Name David Stacton | Role Novelist | |
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Died January 19, 1968, Fredensborg Education University of California, Berkeley (1951), Stanford University Awards Guggenheim Fellowship for Creative Arts, US & Canada Books Tom Fool, The Judges of the Secre, A Signal Victory, Segaki, On a balcony | ||
David Derek Stacton (born Arthur Lionel Kingsley Evans, May 27, 1923 – January 19, 1968) was an American novelist, historian and poet.
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Biography
Stacton was born in San Francisco. In author profiles, however, he claimed to have been born April 25, 1925 in Minden, Nevada (several of his books are set in Nevada). Stacton attended Stanford University from 1941–43. He served in the Civilian Public Service as a conscientious objector, and wrote a letter as “David Stacton” decrying the compliant American masses to Dwight Macdonald’s Politics in 1945. He legally changed his name to David Derek Stacton on September 3, 1946. He changed his name to disassociate himself from his father, and because he believed the surname was unique to him in the United States (as a child he had been known to friends as “Lyonel”). He attended San Francisco State College from 1947–48, and graduated from the University of California, Berkeley in January 1951. He lived in Europe from 1951–1954, 1960–1962, and 1964–1965. Most of his books as David Stacton were originally published in England. Stacton wrote under the pseudonyms Carse Boyd, Bud Clifton, David Dereksen and David West. He also ghosted Living Religions Of The World a 1956 work accredited to Frederic Spiegelberg.
Stacton may have lied about being married, and recollections by friends and people who personally met him strongly indicate that he was gay and unafraid of being flamboyant in person. One memoir records Stacton's penchant for drag. The few author descriptions in contemporary reviews were much taken by his wearing of cowboy boots. In 1965-1966 he taught at Washington and Lee College. He died January 19, 1968 in Fredensborg, Denmark. His death was reported as being from a stroke. Stacton had suffered from epilepsy since a child.
Overview
David Stacton's earliest published works were poems, often betraying the influence of T.S. Eliot, which were published in American little magazines. They were collected in 1953. David Stacton began as a writer of moody California-based novels, became moderately well known as a writer of short, concentrated historical and biographical novels, and then ended his career as a writer of lengthy histories. His historical novels are distinctive for covering many disparate periods and historical figures and were popular with a coterie of critics but they never reached a wide audience. His novels usually focus on a couple of characters who are often highly private, unusual, even perverse individuals, so that his novels are more about encompassing the range of their personalities and motives through introspection rather than through narrative and plot. Stacton frequently refers to life as a "Cosmic Opera House". He sees his characters as parables and illustrative of certain trends, and he wrote three series of thematically related triptychs. In his first triptych, "The Invincible Questions", Stacton chooses protagonists who are more important for their personal inquiries into the nature of reality than anything that they do, despite being a pharaoh, a king, and monk. His second "American" tripych is highly critical of the development of American history and of America's tendencies to both imperialism and isolationism (Gore Vidal's silence about Stacton may be significant). And in his third triptych, Stacton examines, with considerable irony, the eternally fraught relationship between archetypal Man and Woman, beginning with Hindu myth, then looking comically at a famous period romance, and concluding with sad events at a film festival in the recent past.
Stacton's novels are often low in dialogue, and his better novels are instead full of his witty scornful comments on his characters and life. At his best Stacton had an epigrammatic style and enjoyed a sophisticated irony, although antipathetic critics took him to task for pretentious vocabulary, a tendency to florid paradoxes, and anachronistic allusions (i.e. describing a 14th-century Zen garden using phrases from Marianne Moore and Peter Pan). In 1963, Time magazine praised his work as "masses of epigrams marinated in a stinging mixture of metaphysics and blood" and suggested that "something similar might have been the result if the Duc de la Rochefoucauld had written novels with plots suggested by Jack London"[1]. His other literary influences include Walter Pater, for his choice of characters with frustrated artistic and emotional longings, and Lytton Strachey for his witty attention to history. Several of Stacton's novels feature homosexual characters prominently when this was uncommon.
Besides the novels and other literary works published under his name, he also published a wide range of pseudonymous cowboys, thrillers and exploitation novels. Pulp novels about juvenile delinquents written under pseudonyms proved very popular, were translated into numerous languages and D for Delinquent was one of Ace’s top sellers for 1958. The Power Gods, about a motorcycle gang, was set in Nevada. Muscle Boy features in many histories of gay pulp fiction. Muscle Boy was inspired by an actual crime ring based in San Francisco, but Clifton transplanted the action to Muscle Beach and populated it with an assortment of flamboyant party boys and hustlers. The reaction of the real life figures identifiable in the novel was one reason he left the San Francisco area, more or less permanently, in 1959.
Rediscovery
Faber Finds has republished seven of Stacton's novels. (Times Literary Supplement, April 5, 2013).
Fans of David Stacton include John Crowley (Stacton was the inspiration for the character Fellowes Kraft in Crowley’s Ægypt sequence), Thomas M. Disch, and Peter Beagle.