Name Debora Shuger | ||
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Education Stanford University (1983), Carleton College, Vanderbilt University Awards Guggenheim Fellowship for Humanities, US & Canada Books The Renaissance Bible: Sc, Sacred Rhetoric: The Chris, Censorship and Cultural S, Political Theologies in Shakes, Habits of Thought in the Englis | ||
Debora Kuller Shuger (born December 15, 1953) is a literary historian and scholar. She studies early modern, Renaissance, late 16th- and 17th century England. She writes about Tudor-Stuart literature; religious, political, and legal thought; neo-Latin; and censorship of that period.
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Education, academia, and employment
Shuger was born in Stuyvesant Town in Manhattan. Before her first birthday, her family moved to Rye, New York, where she lived until 3rd grade, when the family moved again, this time to Armonk, New York. During high school, she would slip away to attend classes at the Horace Mann School in the Bronx, which was then all male. She entered Carleton College as a freshman, married, and moved with her husband to Vanderbilt University, where she earned her B.A. (summa cum laude, 1975), M.A. (1978), and M.A.T. (1978). She earned her PhD from Stanford University (1983). Shuger taught at the University of Michigan and the University of Arkansas before moving to UCLA, where she has been since 1989.
Family
While in college, Shuger married Scott Shuger, who created the popular Today's Papers column for Slate.com. Scott died in 2002. They had one daughter, Dale, who has worked as an actress and now teaches in the Spanish Department at Tulane. Debora Shuger is domestically partnered to Russ Abbott.
Shuger is the oldest of three sisters. Her parents are Alan Kuller, retired Vice President for real estate of Caldor, and Nancy Schoenbrod Kuller (deceased, 1993), a sculptor and painter. Her sister Judy Verhave (married to Menno Verhave, M.D.) is Executive Vice-president for Compensation at Bank of New York Mellon. The youngest sister Lisa Kuller (widow of Anthony Dalessio, PhD) is a social worker in Fairfield, Connecticut.
Works and interests
Although Shuger has written most extensively on religion in early modern England her interests range across a number of fields: Tudor-Stuart devotional poetry and prose, theology and biblical exegesis, legal history, political thought, rhetoric, and life writing (biography, memoirs, diaries, etc.).
She has also studied and written about gender, sexuality, colonialism, Classics, and Shakespeare and has published articles on Spenser, Shakespeare, Sidney, Milton, Donne, Jonson, Middleton, rhetoric, hagiography, and mirrors.
She contributed the essay on early Stuart religious literature to the Cambridge History of Early Modern English Literature (2002).
Her recent graduate seminars have focused on political theory from antiquity through the late Middle Ages, 17th century life-writing, Elizabethan religious prose, the sacred literature of the Jacobean era, early modern English law, Saint Augustine, and Renaissance commentaries on Paul's Epistle to the Romans.
Her latest book challenges the assumption that early modern censorship was an instrument used by governmental power to punish dissent. Shuger tries to prove that this is an anachronistic error, and that censorship usually had demonstrably more to do with the prevention of slander than it did with the suppression of popular rights—more to do with civility than with mass mind-control.
Shuger's previous book confronted the longstanding assumption that the English church had been fully complicit with the repressive hegemonic powers of government in this period. Instead, the church was often a key haven for humane resistance to such repression, a place where ideas of social justice could sustain themselves, and as a resource for individual and collective action—to put it as what recent scholarship would deem an oxymoron, it was a benign patriarchy. Political Theologies uses Shakespeare’s Measure for Measure to show that the laws of the church and of the state interacted in ways that modern researchers have overlooked (resulting in a distorted understanding of the play as well as history) by anachronistically imposing our own categories to differentiate moral from administrative questions.
Honors
Shuger has been a resident fellow at the Liguria Study Center for the Arts and Humanities, the National Humanities Center, and the Wissenschaftskolleg zu Berlin, as well as a recipient of Guggenheim, NEH, Huntington Library Mellon Foundation Fellowship, and UC President's fellowships. She is a Fellow of the American Academy of Arts and Sciences.