Charles Causley

Life and work

Causley was born at Launceston in Cornwall and was educated there and at a teacher training college in Peterborough. His father died in 1924 from long-standing injuries from the First World War. Largely because of this, Causley had to leave school at 15 to earn money for the family, working as an office boy during his early years.

He enlisted in the Royal Navy and served as a coder during the Second World War, aboard the destroyer HMS Eclipse in the Atlantic and later in the Pacific as part of the crew of the aircraft carrier HMS Glory. Causley later wrote about his wartime experiences in his poetry, and also in a book of short stories, Hands to Dance and Skylark. His first collection of poems, Farewell, Aggie Weston (1951) contained his "Song of the Dying Gunner A.A.1":

The collection Survivor's Leave followed in 1953, and from then until his death Causley published frequently. He worked as a teacher at his old school, St. Catherine's CofE Primary, in Launceston, leaving the town seldom and reluctantly. He did however twice spend time in Perth as a visiting Fellow at the University of Western Australia, and also worked at the Banff School of Fine Arts in Canada. He travelled widely and frequently, especially after his retirement, early in 1976. Causley was much in demand at poetry readings in the United Kingdom and worldwide. He also made many television and radio appearances over the post-war period, particularly for the BBC in the West Country, and as the presenter for many years of the BBC Radio 4 series Poetry Please.

An intensely private person, he was nevertheless approachable. He was a friend of such writers as Siegfried Sassoon, A. L. Rowse, Susan Hill, Jack Clemo and Ted Hughes (his closest friend). As well as Causley's other poetry dealing with issues of faith, travel, friends and family, his poems for children were popular. He used to say that he could have lived comfortably on the fees paid for the reproduction of "Timothy Winters":

In 1958, Causley was made a Fellow of the Royal Society of Literature and was awarded a CBE in 1986. When he was 83 years old he was made a Companion of Literature by the Royal Society of Literature: he greeted this award with the words, "My goodness, what an encouragement!" Other awards include the Queen's Gold Medal for Poetry in 1967 and a Cholmondeley Award in 1971. In 1973/74 he was Visiting Fellow in Poetry at the University of Exeter, receiving an honorary doctorate from that university on 7 July 1977. He was presented with the Heywood Hill Literary Prize in 2000. Between 1962 and 1966 he was a member of the Poetry Panel of the Arts Council of Great Britain. He was twice awarded a travelling scholarship by the Society of Authors. There was a campaign to have him appointed Poet Laureate on the death of John Betjeman, but to the people of his home town, he became "the greatest poet laureate we never had". He was interviewed by Roy Plomley on Desert Island Discs on 1 December 1979: his music choices included five classical selections and three others while his chosen book was Boswell's Life of Johnson.

In 1982, on his 65th birthday, a book of poems was published in his honour that included contributions from Ted Hughes, Seamus Heaney, Philip Larkin and twenty-three other poets, testifying to the respect and indeed love that the British poetry community had for him. This was followed by a fuller and more wide-ranging tribute, Causley at 70, published in 1987.

His work, influenced by W. H. Auden, is intensely original and many consider him to be, as Betjeman was, a man working outside of the dominant trends of the poetry of his day.

Causley's popularity amongst general readers and listeners, particularly among the Cornish, remains high, and also appears to be expanding. A particular piece that has gained considerable attention in recent years is the late poem "Eden Rock", an elegiac reflection on childhood, family and mortality. Its opening lines are:

The former Poet Laureate Andrew Motion has said that if he could write a line as perfect as the one that closes this poem, he would die a happy man. The full text of "Eden Rock" accompanies a recording on the Poetry Archive website of Causley himself reading it aloud, shortly before his death.

Reception

According to the Norton Anthology of Children's Literature, "because his characteristic themes, preoccupations, and freshness of language vary little, it is often difficult to distinguish between his writings for children and those for adults. He himself declared that he did know whether a given poem was for children or adults as he was writing it, and he included his children's poetry without comment in his collected works."

W. H. Auden comments on Causley stating that "Causley stayed true to what he called his 'guiding principle' ... while there are some good poems which are only for adults, because they pre-suppose adult experience in their readers, there are no good poems which are only for children."

His close friend Ted Hughes said of Causley:

"Among the English poetry of the last half century, Charles Causley's could well turn out to be the best loved and most needed.... Before I was made Poet Laureate, I was asked to name my choice of the best poet for the job. Without hesitation I named Charles Causley–this marvelously resourceful, original poet, yet among all known poets the only one who could be called a man of the people, in the old, best sense. A poet for whom the title might have been invented afresh. I was pleased to hear that in an unpublished letter Philip Larkin thought the same and chose him too."

Perhaps because of that widespread perception of Causley as a poetic "outsider", academia has paid less attention to his work than it might have done. However, the publication over recent years of a book of critical essays edited by Michael Hanke, Through the Granite Kingdom, as well as a number of dissertations about Causley's work (alone, or alongside poets such as Larkin and R. S. Thomas) suggest that this situation is changing.. Another indication of that increased attention was a one-day academic symposium "Charles Causley: Influence and Legacy" took place at Falmouth University's Penryn Campus on Saturday 6 December 2014. It included some ten papers or presentations organised under three themes ("Friendship, Faith and Childhood", "Causley in the Wider World" and "Influence and Legacy"), as well as a discussion of a documentary film on Causley currently in the process of being completed, and from which extracts were shown. The Symposium itself ended with readings from the current Causley Trust Writer-in-Residence at Cyprus Well, Alyson Hallett, and students who attended associated writing workshops. The day as whole was rounded off by an evening reading from the poet Brian Patten.

Legacy

The Charles Causley Trust, a registered charity, exists to celebrate his life and work and promote new literature activity in the community and region in which he lived. The Trust secured the poet's house in Launceston for the nation in 2006. After considerable repairs, refurbishment and upgrading, the house has been opened on a limited basis to the public, providing a programme of heritage activities to promote Causley's life and work, and in particular the base for a Poet-in-Residence programme.

In June 2010, the first Charles Causley Festival took place in Launceston, held over a long weekend. The programme included literature, music, art and a variety of other activities. A second, expanded Festival took place in the town over a full week, spanning the end of May and the start of June 2011, and broadened its themes still further with a science-based talk from Professor James Lovelock (of "Gaia Theory" fame) who lives in the district.

Further annual festivals have followed, each year since (2012–16), with a wide variety of events both directly and indirectly connected to Causley and his work. In the fourth, fifth, sixth and seventh annual Festivals respectively, the centrepiece events were readings given by Sir Andrew Motion (former Poet Laureate, and patron of the Causley Society), and Carol Ann Duffy (the current Poet Laureate), Brian Patten and Lemn Sissay (the 2012 London Olympics Poet).

The fourth festival, in June 2013, saw a performance of a number of new settings of Causley poems by his distant relative, folk singer Jim Causley. These had been recorded for a commercial CD in Cyprus Well (and titled with that name), Causley's home of many years in Launceston—even using Causley's own piano, there. The fifth festival in June 2014 featured a session marking the centenary of the start of the First World War with a series of talks on war poetry. The rough cut of a new documentary film about Causley's life and work, made by Jane Darke and Andrew Tebbs of Boatshed Films, was the climactic event of the sixth festival in June 2015. Another highlight that year was a three-day "guided open house" opportunity at Causley's restored and extended house, Cyprus Well.

The June 2016 Festival (no.7) featured the premiere of the finished 90-minute version of the Darke and Tebbs documentary film, The Poet: Charles Causley. In addition, a plaque was unveiled at Cyprus Well, now a working writer's residence as well as a memorial. A further festival is planned for 2017—the centenary of Causley's birth.

The majority of the songs of Alex Atterson (1931–1996) are settings of Causley poems. A number of other settings have been made of Causley poems, over many years, by musicians such as Jim Causley (see above), Natalie Merchant, Johnny Coppin, Mervyn Horder and Phyllis Tate. New versions continue to be composed.

Charles Causley Trust International Poetry Competition

The Charles Causley International Poetry Prize began in 2013 and continues to run to the present, usually in the build up to Christmas. First prize awards £2000, second prize awards £250 and third prize awards £100. It is an international competition open to anyone over the age of 18 and held in the memory of Charles Causley, renowned Cornish poet. Entries usually cost £7 each and more than one can be submitted per poet.

2013

1st prize – Jo Bell, ‘The Icicle Garden’ 2nd prize – Dorothy Conventon, ‘The River Trevillet’ 3rd prize – Simon Pomery, ‘Love Poem to Black Pudding’ Highly Commended: John Gallas, ‘Once in Wrapping’, Roger Elkin, ‘Fishing in the Khabur River, Syria’, Ama Bolton, ‘Sea-change’. Judges: Sir Andrew Motion

2014

1st prize – Angela Readman, ‘The Museum of Water’

2nd prize – John Haslam, ‘Draw’

3rd prize – Andrew Rudd, ‘His Wooden Shirt’

Highly Commended: Victor Tapner, ‘Holbein’s Wife’, Tania Hershman, ‘The Biologist & The Birds’ and ‘The Observer Paradox’, Sue Wood, ‘Indian Summer’, Samantha Weaver, ‘Smallholdings’.

Judges: Kathryn Simmonds

2015

1st prize – Claire Dyer, ‘Trust and the Horse’

2nd prize – Russell Jones, ‘Waggledancers’

3rd prize- Nell Farrell, ‘Finding the Wedding Photos’

Highly Commended: Kristen Irving, ‘Huixtocihuatl’, John Foggin, ‘For the True Naming of the World’, Jill Munro, ‘Freeze-framed’, David Curtis, ‘What the Owls Say’, Andy Humphrey, ‘Becoming Hedgehog’.

Judges:

Professor Antony Caleshu

Dr. Kim Martindale

Dr. Miriam Darlington

Professor Ronald Tamplin

2016 (TBC)

1st prize - Jack Thacker, 'The Load'

2nd prize - Joanne Key, 'The Year You Turned Into A Fish'

3rd prize - Liz Breslin, 'Walk A Mile/ Stepping Out'

Highly Commended: Victor Tapner, 'A Gap In The Field', Theresa Lola, 'Portrait Of Us As Snow White', Jill Munro, 'Le Nez', Tony D'Arpino, 'A Romp In Brompton Cemetery', Kerry Darbyshire, 'The Earth Of Cumberland Is My Earth'.

Judges: Sir Andrew Motion

For adults

For children

Plays

As editor