Parent company Decca Records (UK) Country of origin England Founded 1966 | Genre Pop Location London | |
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Artists David Bowie, The Moody Blues, Cat Stevens, Procol Harum, Eric Clapton Albums Days of Future Passed, David Bowie, In Search of the Lost Chord, Cricklewood Green, Ssssh | ||
Deram Records was a subsidiary record label of Decca Records established in the United Kingdom in 1966. At this time U.K. Decca was a completely different company from the Decca label in the United States, which was then owned by MCA Inc. Deram recordings were also distributed in the U.S. through UK Decca's American branch, known as London Records. Deram was active until 1979, then continued as a reissue label.
Contents
1966-1968
In the 1960s Decca recording engineers experimented with ways of improving stereo recordings. They created a technique called "Decca Panoramic Sound." The term "Deramic" was created as abbreviation of this. The new concept allowed for more space between instruments, rendering these sounds softer to the ear. Early stereo recordings of popular music usually were mixed with sounds to the hard left, center, or hard right only. This was because of the technical limitations of the professional 4-track reel-to-reel recorders which were state of the art until about 1967.
Decca initially conceived Deram Records as an outlet for Deramic Sound recordings of contemporary pop and rock music, but not all of the early recordings on Deram used this technique. 'Deramic Sound' was intended to create recordings that had a more natural stereo spread. The basic difference was that, instead of overdubbing and mixing 4 individual (mono) tracks from a 4-track recorder, the Decca recording engineers used a pair of 4-track machines to layer multiple 2-channel (stereo) recordings. This new concept, with additional tracks, permitted the engineer to place instruments more easily in any position within the stereo field.
To launch the 'Deramic Sound' concept Deram issued a series of six easy listening orchestral pop albums in October 1967. The albums all included the word Night in the title, i.e. Strings in the Night, Brass in the Night, etc. The label was soon moulded into a home for 'alternative' or 'progressive' artists. Among the first recordings in this series was the November 1967 album release Days of Future Passed by the Moody Blues.
Professional quality 8-track recorders began to appear in many British studios starting with Advision Studios and Trident Studios in 1968. These 8-track machines were far more flexible than the dual 4-track recorder setup. Since Decca engineers no longer had more tracks than other major studios the 'Deramic Sound' concept quickly became outdated and was dropped. By late 1968 or early 1969 Decca had obtained its own 8-track recorder.
1969-1979
The roster later included British jazz and folk as well. Some of the more progressive jazz musicians of the late 1960s were released under the Deram imprint including Mike Gibbs, John Surman and Mike Westbrook. Deram albums bore a DML prefix for mono and an SML prefix for stereo releases. As with other UK Decca subsidiary labels, Deram's U.S. counterpart was distributed under the London Records arm. Decca positioned it against Island Records, Harvest Records (launched by EMI) and Vertigo Records (launched by Philips Records), but it failed to compete long-term. An 'extra' progressive series with SDL prefixes did not improve the situation.
From the start, Decca placed pop records alongside progressive artists on Deram. Cat Stevens found early success there before moving to Island Records; and David Bowie's first album appeared on the label. Three of Deram's earliest hits, Procol Harum's "A Whiter Shade of Pale" and the Move's "Night of Fear" and "I Can Hear the Grass Grow", were produced outside the company by artists not directly signed to Deram. They were part of a deal with Straight Ahead Productions, who later moved their acts to EMI and had them released on the re-introduced Regal Zonophone imprint.
In 1969, Decca launched a true progressive label called Nova, which lasted less than a year. This caused further confusion as simultaneous releases on "Deram Nova" and "Decca Nova" appeared. Decca released Justin Hayward's Songwriter (1977) and Night Flight (1980) vinyl albums on Deram. The label name was briefly revived in the early 1980s, when its roster included Bananarama, the Mo-dettes and Splodgenessabounds. Deram has also been used as a reissue imprint for other recordings in the Decca/London catalogue.