
  
Societe Nationale des Beaux-Arts

Died
  
October 8, 1938, Paris, France

Artwork
  
Le frere et la soeur, Penmarc'h, Lilacs, Flock of Geese, Snowballs, Les Volets clos, Fisher Girl of Picardy

Elizabeth nourse paintings beethoven trio pour piano violon et violoncelle l archiduc


Elizabeth Nourse (born (1859-10-26)October 26, 1859 – October 8, 1938(1938-10-08) (aged 78)) was a realist-style genre, portrait, and landscape painter born in Mt. Healthy, Ohio, in the Cincinnati area. She also worked in decorative painting and sculpture. Described by her contemporaries as "the first woman painter of America" and "the dean of American woman painters in France and one of the most eminent contemporary artists of her sex," Nourse was the first American woman to be voted into the Société Nationale des Beaux-Arts. She also had the honor of having one of her paintings purchased by the French government and included in the Luxembourg Museum's permanent collection. Nourse's style was described by Los Angeles critic Henry J. Seldis as a "forerunner of social realist painting." Some of Nourse's works are displayed at the Cincinnati Art Museum.

Contents

Elizabeth Nourse Elizabeth Nourse 1860 1938 AMERICAN GALLERY

Elizabeth nourse self portrait


Early life

Elizabeth Nourse Elizabeth Nourse Expert art authentication certificates

Born to the Catholic household of Caleb Elijah Nourse and Elizabeth LeBreton Rogers Nourse on October 26, 1859, Elizabeth and her twin sister were the youngest of ten children. She attended the McMicken School of Design in Cincinnati (now the Art Academy of the Cincinnati Art Museum) at age fifteen, and was one of the first women admitted to the women's life class offered there taught by Thomas Satterwhite Noble. She also studied watercolor painting while there. She studied at the school for seven years and was even offered a teaching position, which she declined in order to focus on her painting.

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In 1882, both of her parents died, and with the assistance of an art patron, she went to New York City to continue her studies, briefly in the Art Students League. In 1883, she had returned to Cincinnati and made her living decorating home interiors and painting portraits. From 1884 – 1886, she spent most of her summers in Tennessee in the Appalachian Mountains doing watercolor landscapes.

Paris

Elizabeth Nourse FileElizabeth Nourse La mere The Mother 1888jpg

In 1887, she moved to Paris, France along with her older sister, Louise. There, she attended Académie Julian, studying under Gustave Boulanger and Jules Lefebvre. Already having advanced skill when she arrived and having developed her style while in Cincinnati, she quickly finished with her studies and opened her own studio. In 1888, her work was featured in her first major exhibition at the Societé Nationale des Artistes Français. Her subjects were often women, mostly peasants, and depictions of France's rural countryside.

Elizabeth Nourse File39Breton Interior39 by Elizabeth Nourse on loan to the

Though continuing to live and work mainly in Paris, Nourse travelled extensively around Europe, Russia, and North Africa painting the people she met.

New Woman

Elizabeth Nourse Diversions Elizabeth Nourse Cincinnati39s Most Famous

She was one of the "New Women" of the 19th century successful, highly trained women artists who never married, like Ellen Day Hale, Mary Cassatt, Elizabeth Coffin and Cecilia Beaux. Hale, Nourse, and Coffin "created compelling self-portraits in which they fearlessly presented themselves as individuals willing to flout social codes and challenge accepted ideas regarding women's place in society. Indeed, the New Women portraits of the 1880s and 1890s are unforgettable interpretations of energetic, self-confident and accomplished women."

Later life and World War I activism

During the first world war, Nourse defied the tendency of most American emigres to return home and remained in Paris, where she worked to assist the war's refugees and solicited donations from her friends in the United States and Canada for the benefit of people whose lives were disrupted by the war. In 1921, she was awarded the Laetare Medal for "distinguished service to humanity" by a Catholic layperson, an annual award from Notre Dame University in Indiana.

Nourse retired and when her sister died in 1927 [sic], she became ill and depressed. In 1920, she was operated on for breast cancer, and, in 1937, the cancer returned. She died on October 8, 1938.

Paintings

  • Two Children Seated 1880, watercolor and gouache on paper, 16 3/4 x 11 1/2 in.
  • La mère (Pleasant Dreams) 1888, oil on canvas, 45 15/16 x 32 1/16 in.
  • Fisher Girl of Picardy 1889, oil on canvas, 46 3/4 x 32 3/8 in.
  • Fisher Woman and Child 1889, watercolor on paper, 19 x 12 in.
  • The Three Ages (Three Generations) 1890, oil on canvas, 40 x 30 in.
  • The Bargello, Florence 1890, watercolor, 12 x 8 in.
  • Italian Peasant Girl 1891, oil on wood panel, 19 3/4 x 8 11/16 in.
  • The Kiss (Mother and Child) 1892, oil on canvas, 22 5/8 x 20 3/8 in.
  • Mère et fillette hollandaise (The Sewing Lesson) 1895, oil on canvas, 46 x 30 in.
  • L'heures d' été (Summer Hours) c. 1895, oil on canvas, 53 1/4 x 41 1/4 in.
  • L'enfant endormi c. 1901, watercolor on paper, 24 x 18 in.
  • Meditation 1902, oil on canvas, 26 1/2 x 27 1/2 in.
  • Paysanne de Penmarc'h c. 1903, oil on canvas 18 x 11 in.
  • Mother with Baby in Carriage c. 1905-07, pastel on paper, 15 x 23 1/2 in.
  • L'enfant qui dort c. 1912, oil on canvas
  • Jardin du Luxembourg, le printemps c. 1920, watercolor on paper, 8 x 23 1/4 in.
  • Sculpture

  • Bust of Caleb Nourse c. 1881, plaster, 3 1/4 x 7 x 3 1/4 in.
  • Louise Nourse 1899, plaster bas-relief, diameter 5 in., bronze cast, diameter 5 in.
  • Le Père et la Mère Léthias 1899, plaster bas-relief, diameter 7 1/4 in.
  • Awards

  • 1893 - Medal, World's Columbian Exposition, Chicago
  • 1897 - Medal, Carnegie Institute, Pittsburgh
  • 1897 - Medal, Tennessee Centennial and International Exposition, Nashville
  • 1900 - Medal, Exposition Universelle, Paris
  • 1915 - Gold Medal, Panama-Pacific Exhibition, San Francisco
  • Membership

  • Member, Société Nationale des Beaux-Arts, Paris, France
  • Exhibitions

  • Cincinnati Industrial Exhibition, Cincinnati Art Museum, Cincinnati, OH, (1879)
  • Preserving the Past, Securing the Future: Donations of Art, 1987-1997, National Museum of Women in the Arts, Washington, D.C.
  • American Women Artists: 1830-1930, National Museum of Women in the Arts, Washington, D.C.
  • Elizabeth Nourse, 1859-1938: A Salon Career, Smithsonian American Art Museum, Washington, DC, and Cincinnati Art Museum, Cincinnati, OH, (1983)
  • References

    Elizabeth Nourse Wikipedia


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