Name Darius Milhaud Role Composer | Children Daniel Milhaud | |
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Movies Entr'acte, Ghosts Before Breakfast Compositions Le bœuf sur le toit, Le bœuf sur le toit, Scaramouche, Scaramouche, La creation du monde, La creation du monde, La cheminee du roi Rene, La cheminee du roi Rene, Brazileira (Mouvement de samba), Brazileira (Mouvement de samba), La mere coupable, La mere coupable, Le pauvre matelot, Le pauvre matelot, Les maries de la tour Eiffel, Les maries de la tour Eiffel, Christophe Colomb, Christophe Colomb, Bolivar (opera), Bolivar (opera), L'abandon d'Ariane, L'abandon d'Ariane, Symphony No 1, Symphony No 1, L'Orestie D'eschyle, L'Orestie D'eschyle, L'eventail de Jeanne, L'eventail de Jeanne, Esther de Carpentras, Esther de Carpentras, Sonata for flute - oboe - clarinet and piano, Sonata for flute - oboe - clarinet and piano, Genesis Suite, Genesis Suite, Symphony No 3, Symphony No 3, Symphony No 4, Symphony No 4, Symphony No 2, Symphony No 2, Symphony No 5, Symphony No 5, Pastorale - op 147, Pastorale - op 147, Fiesta, Fiesta, Symphony No 6, Symphony No 6, David, David, Quatuor no 14: III Vif, Quatuor no 14: III Vif, La carnaval d'Aix - op 83b: VIII Polichinelle, La carnaval d'Aix - op 83b: VIII Polichinelle, Quatuor no 17 - op 307: III Leger et cinglant, Quatuor no 17 - op 307: III Leger et cinglant, Quatuor no 2 - op 12: II Tres lent, Quatuor no 2 - op 12: II Tres lent, Sonata for Viola and Piano no 1 - op 240: III Air, Sonata for Viola and Piano no 1 - op 240: III Air, Quatuor no 3 - op 32: I Tres lent, Quatuor no 3 - op 32: I Tres lent, Sonata for flute - oboe - clarinet and piano - op 47: I Tranquille, Sonata for flute - oboe - clarinet and piano - op 47: I Tranquille, Suite provencale - op 152b: VII Lent, Suite provencale - op 152b: VII Lent, Sonatine for Violin and Viola - op 226: III Fugue, Sonatine for Violin and Viola - op 226: III Fugue, Quatuor no 8 - op 121: III Tres anime, Quatuor no 8 - op 121: III Tres anime, Saudades do Brasil - op 67: X Paineiras, Saudades do Brasil - op 67: X Paineiras, Saudades do Brasil - op 67: Ouverture, Saudades do Brasil - op 67: Ouverture, 9 Preludes - op 231b: No 3, 9 Preludes - op 231b: No 3, Suite (d'apres Corrette) - op 161b: VI Rondeau, Suite (d'apres Corrette) - op 161b: VI Rondeau, Quatre Visages - op 238: III La Bruxelloise, Quatre Visages - op 238: III La Bruxelloise, La Creation du monde - op 81b: IV Scherzo, La Creation du monde - op 81b: IV Scherzo, Les Maries de la Tour Eiffel: X Sortie de la noce, Les Maries de la Tour Eiffel: X Sortie de la noce, 3 Rag-Caprices - op 78: No 2 Romance (Tendrement), 3 Rag-Caprices - op 78: No 2 Romance (Tendrement), Sonatine pour hautbois et piano - op 337: II Souple et clair, Sonatine pour hautbois et piano - op 337: II Souple et clair, Suite - op 157b: IV Introduction et Final, Suite - op 157b: IV Introduction et Final, 9 Preludes - op 231b: No 9, 9 Preludes - op 231b: No 9, Saudades do Brasil - op 67: XI Laranjeiras, Saudades do Brasil - op 67: XI Laranjeiras, Le Bal martiniquais - op 249: I Chanson Creole, Le Bal martiniquais - op 249: I Chanson Creole, Sonata for flute - oboe - clarinet and piano - op 47: III Emporte, Sonata for flute - oboe - clarinet and piano - op 47: III Emporte, Album des Six: Mazurka, Album des Six: Mazurka, Quatuor no 8 - op 121: I Vif et souple, Quatuor no 8 - op 121: I Vif et souple Similar People Francis Poulenc, Arthur Honegger, Maurice Ravel, Georges Auric, Igor Stravinsky |
Darius milhaud 1892 1974 scaramouche suite for two pianos
Darius Milhaud ([daʁjys mijo]; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as The Group of Six—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.
Contents
- Darius milhaud 1892 1974 scaramouche suite for two pianos
- Darius Milhaud Saudades do Brasil 1920
- Life and career
- Works
- Archival collections
- Selected filmography
- Legacy
- References

Darius Milhaud - Saudades do Brasil (1920)
Life and career

Born in Marseille to a Jewish family from Aix-en-Provence, Milhaud began as a violinist, later turning to composition instead. Milhaud studied in Paris at the Paris Conservatory where he met his fellow group members Arthur Honegger and Germaine Tailleferre. He studied composition under Charles Widor and harmony and counterpoint with André Gedalge. He also studied privately with Vincent d'Indy. From 1917 to 1919, he served as secretary to Paul Claudel, the eminent poet and dramatist who was then the French ambassador to Brazil, and with whom Milhaud collaborated for many years, setting music for many of Claudel's poems and plays. While in Brazil, they collaborated on a ballet, L'Homme et son désir.

On his return to France, Milhaud composed works influenced by the Brazilian popular music he had heard, including compositions of Brazilian pianist and composer Ernesto Nazareth. Le bœuf sur le toit includes melodies by Nazareth and other popular Brazilian composers of the time, and evokes the sounds of Carnaval. The recurring theme is, in fact, a Carnaval tune by the name of "The Bull on the Roof" (in Portuguese which he translated to French 'Le boeuf sur le toit', known in English as 'The Ox on the Roof'). He also produced Saudades do Brasil, a suite of twelve dances evoking twelve neighborhoods in Rio. Shortly after the original piano version appeared, he orchestrated the suite.

On a trip to the United States in 1922, Darius Milhaud heard "authentic" jazz for the first time, on the streets of Harlem, which left a great impact on his musical outlook. The following year, he completed his composition La création du monde (The Creation of the World), using ideas and idioms from jazz, cast as a ballet in six continuous dance scenes.
In 1925, Milhaud married his cousin, Madeleine (1902–2008), an actress and reciter. In 1930 she gave birth to a son, the painter and sculptor Daniel Milhaud, who was the couple's only child.
The invasion of France by Nazi Germany forced the Milhauds to leave France in 1940 and emigrate to the United States (his Jewish background made it impossible for Milhaud to return to his native country until after its liberation). He secured a teaching post at Mills College in Oakland, California, where he composed the opera Bolivar (1943) and collaborated with Henri Temianka and the Paganini Quartet. In an extraordinary concert there in 1949, the Budapest Quartet performed the composer's 14th String Quartet, followed by the Paganini Quartet's performance of his 15th; and then both ensembles played the two pieces together as an octet. The following year, these same pieces were performed at the Aspen Music Festival in Colorado, by the Paganini and Juilliard String Quartets.
The jazz pianist Dave Brubeck became one of Milhaud's most famous students when Brubeck furthered his music studies at Mills College in the late 1940s. In a February 2010 interview with JazzWax, Brubeck said he attended Mills, a women's college (men were allowed in graduate programs), specifically to study with Milhaud, saying, "Milhaud was an enormously gifted classical composer and teacher who loved jazz and incorporated it into his work. My older brother Howard was his assistant and had taken all of his classes." Brubeck named his first son Darius.
Milhaud's former students also include popular songwriter Burt Bacharach. Milhaud told Bacharach, "Don't be afraid of writing something people can remember and whistle. Don't ever feel discomfited by a melody."
From 1947 to 1971, he taught alternate years at Mills and the Paris Conservatoire, until poor health, which caused him to use a wheelchair during his later years (beginning in the 1930s), compelled him to retire. He also taught on the faculty of the Aspen Music Festival and School. He died in Geneva at the age of 81, and he was buried in the Saint-Pierre Cemetery in Aix-en-Provence.
Works
Darius Milhaud was very prolific and composed for a wide range of genres. His opus list ended at 443.
Milhaud (like such contemporaries as Hindemith, Malipiero, Henry Cowell, Hovhaness, Martinů, and Villa-Lobos) was an extremely rapid creator, for whom the art of writing music seemed almost as natural as breathing. His most popular works include Le bœuf sur le toit (a ballet which lent its name to the legendary cabaret frequented by Milhaud and other members of Les Six), La création du monde (a ballet for small orchestra with solo saxophone, influenced by jazz), Scaramouche (a suite for two pianos, also for alto saxophone or clarinet and orchestra), and Saudades do Brasil (a dance suite). His autobiography is titled Notes sans musique (Notes Without Music), later revised as Ma vie heureuse (My Happy Life).
Archival collections
Selected filmography
Legacy
Lycée intercommunal Darius-Milhaud near Paris is named after him.