Carmen Lomas Garza

Biography

Garza was born in 1948 in Kingsville, Texas. Garza's mother was a self-taught artist who created pen and ink drawings and painted. Garza loved watching her mother paint, and felt like what her mother did was magic. Garza also helped her grandmother create embroidery patterns using paper cutouts as a young child. The influence of her mother's and grandmother's art-making was very strong and by age thirteen Garza had decided she would be an artist. Her parents encouraged her to pursue her interests in college.

Garza first attended Texas Arts and Industry University (now Texas A&M University, Kingsville). Her parents had been involved in political organizing through the American GI Forum, and Garza followed in their footsteps by organizing a book store Chicanos on her college campus. In 1972, she received a BS in art education and a Texas Teaching Certificate at Texas Arts and Industry. During her undergraduate studies, she decided that it was important for her to create art that would be understood by people of all ages.

Later, Garza received a Master of Education in 1973 at Juarez-Lincoln/Antioch Graduate School and a Master of Art in 1981 from San Francisco State University.

Garza currently lives in San Francisco, California.

Art

The initial roots of Garza's artwork lay in her family, to whom she is close, and in the Chicano Movement. Garza later wrote that the Chicano Movement nourished her goal of being an artist and gave her back her voice. She says that her artistic creations helped her "heal the wounds inflicted by discrimination and racism." Garza also feels that by creating positive images of Mexican-American families, her work can help combat racism. Her choice to use personal and family images to combat racism is a departure from more political works by many Chicano artists. The creation of her own narrative, rather than one that is forced on her, however, speaks against racism on its own.

Garza incorporates little figures (monitos) in her artwork. The figures and their interactions with the spaces they inhabit show how Chicano/a identities are connected to the places she paints. Her paintings are also idealized and the figures become archetypes. Her flattened figures and sense of space create "a sense of immediacy," letting the viewer interact directly with the subject matter.

Garza has made Day of the Dead ofrendas, or ritual altars, to honor not just family members, but also people from history. She has made ofrendas for Frida Kahlo, Doña Sebastiana and Tenochtitlán.

The artist has created 8 paintings for the San Francisco Water Department and a sculpture at the San Francisco International Airport. In Chan Kaajal Park, a park opened in 2017 in San Francisco's Mission District, features renderings of a California condor and a great blue heron by Garza, commissioned by the San Francisco Arts Commission.

Exhibitions

In 2013, Garza's Cama para Suenos (1985) and Loteria-Tabla Llena (1972) were included in the Smithsonian American Art Museum's Our America: The Latino Presence in American Art

Garza was also featured in the University of Texas at Austin's 7th Annual ¡A Viva Voz! where she talked and exhibited her work.

Carmen Lomas Garza: A Retrospective was Garza's first retrospective and featured work from the mid-1970s to the present. It was organized by the San Jose Museum of Art, where it was on view from January to April 2001; it later traveled to the San Antonio Museum of Art, South Texas Institute for the Arts, Ellen Noel Art Museum of the Permian Basin, National Hispanic Cultural Center, and the Polk Museum of Art.

Awards and honors

A primary school in Los Angeles, the Carmen Lomas Garza Primary Center, is named in Garza's honor.

Works cited