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Played by Valentina Shendrikova, Anne-Lise Gabold, Lorraine Huling Similar | ||
Cordelia is a fictional character in William Shakespeare's tragic play, King Lear. She is the youngest of King Lear's three daughters, and his favourite. After her elderly father offers her the opportunity to profess her love to him in return for one third of the land in his kingdom, she refuses and is banished for the majority of the play.
Contents
Origin
Shakespeare had numerous resources to consult while writing King Lear. The oldest source in print was Geoffrey of Monmouth's The History of the Kings of Britain, c.1136. This is the earliest written record of Cordelia. Here she is depicted as Queen Cordelia.
Introduction
In Shakespeare's King Lear, Cordelia is briefly on stage during Act 1, scene 1. Her father Lear exiles her as a response to her honesty when he asks for professions of love from his three daughters to determine how to divide the lands of his kingdom between them. Cordelia's sisters, Goneril and Regan, give deceitfully lavish speeches professing their love. Cordelia, seeing right through her sisters' feigned professions, refuses to do the same. Lear deems her answer ("Love, and be silent" 1.1.62) as too simple. Lear asks her, "What can you say to draw / A third more opulent than your sisters? Speak." (1.1.84-5). Cordelia replies, "Nothing, my lord." (1.1.86). She continues, "Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; no more nor less." (1.1 90-2). Unlike her father and sisters, Cordelia is able to differentiate love from property. Feeling outraged and humiliated that Cordelia will not publicly lavish love on him, Lear banishes Cordelia from the kingdom. She does not return until Act 4, scene 4.
The ending
Cordelia was always Lear’s favorite daughter. After Lear is rejected by Cordelia's wicked sisters Goneril and Regan he goes mad. Cordelia returns at the end of the play with the intentions of helping Lear, ultimately reversing her role as daughter to that of mother. But when she arrives, Lear does not even recognize her in his state of madness. Nevertheless, she forgives him for banishing her. By the time Lear finally regains his reason and realizes who Cordelia is, they have little time to talk and reconcile, for Edmund arrives and sends them to prison, where Cordelia is ultimately hanged. In Nahum Tate's "happy-ending" revision The History of King Lear (1681), which replaced Shakespeare's original version on stage for decades, Cordelia marries Edgar and becomes ruler of the kingdom.
Cordelia as a mother figure
When Lear offers his kingdom to his three daughters, a role reversal occurs in which the daughters become mother figures for Lear. By dividing his kingdom between his daughters, Lear gives them the power to dictate his own future, just as a parent has control over the future of his or her children. Because Cordelia is the daughter he loves most, Lear expects her to care for him as he hands over his power to his children and advances into old age, much like how a mother cares for her baby.
Performance on screen
