Dave Meros has a Business Degree from U.C. Berkeley with Music Minor.
Meros began studying classical piano at age 9, five years formal training.
• Studied French Horn, Trumpet, Trombone, Tuba between the ages of 13 – 18. - Received Bank of America award for musical achievement, 1974. - Received John Phillip Souza Band Award, 1974. - Played in Reno Jazz Festival All Star Band, 1974, as a member of the University of California Jazz Ensembles.
• Played bass trombone and tuba in the University of California Jazz Ensembles, 1974–1977, under the direction of Dr. David W. Tucker.
• Began playing electric bass in 1976 while at the University of California, Berkeley. Played professionally since 1978. Relocated to Los Angeles early 1985.
• Played bass and tour managed Rock and Roll Hall of Fame member Eric Burdon and The Animals from January 1990 through November 2005, and toured very extensively worldwide with various bands since the late '80s. His main creative venture since 1994 has been recording and touring with the critically acclaimed progressive rock band Spock's Beard, that to date has released twelve full-length studio CDs plus a large number of live CDs and EPs, Videos, DVDs, and rarities collections. Their 12th studio CD, titled "The Oblivion Particle" was released in August 2015.
Meros currently plays in the Sacramento area based band Rolling Heads featuring Spock's Beard bandmate Ted Leonard. He is also currently a member of Iron Butterfly, having previously performed with them as a substitute for the late Lee Dorman during the band's 2006 tour.
- Mark Lindsay (Paul Revere and the Raiders) – 1986.
- Gary Myrick (Geffen recording artist) – 1986 through 1989.
- Bobby Kimball (Toto) – 1989.
- Eric Burdon – January 1990 through November 2005.
- Spock's Beard – 1993 – current.
- The Kings Of Classic Rock - 2007 - 2013.
- Rolling Heads - 2010 - current.
- Iron Butterfly - 2015 - current.
Dave's current bass for Spock's Beard is a modified OLP-MM. It was built as a "proof of concept" bass under the theory that a large portion of his signature sound comes simply from having passive, single coil pickups in the same positions as on a Rickenbacker. Dave used three Seymour Duncan Jazz Bass pickups to do this - two in the Rickenbacker locations and one in the position where the bridge pickup on a Fender Jazz Bass would normally go. Further customizations include a Full Contact Hardware bridge and a Hipshot Xtender tuning key that will detune the E string down to a D at the flip of a lever. According to Dave "It isn't quite as easy to play as my Ric was, but it sounds awesome and the intonation is better than any of the Rics I've owned"
From 1992 through 2002 Dave used a stock white Rickenbacker in Spock's Beard.
From 2002 through the recording of "Brief Nocturnes and Dreamless Sleep" (bass tracks recorded in November 2012) Dave's main bass was what he terms his "Fendenbacker". It's a Rickenbacker 4001 bass that's been severely modified to serve a variety of purposes. "A buddy of mine found a really trashed Ric in a pawn shop, and I turned it into a project bass to try to make a 'one bass fits all' for myself" says Meros.
It has a set of Fender Jazz Bass pickups set in mid-'70s-era spacing (the bridge pickup moved closer to the bridge than in previous incarnations, giving the bass a "tighter" and more midrange tone) as well as the standard set of Rickenbacker pickups in the traditional Ric positions. This gives Meros four pickups total to choose from, with a switch that chooses between the two fairly different "basses", Rickenbacker or Jazz. All four can also be activated at the same time. A BadAss bridge, Hipshot Bass Xtender (otherwise known as a "Hipshot D-Tuner" or simply a "Hipshot" or "D-Tuner" among bassists) for its ability to downtune the low E-string of a bass typically to D at the flip of a lever) and a string mute that Meros can raise or lower with thumb screws (which were fabricated by Meros himself) were also added.
"I did the refinish on the front of the bass, made the pickguard and did a lot of the other little stuff myself, but I had John Carruthers (Venice, CA) do the stuff that really mattered, like route the body for the two extra pickups, cause you only get one chance to do that, and it has to be perfect. He's the man, totally. He also did a really versatile wiring thing for me and one of the most amazing fret jobs I've ever seen."
More recently, after the neck began delaminating from the body, it was completely rebuilt and refinished by Ed Roman Guitars, a company based in Las Vegas, NV.
In 2007 Ed Roman built Dave a custom instrument designed with most of the same features and specs as the "Fendenbacker" (see below), with a Rickenbacker-like body shape but with a Fender scale length and neck width and more of a Fender body contouring.
Other basses Meros uses are various Fender Jazz and Precision models (One of his Fender Precision basses was used on 2005's "Gluttons For Punishment" tour" while the Rickenbacker was being repaired), a Carruthers five string, and other fretted and fretless basses.
Live and Studio setups:
Live: Bass OLP MM modified with a Babicz Full Contact Hardware Bridge, 3 pickups: 2 in the usual Rickenbacker positions and 1 in the Fender Jazz Bass bridge position Strings DR Hi Beams Bass Synth "Taurus" VST plug in triggered by Keith McMillen 12-Step MIDI pedals Live Rig Amp: Eden WT-1205 (with two preamp channels and two independent inputs). Speakers: 2- Eden 410XLT cabs.
I split the signal coming out of my bass and run one line into my Digitech RP-21d pedalboard and the other directly into one channel of the WT-1205.
The output from the Digitech RP-21d goes into the remaining input of the Eden WT-1205.
I EQ the highs and mids out of the direct channel so that it is only low end and blend that with the Digitech channel since the settings I use on the Digitech pedalboard give me a sound lacking in low end.
Recording For recording I just go direct into Cubase (or ProTools or whatever) and use the IK Multimedia plug-in Ampeg SVX.
(Before that plug in was available I used to go through the Digitech pedalboard and into a LIne 6 Bass POD (the POD was to simulate an amp, speaker and mic).
Previous to the POD, I would actually set up my whole rig and put a mic on it. It was often very difficult to find an isolated room to do that, so I am very grateful for modern technology.)