Dol Cathedral

Landmarks in the cathedral's history

It was in 548 that Samson arrived in Dol from Wales and founded a monastery there and in 555 that Judael, the Breton king, directed that the monastery be regarded as a bishopric.

After the coronation of Nominoë, the Breton ruler in 848, he promoted the bishop to archbishop and the city became the religious capital of Brittany ("la Métropole ecclésiastique de la Bretagne") and soon a cathedral replaced the existing church. This was destroyed by the Vikings in 1014. A Romanesque cathedral was then built. In the middle of the eleventh century there was a dispute between Pope Gregory VII and the Kings of France supported by the Archbishop of Tours over Dol-de-Bretagne filling the role of a bishopric and in 1199 the bishopric was withdrawn and jurisdiction was returned to the Archbishop of Tours. Nominoë's actions were effectively reversed.

William the Conqueror laid siege to Dol on three occasions. In 1065, William the Conqueror was in conflict with Conan II who had succeeded Alain III and laid siege to Dol. This siege is depicted in part of the Bayeux tapestry. A second siege took place in 1076 and lasted 40 days until the intervention of King Philippe Ist. A third siege is said to have taken place in 1086.

In 1203, the English king, John Lackland, known in France as "Jean sans Terre" and the murderer of Arthur de Bretagne burned the Romanesque cathedral down and occupied Dol for one year; there are few remnants of that building. Then, fearing for his soul and in a fit of remorse, he put up funds towards the cathedral's reconstruction which was started the same year under the episcopacy of the bishop Jean VII de Lizaunet. In a small corner of the south tower, there is a carving depicting "Jean sans Terre" bearing a rictus grin. He was certainly no friend of the people of Dol.

By 1223, the nave had been completed and subsequently, the relics of Saint Samson were brought back to the cathedral from Normandy to where they had been taken for reasons of security. The nave has seven crossings and the classical gothic elevation of arcades, triforium and high windows with a walkway beneath them. De Lizaunet's successor Clément de Vitré (known as Clément de Coetquen or de Coetquin) saw to the construction of the transept and the choir. The choir has five crossings and ten side chapels and terminates with a rectangular chevet. The presence of the relics of saint Samson attracted pilgrims and this necessitated the addition of an ambulatory. The choir, ambulatory and ten side chapels around the ambulatory were completed by 1279. The cathedral was now functional although it's Gothic towers had still to be constructed.

The porches on the south side of the cathedral were added in the 14th and 15th century. At around this time, the chapter-house and treasury were also added.

Stendhal described the cathedral as "un des vouvrages les plus remarquables que l'architecture gothique puisse offrir à notre admiration".

The Western façade

An architrave with a leaf pattern extends across the entire width of the façade. The gable is surmounted by the statue of a bishop.

The Northern façade

The side-chapels of the choir are surmounted by a crenellated parapet with arrow-slits giving the cathedral the look of a fortress.

Dimensions

Porches

The cathedral has two porches.

The West Porch or Great Porch

Situated between the cathedral's two towers, the large rectangular west porch is a remnant of the earlier romanesque cathedral. In the 15th-century Bishop Coeuret had the vaulting erected on intersecting ogival arches. The trefoiled doors within the porch give access to the cathedral. The measurements of the porch are 6 metres 20 by 7 metres 60. The keystone on the porch's vaulting bears the Coeuret coat of arms.

The cathedral's "Grand Porch", also known as the "Chapitret" or the "Porche Saint-Magloire", consists of three arcades decorated with 38 bas-reliefs and 132 statuettes in white stone by the Prix de Rome winner Jean Boucher (artist). The doorway itself is made from granite and dates to the 14th-century.

The central arcade shows scenes from the life of Christ: The Calvary; Jesus healing a sick man; Jesus amongst the lawyers; the agony in the garden of Gethsemane; Mater Dolorosa (Our Lady of Sorrows); Simon of Cyrene; the Adoring Angels; the "Sainte-Face" (the face of Christ) and Adam and Eve (A copy of the bas-relief at Notre-Dame de Paris)

The east facing arcade by the well shows scenes from the life of the Virgin Mary: Mary carrying the baby Jesus; the flight into Egypt; the coronation; the Visitation; the Annunciation; the Nativity and the Annunciation to the shepherds.

The west facing arcade shows scenes from the history of Bretagne: the death of Saint Samson; the calling of Judicael; the arrest of Sainte-Catherine; Charity; the blessing of Nominoe as he departs for the crusades; a Dol saint receiving a visit from several people one of whom carries a plea to the king; the martyrdom of Sainte Catherine and the good and the bad rich man.

Here are some images of Boucher's magnificent carvings.

Etienne Nicol described Boucher's carvings "Dignes de la grande tradition des imagiers en granite du moyen age".

Le petit porche known as the "Porche de l’évêque

The south facade contains a small porch first built in the 13th century and known as the Bishop's porch as it allowed the bishop private entrance. This was replaced by a much grander porch in the 15th century which was decorated at the end of the 19th century with biblical relief carvings by the sculptor Jean Boucher including the tree of Jesse (Arbre de Jessé). A coat of arms in the tympanum depicts three hearts and is the arms of bishop Cœuret (1405-1429) who instigated the 15th-century replacement. The porch has a triangular pediment with two ogival arcades resting on colonnettes. The interior is decorated with ogival arcades, rose windows and white stone carved with foliage. The porch measures 3 metres 70 by 3 metres 20.

The cathedral towers

The cathedral has two towers.

The north tower

Some have likened the north tower to a dungeon rather than the tower of a cathedral and it retains some parts of the original Romanesque tower. Construction of the tower started in 1520 during the episcopy of Mathurin de Plédran (1504-1521) but the tower was not completed due to a lack of funds. Only four stories were built plus the ground floor. The tower is supported by two large buttresses and each of its four floors is lit by two small windows with a frieze above carved in the manner of a lambrequin.

The south tower

The south tower was built between the 13th and 17th centuries. It has four stories including the ground floor and is 52 metres high. The bell-tower (campanile) dates to the 17th century.

The nave

The nave has seven bays of which six have side-aisles. It has five great arcades surmounted by a triforium and a clerestory: the traditional gothic elevation.

The transepts

The centre of the transept is formed by four Gothic arcs de triomphe. The north transept has a window dedicated to sainte Anne and the south transept has a window dedicated to saint Magloire. The north transept holds the tombs of Thomas James and Jean de Bruc.

The Choir

Completed in 1265 when Monseigneur Jean Mahé started his bishopric.

The Chevet

The cathedral chevet opens onto the ambulatory through two arches. In a niche in the chevet area, there is a small statue of the Virgin Mary with child.

The stalls

The 77 oak stalls furnishing the choir date to the early 14th-century and are the oldest and most important in Brittany. The carvings are on the arm-rests of each stall rather than as at Tréguier and Saint Pol where they decorate the miséricords. At Dol, the wood-carvers have carved what is almost a complete cross section of the medieval population of the town.

The cathedral lay-out

The cathedral is best entered by the west porch and portal with the north tower on the left and south tower to the right. The cathedral's so-called "small porch" is located in the south nave. Also in the south nave and just before the south transept is the former chapter house and the chapels of saint Magloire and the Holy Sacrament. The tomb of Thomas James is located in the north transept. Around the choir are ten chapels. Along the north side of the choir are the chapel of Saint Coeur, the chapel of saints Gilles and Roch, the chapel of saints Gilduin and Méen and the chapel of the Holy Virgin and along the south side are the sacristy, then the chapels of saints Joseph and Theresa, the chapel of Saint Michael, the chapel of Our Lady of Pity and the chapel of the Crucifix. Just before the south transept is the baptistry and the south transept is essentially the Great Porch. At the eastern end of the cathedral is the apsidal chapel, the chapel of saint Samson.

The Bishop's throne

In the choir area there is a bishop's throne or cathedra dating to the 16th-century. It bears the arms of Bishop François de Laval, the sitting bishop at Dol from 1528 to 1556. Above the chair there is a finely carved crook which used to stand behind the High Altar in the 18th-century. It was fashioned by a Rouen sculptor called Tarlé.

The High Altar

The cathedral has two High Altars. One is old and the other very modern.

Records do not show when the first High Altar was installed in the cathedral ("Maître-Autel") but in 1410 it was recorded that Monseigneur Étienne Coeuret commissioned the Rennes sculptor Pierre Picart to create columns around the existing High Altar these bearing coats of arms and angels holding the instruments of the passion. Near this altar and under a baldaquin the relics of saint Samson were placed. Above this was a cross holding the "pyxide" which held the ciborium. This altar disappeared in 1744 and a new High Altar was installed, this at the instigation of Monseigneur Jean-Louis de Bouschet de Sourches. It was the work of the Laval atelier of Maurice Pierlet and Honoré Pincé. In 1877, a completely new High Altar was installed this by the goldsmiths Poussièlgue-Rusand based on a design by Canon Brune.

Since 1980 a completely new altar and ambo is in use, this placed in the centre of the transept. This altar is the work of Claude Gruer and is made from refractory clay and was carved directly without the use of a mould. Cuboid in form, the main faces of the altar are decorated with images of the Last supper and another of Christ being taken down from the cross. On the secondary faces are depictions of saint Samson crossing the channel and saint Magloire pacifying English soldiers. It was Abbé Jules Orrière who pushed for this altar to be commissioned.

Pulpit

The oak pulpit was carved by the Augerie de Vitré atelier in 1898. It was commissioned by François-Joseph Turmel. The panels of the pulpit are decorated with five bas-reliefs and six statuettes depicting the great Dol saints.

The Great Organ and Organ loft

Records show that in 1575 the organ was in a state of decay although the wooden framework and the organ loft panelling date to 1579. Between 1650 and 1654 repairs were undertaken by the organ manufacturer Henri Vaignon from Normandy. The cathedral's current organ was inaugurated in 1979 and over the years the instrument was subjected to many repairs and restorations. In 1877, a new organ had been manufactured and installed by Maison Debierre of Nantes. In 1931 the organ was electrified and a major restoration took place in 1948 and in 1977 the organ was dismantled and reassembled by 1979.

The nave aisles

The nave has seven crossings but only six side-aisles due to the towers built on the western extremity of the cathedral. The aisles each have bays in tiers-point with two stained glass windows within an ogival frame. All the windows in the north nave aisles date to the 19th-century except for the first window near the north tower which dates to the 14th-century. Above the two lancets are circular windows and seven of these depict the coats of arms of some of the Dol-de-Bretagne bishops. These date to the 19th century and were made by the Nantes atelier Ely, save for one which is of 16th/17th-century origin and is listed as a "Historic monument".

Reliquaries

There are two Dutch oak reliquaries in the saint Samson chapel both carved and gilded. They contain relics of saint Samson and saint Magloire. They date to between 1746 and 1747 and are the work of the Rouen sculptor Jean Le François.

The tomb of Thomas James

The many tombs of former Dol bishops disappeared during the French revolution but the tomb of Thomas James, bishop of Dol from 1482 to 1504 survived, albeit mutilated and is located in the north transept. The tomb, which dates to 1507, is the work of the florentine sculptors Antoine Juste (1479-1519) and his brother Jean-Juste (1485-1549). Jean-Juste had created Louis XIII's mausoleum in Paris' Basilique Saint-Denis. It is the oldest example in Brittany of a renaissance work of art. It is decorated with pilasters and carvings representing candelabras, griffons, birds and satyrs. Two medallions on the side of the tomb name two of Thomas James' nephews, Jean and François James also buried here. The inscription reads "IOANIS - IAMEZ - IURIU - LAUTI - LEHONII - COMENDAT - DOL - THESAU - ET - CANO - IMPESA - ET - CURA - STRUCTUM - AC - ORNATU - SEPULCRU - M - VCC - VII. The tomb is located in the cathedral's north transept.

Records of burials of bishops

There are several plaques giving details of burials in the cathedral.

Confessional

There is a confessional box in the Chapelle Sainte Thérèse. This has 4 carved wooden panels.

Statuary

The cathedral statuary includes a fine 14th-century wooden statue of the Virgin Mary carrying Jesus which has been polychromed and gilded. This is located in a high niche at the base of the choir. There is also a "Christ aux outrages" which dates to the 13th-century. It stands in the Chapelle Saint Samson.

Stoups

At the cathedral entrance, are two 15th-century baptismal fonts which serve as stoups and in the south transept, there is an 18th-century stoup in red marble. This latter stoup bears the arms of François de Laval who was the bishop of Dol from 1528 to 1554.

Paintings

Paintings on display in the cathedral include a painting of "Christ en croix", a painting "Présentation au temple" and a third "Résurrection". There is also a portrait of Monseigneur Dondel.

The chapels in the north ambulatory

The following chapels run along the north ambulatory starting from the north transept and finishing at the cathedral's chevet and the absidial chapel. The first crossing has no lateral chapel.

"Chapelle du Sacré-Cœur"

This chapel is dedicated to the "Sacré-coeur". The altar is carved from white stone. The chapel contains several statues. These include the Sacré-coeur and statues of saints Peter and Paul by the sculptor Valentin. The chapel windows depict the last supper and the passion as well as the "Apparition de Marguerite-Marie". The stained glass was the work of the artist Ely in 1874. By a corner of the altar, there is a credence set into the wall. The chapel contains the tomb and cenotaph of Monseigneur l'Abbé Brignon.

"Chapelle saint Gilles et saint Roch"

In the chapel dedicated to saint-Gilles and saint-Roch is a 1901 altar with a relief depicting saint Thuriau blessing a barbarian, this executed by the sculptor Augerie. This altar replaced an earlier one carved from wood. The two saints and their virtues, as well as those of saint Martin and saint Hubert are depicted in the stained glass. Statues in the chapel of the two saints are thought to be by Valentin and date to 1876.

"Chapelle saint Gilduin et saint Méen"

The chapel is dedicated to saint Gilduin, an archdeacon at Dol who refused the bishopric offered by Pope St. Gregory VII and saint Méen who was a disciple of saint Samson. The altar altarpiece and statues are by Jean-Marie Valentin and date to 1873 and the chapel's oil paintings are the work of the Rennes artist Lemoine. The stained glass tells us something of saint Gilduin; his refusal of the bishopric, his illness, his transfer to Notre-Dame in Chartres and his death. They also depict saint Méen amongst the sick. A reliquary on the altar in gilded bronze contains relics of these two saints.

"La Chapelle de la Sainte Vierge" and the The "Sainte Vierge" altar

This is a spacious chapel serving the local parish of Crucifix The chapel is vaulted and lit by four windows. The chapel altar is carved from wood and includes a tabernacle and two bas-reliefs, one depicting the "Annunciation" and the other the "Couronnement de la Vierge". The altar is possibly the work of Jean-Julien Hérault and dates to around 1860. The altar is topped by a large statue of the Virgin Mary known as "Notre-Dame de Lourdes". The altar is surrounded by a railing.

"La Chapelle Absidiale"

We then come to the apsidal chapel which flanks the southern side of the sacristy. The chapel is dedicated to saint Samson and dates to the first half of the 14th-century, being built during the episcopacy of Jean du Bosc (1312–24). A number of bishops were buried here including du Bosc. The north and south walls have stone benches. There are three large bay windows with stained glass dating to 1859 . These three windows by René Échappé depict various Dol bishops and under each of these depictions is a small medallion showing an event in that bishop's life. They were all executed in 1859 and take up three of the cathedral's many bays. The first of these windows features four lancets containing depictions of saint Budoc, saint Magloire, saint Samson and saint Génevé. The scene shown under saint Budoc who was the 3rd bishop of Dol depicts Monseigneur Brossais-Saint-Marc being presented by saint Melaine, the 1st bishop of Dol to saint Samson and offering him a window. Beneath saint Magloire who was the 2nd bishop of Dol, the scene shows the Comte de Jersey giving the bishop part of his land. Samson was the 1st Dol bishop and beneath his image, the scene shows Samson studying a plan of the monastery he will have built in the future. Finally under saint Génevé are the arms and motto of Monseigneur Brossais-Saint-Marc.

In another window, this comprising three lancets, are depictions of saint Even, saint Leucher and saint Thuriau. Even was the 20th bishop of Dol and in the scene beneath his image, the deacon Gilduin is shown refusing the bishopric and recommending to the Pope that Even is given the post. Leucher was the 4th bishop of Dol and in the scene beneath his image we see Leichet using the cross of saint Samson to put out a fire which threatened the church. Beneath Thuriau's depiction, the scene shows Rivallonqui who had set fire to a Dol run monastery asking Thuriau's pardon.

In another of the windows are depictions of Monseigneur Révol, Monseigneur Thoreau and Monseigneur de Hercé. Beneath the image of Révol, a bishop is shown blessing the sea, beneath Thoreau a bishop and a man are shown by a water pipe and beneath de Hercé the scene shows de Hercé being shot in 1795 with Mr.de Sombreuil. The altar is the work of Hérault, the Rennes sculptor and was executed in 1859. The absidial chapel also contains the tombs of Jean Louis de Bouschet de Sourches, Mathurin de Plédran, Antoine de Révol, Mathieu Thoreau and Jean-François Dondel.

"Chapelle saint Joseph & sainte Thérèse"

In this chapel there is a beautiful carved wooden confessional box and the window has some fragments which date to the 14th century. The altar is wooden with a statue in white stone of saint Joseph. In the 19th-century stained glass window, the depiction is of Margaret of Antioch with a chained demon. This single lancet window dates to 1872 and is by Henry Ely. The window bears the inscription "Ste MARGUERITE". The chapel is divided into two parts and also contains a statue of sainte Theresa with the baby Jesus which dates to 1928.

"La Chapelle St-Michel" and the stained glass window depicting saint Sebastian, saint Michel, saint Louis, and the "glorification de la Vierge"

The chapel contains an altar in white stone with statues of saint Michael, saint Sebastian and saint Louis wearing a crown of thorns. In this chapel is another window by Henry Ely which dates to 1876. It comprises 3 lancets and a tympanum. The lancets hold the images of the three saints and the tympanum depicts the Virgin Mary being blessed by Jesus and a group of angels and cherubs. In the lancet dedicated to saint Sebastian scenes include his being pierced by arrows and his being beaten to death with cudgels. In the central lancet scenes include saint Michel fighting the devil and appearing before saint Aubert the founder of Mont-Saint-Michel and in the lancet dedicated to saint Louis, the scenes include Louis transferring relics to the "Sainte-Chapelle" and his death at Tunis.

"Chapelle Notre-Dame-De-La-Pitié"

The altar was previously wooden with twisted columns but was replaced by one made from white stone with a statue of "Mater Dolorosa". The stained glass window's tympanum depicts "L'Adoration de l'agneau". This chapel contains a monument, installed in 1920, dedicated to those men of Dol who lost their lives in the 1914-1918 war and sculpted by André César Vermare. The scene depicts an apparition of Christ appearing to a soldier ("poilu"). The inscription reads "A LA GLOIRE DES ENFANTS DE DOL MORTS POUR LA FRANCE". In this chapel, there is a mosaic altar dedicated to Notre-Dame de Pitié executed in 1902 and the work of the sculptor Augerie and the mosaicist Isidore Odorico.

"La Chapelle du Crucifix"

This chapel holds a carving of Christ on the Cross with the Virgin Mary and John the Evangelist. This dates to 1876 and was carved by the Valentin brothers of Rennes. The stained glass depicts Jesus, between his mother and John the Evangelist and in judgement of the dead seen emerging from their tombs. This has a well which feeds water through an underground conduit to a second well (puit) outside the cathedral. Both wells are fed from the same source.

"Chapelle des Fonts baptismaux"

The baptistry with baptismal font.

Chapter House

What was the Chapterhouse (salle Capitulaire or salle du chapitre) is now the oratory Saint Magloire and dates to the 14th-century.

Bas-relief depicting "Jésus et les docteurs"

This small limestone bas-relief dates to the late 19th-century and depicts Jesus in discussion with the lawyers at the temple. ("After three days they found him in the temple courts, sitting among the teachers, listening to them and asking them questions". Luke.).

Stations of the Cross

The 14 "Stations of the Cross" or "Chemin de croix" in the cathedral were installed there in 1903 and were the 1868 work of the sculptor Jean-Baptiste Germain. They are worked in the repoussé fashion in copper which was then gilded and silvered. The wooden frames were added in 1970.

Stained glass

The cathedral is one of the few religious buildings in Brittany to retain stained glass windows from the 13th-century, and when restoring windows during the following centuries they used fragments of glass recovered from windows of the 14th, 15th and 16th-century.

La maîtresse-vitre du chevet

The main stained glass window of the chevet, which is effectively the window lighting the choir, dates to between 1280 and 1290. The window was restored at the beginning of the 17th-century and was reglazed in 1870 when many of the older frames were saved by the glazier/artist Oudinot. This major restoration was commissioned by Monseigneur l'abbé Brignon. During the 1944 bombing which preceded Dol-de-Bretagne's liberation from German occupation, explosions badly damaged the window necessitating restoration work by the master glazier Jacques Gruber. A further restoration was carried out between 1982 and 1986. The window is made up of eight lancets above which is an elaborate tympanum and these lancets contain forty-eight frames recounting details from the lives of those saints said to have relics held in the cathedral. These are a belt from Sainte-Marguerite, pieces of the chêne de Mambré, remnants of saint Samson and sainte Catherine's teeth. The eight lancets, from the left and from the top to the bottom depict:-

1. The history of Margaret the Virgin or Margaret of Antioch
2. The history of Abraham
3. Scenes from Jesus' childhood
4. The Passion.
5. The Passion.
6. The history of saint Samson
7. Depicts the first six Archbishops of Dol, surrounded by their suffragan bishops, the bishops of Léon, Tréguier, Quimper, Vannes, Aleth and Saint-Brieuc. The Archbishops are Samson, Magloire, Saint Budoc, Saint Leucher, Saint Thuriau and Saint Genévé, each wearing a pallium a mitre and with a halo. Each carries the archbishop's cross.
8. The history of Catherine of Alexandria

The tympanum represents the Final judgement. In the quatrefoil to the right of Christ is a depiction of Paradise whilst that to the left depicts Hell with the enormous jaws of a green dragon.

The upper windows of the choir and transept

Most of these windows are grisailles from the year 1290 and completed in 1890-1891. The windows in the transept crossings depict four archbishops. These date to 1265 to 1270 and were restored in 1890 by Jacquier and Küchelbecker. At a later date, the shields of the bishops Jean de Lizaunet and Jean Mahé were added to the window in the north crossing and the arms of Thibaud de Pouancé and Jean du Bosc to the window on the south crossing.

The tympanums in the choir chapel windows

Some of the choir chapel windows have used fragments of earlier windows in their tympanums.

The main windows in the south and north transept

The "Saint Magloire" appears in the cathedral's bay 104. It dates to 1884 and depicts scenes from Magloire's life. It was the work of the Le Mans atelier of Jacquier and Maurice Küchelbecker. This window replaced an earlier window dating to 1280. In bay 103 is the window dedicated to sainte Anne and this bears the arms of pope Léon XIII in the left side spandrel and the arms of Dol in the spandrel on the right. Also the work of Jacquier and Maurice Küchelbecker this window dates to 1887"

The Magloire window relates episodes from the life of saint Magloire who succeeded saint Samson on the episcopal throne. It dates to 1884 and was the work of the atelier Jacquier and Küchelbecker of Mans. The window's eight lancets each had eight frames. In the lower level, Magloire is shown leaving the world, his being nominated as Samson's successor, his preaching to the people of Dol in front of Mont Dol, abdicating in favour of saint Budoc. In the window's upper level we see Magloire enjoying the solitude of Mont-Dol, curing a rich Breton who gave him half of the island of Sercq where he built a monastery and rescuing a fisherman drowning in the sea. In the tympanum Magloire receives communion surrounded by angels.

The same atelier of Jacquier and Küchelbecker installed the window depicting scenes from the life of sainte Anne in the north transept. These include the marriage of Anne and Joachim, the high priest rejecting Joachim's sacrifice, the announcement of the birth of the Virgin Mary to Anne and the meeting at the Golden Gate, all in the first frame. In the second frame, the scenes depict the Virgin Mary's birth, the Virgin Mary's education, the Virgin Mary's presentation at the temple and the death of sainte Anne. The tympanum is decorated with two quartilobes and a rosace showing Yves Nicolazic seeing the apparition of sainte Anne, the pilgrimage of Bretons to Sainte-Anne-d'Auray and sainte Anne "in glory" amidst a group of angels.

"Le Christ aux liens/Le Christ aux Outrages"

This 16th-century wooden and polychromed sculpture showing Christ waiting for the crucifixion and showing the signs of the beating and humiliation he has suffered ("Christ souffrant") is located in the aisle to the north of the nave. It dates to the 16th century. It came from the old manor of Beauvais.

"La Vierge-mère"

Another wooden painted sculpture depicting the Virgin Mary is situated at the entrance to the south nave. Prior to 1792 this sculpture had been part of the rood screen which was pulled down by the revolutionaries.

Lutrin

The cathedral lutrin takes the form of an eagle

King Nominoë

This statue stands in the grounds outside the cathedral. Nominoe, Nominoë in French or Nevenoe in Breton was the first Duke of Brittany from 846 to 851. He is the Breton pater patriae and to Breton nationalists is known as Tad ar Vro ("father of the country"). He was succeeded by his son Erispoe. Both are buried at Redon Abbey. Erispoe was assassinated in 857 by his cousin and successor Salomon. Salomon (Breton: Salaün) was Count of Rennes and Nantes from 852 and Duke of Brittany from 857 until his death by assassination in 874. He used the title King of Brittany intermittently after 868. He was canonised as "Saint Salomon" after his death and raised to the rank of martyr. His death resulted from a conspiracy involving Pascweten, Wrhwant, and Wigo, son of Riwallon, Count of Cornouaille, but they quickly fell out with each other and a civil war followed until 876. Judicael (or Yezekael) (died 888 or 889) was the Duke of Brittany from 876 to his death in 888 or 889 He was a son of a daughter of Erispoe and had claimed Brittany after the death of the pretenders Wrhwant and Pascweten in 876. Judicael reconciled with Alan to fight the Vikings, however. Together, they defeated the raiders at the Battle of Questembert in 888 or 889, but Judicael lost his life in the fighting. After his death Brittany was ruled by Alan I, King of Brittany and then Gourmaëlon. From 907 to 938 Brittany was occupied by the Vikings. There is a much larger memorial to Nominoë at Bains-sur-Oust which celebrates the victory of the Bretons over the French.

Sarcophagus

In the cathedral's presbytery garden there is a granite sarcophagus which is thought to have received saint Samson's remains when he died in 565. This was placed in the garden by abbé Pierre Chevrier a curate at Dol between 1841 and 1866. The sarcophagus has lost its cover. Before removal to the presbytery, the sarcophagus was kept inside the cathedral. When the Normans invaded Brittany in 878 it was decided to move Samson's remains to a safer place but the sarcophagus had been too heavy to transport and was left in Dol. When the relics were returned to Dol they were never put back inside the sarcophagus but kept in another container.

Other stained glass windows

High up in the eastern side of the south transept there is a window dating to around 1265 to 1270 depicting two other Dol bishops, Thibaud de Pouancé and Henri Du Bois.