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Edith Mathis
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Name
Edith Mathis
Role
Soprano
Albums
Fidelio
Similar People
Gundula Janowitz, Peter Schreier, Karl Bohm, Julia Hamari, Theo Adam
Edith mathis w a mozart exsultate jubilate part l allegro
Edith Mathis (born 11 February 1938) is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's Der junge Lord.
Edith mathis w a mozart idomeneo ilia s aria se il pardre perdei
Career
Mathis was born, and studied, in Lucerne, and made her operatic debut in 1956 as the second boy in Die Zauberflöte. She continued gaining stage experience in her native Switzerland for the next three years. Her first appearance abroad was at the Cologne Opera in 1959. In the early 1960s she made frequent guest appearances in Hamburg, at the Glyndebourne Festival, and the Salzburg Festival. In 1963, she became a member of the Deutsche Oper Berlin. She made her debuts at Covent Garden and the Met in 1970. The 1970s saw her appear in great opera houses of Europe: the Vienna State Opera, the Bavarian State Opera, and the Opéra de Paris.
In addition to her operatic career, Mathis made numerous concert tours in Lieder recitals, including tours to Japan, the USA, Australia, Russia, and Israel. She recorded Mahler's Fourth Symphony, singing the Finale's 'Child's View of Heaven', with the Berlin Philharmonic under Herbert Karajan for Deutsche Grammophon.
Mathis also became a sought-after teacher.
Repertory
Parts of Mozart operas were one of her specialties, with her roles including Cherubino in Le nozze di Figaro, Zerlina in Don Giovanni, Despina in Così fan tutte and Pamina in Die Zauberflöte. She recorded the latter role in 1980, opposite Karin Ott and Janet Perry, under Herbert Karajan. Other roles she sang include Sophie and the Marschallin in Der Rosenkavalier by Richard Strauss and Agathe and Ännchen in Weber's Der Freischütz.
Several of her most notable recorded roles in Mozartian opera include Susanna in Le nozze di Figaro for the Deutsche Oper Berlin with Karl Böhm conducting, as well as Ilia in Idomeneo with the Staatskapelle Dresden. A re-released recording of Don Giovanni with the Vienna Philharmonic and Karl Böhm from the 1977 Salzburg Festival features her in one of her best-known roles, Zerlina. A performance by Mathis as Cherubino is available on a DVD from the Salzburg Festival of 1966, with the Vienna Philharmonic under Böhm, where she sings alongside Ingvar Wixell, Claire Watson, Reri Grist, and Walter Berry.
Mathis' part of Susanna in Sull'aria...che soave zeffiretto, a duet from The Marriage of Figaro, with the Austrian soprano Gundula Janowitz, features prominently in the film The Shawshank Redemption.
Personal life
Mathis was married to conductor and pianist Bernhard Klee, with whom she often performed. She lives in her native Switzerland.
Awards
Hans Reinhart Ring (1978)
Mozart-Medaille der Internationalen Stiftung Mozarteum Salzburg (1976)
Brahms: Volkslieder, Volks-Kinderlieder, 1975, Edith Mathis soprano, Peter Schreier tenor, Karl Engel piano. Deutsche Grammophon
Brahms: Liebeslieder, Walzer op. 52, Neue Liebeslieder, Walzer op. 65 and 3 Quartette op. 64, 1981, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau; Karl Engel and Wolfgang Sawallisch piano Deutsche Grammophon
Johann Sebastian Bach: Matthäus-Passion ("St Matthew Passion"), 1979, Edith Mathis, Janet Baker, Peter Schreier, Dietrich Fischer-Dieskau, Matti Salminen, Regensburger Domspatzen Münchener Bach-Chor und -Orchester, conductor Karl Richter. Archiv Produktion
Ludwig van Beethoven: Fidelio as Marcellina, 1969, St. Lukaskirche, Dresden, Staatskapelle Dresden, Rundfunkchor Leipzig, conductor Karl Böhm. Deutsche Grammophon
Hector Berlioz: La damnation de Faust as Marguerite, 1973, Symphony Hall, Boston, Boston Symphony, Tanglewood Festival Chorus, Boston Boy Choir, conductor Seiji Ozawa. Deutsche Grammophon
Johannes Brahms: Ein deutsches Requiem, 1972, London Philharmonic, Edinburgh Festival Chorus, conductor Daniel Barenboim. Deutsche Grammophon
Haydn: Die Schöpfung ("The Creation"), 1980, Edith Mathis, Aldo Baldin, Dietrich Fischer-Dieskau, Chorus and Academy of St Martin in the Fields, conductor Neville Marriner. Philips
Haydn: Die Schöpfung ("The Creation"), 1983, Edith Mathis, Francisco Araiza, José van Dam, Wiener Singverein, Wiener Philharmoniker, conductor Herbert Karajan (live recording) Deutsche Grammophon
Haydn: Die Jahreszeiten ("The Seasons"), 1981, Edith Mathis, Siegfied Jerusalem, Dietrich Fischer-Dieskau, Chorus and Academy of St Martin in the Fields, conductor Neville Marriner. Philips
W. A. Mozart: Requiem, 1963, New Philharmonia Orchestra & Chorus, conductor Rafael Frühbeck de Burgos. EMI
W. A. Mozart: Requiem, 1971, Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, conductor Karl Böhm. Deutsche Grammophon
W. A. Mozart: "Le Nozze di Figaro", 1968, Susanna: Edith Mathis, Figaro: Hermann Prey, Countess Almaviva: Gundula Janowitz, Count Almaviva: Dietrich Fisher-Dieskau, Cherubino: Tatiana Troyanos, Chor und Orchester der Deutschen Oper Berlin, conductor Karl Böhm. Deutsche Grammophon
W. A. Mozart: Grosse Messe KV427, 1963, Edith Mathis, Helen Donath, Theo Altmeyer, Franz Crass, Süddeutscher Madrigalchor, Südwestdeutsches Kammerorchester, conductor Wolfgang Gönnenwein. EMI
Otto Nicolai: Die lustigen Weiber von Windsor (The Merry Wives of Windsor), 1976, Kurt Moll ( Falstaff ); Bernd Weikl ( Ford ); Siegfried Vogel ( Mr. Page ); Peter Schreier ( Fenton ); Edith Mathis ( Mrs. Ford ); Hanna Schwarz ( Mrs. Page ); Helen Donath ( Anne ); Chor de Deutschen Staatsoper Berlin, Staatskapelle Berlin, conductor Bernhard Klee. Berlin Classics
Richard Strauss: Der Rosenkavalier as Sophie, 1969, Festspielhaus, Salzburg (live), Wiener Philharmoniker, Chor der Wiener Staatsoper, conductor Karl Böhm. Deutsche Grammophon
In 1971 there was a new production of Die Zauberflöte at the Hamburg Opera directed by Sir Peter Ustinov. The production was filmed with, Tamino: Nicolai Gedda, Pamina: Edith Mathis, Sarastro: Hans Sotin, Königin der Nacht: Cristina Deutekom, Papageno: William Workman, Papagena: Carol Malone, Monostatos: Franz Grundheber, Speaker: Dietrich Fischer-Dieskau, Two Men in Armour: Helmut Melchert, Kurt Moll, conducted by Horst Stein (Arthaus DVD)