| David Altmejd|
| Universite du Quebec a Montreal, Columbia University|
Jon Rafman, Karla Black, Matthew Monahan, Richard Tuttle, Shary Boyle
David Altmejd (born 1974) is a Canadian sculptor who lives and works in New York City. Altmejd creates highly detailed sculptures that often blur the distinction between interior and exterior, surface and structure, figurative representation and abstraction. His work has appeared in major exhibitions at the Brant Foundation Art Study Center (2011), the Vanhaerents Art Collection, Brussels (2010), the National Gallery of Canada, Ottawa (2010), the New Museum (2010) and the Solomon R. Guggenheim Museum (2010).
Born in Montreal, Quebec, Altmejd earned a Bachelor of Fine Arts from the Université du Québec à Montréal. Altmejd completed his Masters of Fine Arts at Columbia University in 2001.
Since graduating with his MFA, he has taken part in many group shows, such as at Artists Space and Deitch Projects. In 2003, he was curated by Dan Cameron into the 8th International Istanbul Biennial. In 2004, he was included in the Whitney Biennial of American Art.
In 2007, he represented Canada at the Venice Biennale; his installation "The Index" (curated by Louise Déry) was subsequently purchased by the Art Gallery of Ontario.
David Altmejd's sculptures mix seemingly random objects such as decapitated werewolf heads with graffiti-style Stars of David, towers made of mirrors, plastic flowers and faux jewelry, to create sculptural systems loaded with what he calls "symbolic potential" and open ended narratives. Werewolf heads have appeared so frequently in his work that in the contemporary art world, they are widely recognized as being closely affiliated with this artist.
Kara L. Rooney writes of "The Vessel" (2011), the central piece in his March 2011 showing at Andrea Rosen Gallery:
"Like Altmejd's figurative giants, 'The Vessel' contains a myriad number of small universes that lodge themselves like secrets in pockets of flesh and plastic. Lengths of fine gold chain, Plasticine hands and ears, shards of mirror and quartz, spools of multi-colored thread, seahorse and insect casts, as well as abstracted references to Avian gods, such as cranes and other airborne creatures, swarm the Plexi castle in a cacophony of frozen movement."
In 2016 Altmejd designed the art for Yeasayer's album Amen & Goodbye which the band described as "Sgt Pepper meets Hieronymous Bosch meets Dali meets PeeWee's Playhouse."
David Altmejd Wikipedia