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Elena and Her Men

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6.6/10 Letterboxd

Director  Jean Renoir
Music director  Joseph Kosma
Country  Italy/France
6.5/10 IMDb

Genre  Comedy, Drama, Romance
Language  French
Elena and Her Men movie poster
Release date  12 September 1956 (France) 31 December 1956 (Italy) March 29, 1957 (U.S.) 28 November 1958 (Germany)
Writer  Jean Renoir (scenario & adaptation and dialogue), Jean Serge (adaptation)
Initial release  September 12, 1956 (Paris)
Film series  Stage and Spectacle Series
Cast  Ingrid Bergman (Elena Sokorowska), Jean Marais (Général François Rollan), Mel Ferrer (Le comte Henri de Chevincourt), Jean Richard (Hector)
Similar movies  Related Jean Renoir movies
Tagline  The Only Thing Gayer Than April in Paris is Bergman in Paris!

Elena and Her Men is a 1956 film directed by Jean Renoir and starring Ingrid Bergman and Jean Marais. The film's original French title was Élèna et les Hommes, and in English-speaking countries, the title was Paris Does Strange Things. It is the third addition to the trilogy, preceded by The Golden Coach (1953) and French Cancan (1955). A restored copy has been released in the 21st century.


Elena and Her Men movie scenes


Elena and Her Men movie scenes

Produced in 1956, and set in 1890 France, Elena and Her Men tells the story of a young, beautiful, and free-spirited Polish princess in fin de siècle Paris who specializes in granting people good luck. Elena's family has run out of money, and in order to save them, she agrees to marry a wealthy, older family friend. No sooner has she agreed to this engagement, then she meets a handsome stranger during a 14 July celebration, who turns out to be the famous General Rollan's aide, Count de Chevincourt (Mel Ferrer). Sparks fly with the Count, but when he introduces Elena to General Rollan (Jean Marais), the General is quite taken with her as well. By the end of the day, Elena finds her hands full with her engagement and the romantic interests of two new men. To further complicate matters, General Rollan's political advisers see the General's romantic interest in Elena as a way to influence him to overtake the French government, and they employ her to grant him the luck he needs to do so.

Elena and Her Men movie scenes

As the movie progresses, a comical battle of juggling responsibilities develops in each character. Elena feels it is her moral duty to honor her engagement, and to help the General save France, but in her heart she loves the Count. The Count is loyal to his general and country, but is unwilling to concede Elena to the General. The General is in love with Elena but already has a mistress and is preoccupied with his growing political role in France.

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When the General is deliberately posted to a remote town by the French government to prevent a coup d'état, Elena follows, trying to help save France. The Count pursues her, trying to win Elena's heart. The film concludes with Elena and the Count kissing in a brothel window, impersonating Elena and the General, providing a decoy so that the General and his mistress are able to escape France disguised as gypsies. The General abandons his political obligations and Elena, and the show of affection between Elena and the fake General sparks their love for each other touching the hearts of the people watching, and causing a wave of true love to pass over Paris and mend political tension.


Elena and Her Men Elena and Her Men film review Senses of Cinema

This was Bergman's first film after leaving her husband, director Roberto Rossellini. The character of General Rollan was based on the historic General Boulanger. In 1886, Boulanger had much popular support personally despite the French defeat in the Franco-Prussian War, and some supporters urged him to conduct a coup d'état. (He did not.)


Elena and Her Men Elena and Her Men 1956 The Criterion Collection

Ingrid Bergman's performance was highly praised. Roger Ebert wrote that she played a Polish princess who could affect the future of France, but he said, that's just what the plot is about.

Elena and Her Men Elena and Her Men Bluray France

"The movie is about something else - about Bergman's rare eroticism, and the way her face seems to have an inner light on film. Was there ever a more sensuous actress in the movies? Francois Truffaut, reviewing this film, observed that 'sex is the only focus of attention'."

Elena and Her Men Elena and Her Men Bluray France

He says that "Renoir preserves a strong erotic and romantic thread (the love between Bergman and Ferrer) all the way through the movie's farcical elements."

Elena and Her Men Elena and Her Men Alexander Street

Christopher Faulkner described the film as a farce dealing with many issues and incidents similar to Renoir's well-known Rules of the Game. But he wrote that it is somewhat "cynical," despite its lightness. He says that "the point is made that a woman can only find (provisional) power within representation, on a stage, playing a part. At the end of the film, as coup d’état dissolves into coup de théâtre, the suggestion is that all effective power is actually a function of performance."


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