Claudi Arimany

Biography

Arimany started his business studies at ESADE while learning to play the flute as a hobby. Back then, he was more interested in jazz than in classical music and did not expect to pursue a professional musical career. He took lessons from pianist and composer Josep Maria Ruera in Arimany's home city and from Salvador Gratacós in Barcelona. Gratacós sought to foster a keen interest in the instrument and its repertoire among his students and to create an environment geared towards continuous improvement. Gratacós also invited two masters of that time, Alain Marion and Jean-Pierre Rampal, to participate in the classes when they visited Barcelona to perform. This was how Arimany met master Rampal, but it was not until Arimany saw him act at the Palau de la Música Catalana that he decided to change tack and continue his musical studies in Nice and Paris with masters such as Georgy Sebok, Alain Marion and Raymond Guiot. In 1982 he obtained his diploma in Paris, with a first prize awarded unanimously by the jury.

He lives close to his native region, in Llerona (Les Franqueses del Vallès), whose municipal music school is named after him, and teaches at the "Josep Maria Ruera" Granollers Music School.

Professional career

Arimany has always performed as a soloist artist, but he has shared the stage with leading figures, such as Jean-Pierre Rampal, Maxence Larrieu, Aurèle Nicolet Constantine Orbeliani, Victor Pikaisen, Janos Rolla, Jean-Jacques Kantorow, Nicanor Zabaleta, Marielle Nordmann, Mischa Maisky Victoria de los Angeles, Roland Pidoux and Claudio Scimone.

His work as a performer of international stature has led him to play in major concert halls, such as the Chicago Symphony Center, the Washington Library of Congress, Carnegie Hall in New York Boston Symphony Hall, the Palau de la Musica Catalana in Barcelona, the Amsterdam Concertgebouw, the Beethoven House in Bonn, the National Auditorium of Music in Madrid, the Palais Auersperg in Vienna, the Beijing Concert Hall, the Hollywood Bowl in Los Angeles, the Tchaikovsky Conservatory in Moscow, the Teatro Real in Madrid, the Rudolfinum and Smetana Theatre in Prague, the Gasteig in Munich, the Liederhalle in Stuttgart, the Théâtre des Champs-Élysées, the Salle Pleyel and Salle Gaveau in Paris, Suntory Hall and Bunka Kaykan in Tokyo, and the Konzerthaus in Vienna.

He has also travelled around the world and been invited by leading international groups, such as the Berlin Philharmonic Chamber Orchestra, China National Symphony Orchestra, Bach Orchestra Stuttgart, Moscow Chamber Orchestra, Stuttgarter Kammerorchester, European Union Chamber Orchestra, I Virtuosi Italiani, Czech Philharmonic Mendelssohn Chamber Orchestra Philharmonia Virtuosi New York, New American Chamber Orchestra, Orchestra Internazionale d'Italia, Virtuosi di Praga Chamber Orchestra, Franz Liszt Orchestra Budapest, Arthur Rubinstein Chamber Orchestra Polonia, Israel Sinfonietta, Ensemble Orchestral of Paris, Zagreb Soloists, English Chamber Orchestra Amadeus Chamber Orchestra and Berliner Kammerorchester.

Relationship with Jean-Pierre Rampal

In addition to his renowned career as a great flautist, Jean-Pierre Rampal embarked on a paedagogical quest to recover and spread the flute repertoire, becoming the teacher of an entire generation. Arimany, who had studied with him, began to work with him in the late 1980s. The perfect understanding between them led Rampal to state: "He is the perfect continuation of the French school of flute and my style of play to such extent that even if I listen carefully to the record we created together I cannot tell whether it is he or I who is playing."

The last album they recorded together was dedicated to Mozart and Hoffmeister and released in 1999. Shortly before, Rampal had written his opinion on the art of his pupil and tour companion, which can be considered his artistic will.

Claudi Arimany is, in my opinion, one of the greatest flautists of his generation. He is one of those virtuosi who put technique, sonority and the colours of phrasing at the service of musicality and sensitivity, something not within the grasp of many.

As well as his artistic legacy, Arimany kept much of Rampal's music library and his flutes. The one with the greatest emotional value, which he uses in concerts, is the iconic WS Haynes gold flute.

He has been a member of the jury at the International JP Rampal Flute Competition, held in Paris.

Musical research

Beyond his extensive work as an interpreter, Arimany has devoted much of his activity to study, recover and spread the work of great forgotten composers. The popularity of the great masters often casts talented disciples and contemporary artists into obscurity. In the words of Arimany, "I am still very interested in the music of the great composers who worked 'around' those who are now better known".

When, in 1986, he submitted a project to edit Bach's pieces for flute to a German label, it was received without interest, since many recordings of this author existed already. Arimany's response to this rejection was to team up with soloists Alexander Schmoller (cello) and Michael Gruber (harpsichord) to review and select virtually unknown pieces practically by German disciples of the Thuringian master. The challenging recovery project culminated in the 1986 release of the album Virtuose Flötenmusik - Schüler der Bach by the German Motette record label (Wiesbaden).

His special interest in finding Catalan composers who had written for the flute led him to highlight the work of Joan Baptista Pla (Balaguer, 1720-1762), a contemporary of Mozart who travelled throughout Europe, few works of whom have survived. In early 1990, the musicologist Joseph Dolcet found original sheet music by Pla in Germany, which Arimany incorporated into his repertoire together with other material by Pla and his brother Manuel Pla. He later recorded two CDs, one with Jean-Pierre Rampal and the Franz Liszt Chamber Orchestra with works by Joan Plan, and another with three concerts with the English Chamber Orchestra.

The trail of little-known authors took him to the work of François Devienne, a composer and performer who had been popular in his time, earning the moniker "the French Mozart", and had founded the Conservatoire de Paris. However, he had been forgotten until the late 1970s, when his works were reprised. In the mid-1990s, Arimany found the 18th-century edition of all Devienne's concerts. The continuous recovery of works by this author allowed for concerts to be performed in many venues, including the Théâtre des Champs Elysées in Paris, together with the Paris Orchestral Ensemble in November 1994. Arimany has recorded four CDs with the fourteen concertos for flute and orchestra by Devienne, a type of music which Arimany considers "natural, clear, elegant and melancholic, and requires great technical skill".

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