Bobbi Mastrangelo

Biography

Bobbi Mastrangelo was not originally trained as an artist, but instead graduated with a degree in Elementary Education from SUNY in Buffalo, New York, where she met her future husband Alfred.

After a career as a teacher and while raising her children, she enrolled in art classes in New York state and studied printmaking and papermaking under the tutelage of professors including Dan Welden, Gail Cohen Edelman, Clare Romano and John Ross (authors of "The Complete Printmaker").

Mastrangelo’s art theme developed during her studies with Master Printer Dan Welden, who advised her to focus on a theme or a style for her identity as an artist. After viewing photographs of previous sketches and paintings, her art history professor, Lawrence Alloway, pointed out that circular themes dominated. When she discovered photographs of manhole covers in an art history book, Mastrangelo realized that she had found the perfect theme. Using manhole cover rubbings and photos for reference, Mastrangelo developed a technique for creating trompe l’oeil relief works called “Grate Works” The realistic street and sidewalk scenes using manhole covers or water covers have been created in many media: collagraph prints on handmade paper, fiber art, foam relief works, assemblages and installations.

Named by news reporters as Cover Girl or The Grate Lady, Mastrangelo continues to create art work for exhibitions, solo shows and commissions.

Style and social statement

Bobbi Mastrangelo's activities as a community leader against littering, environmental pollution, and in promotion of water conservation are themes reflected in her art. Manhole-themed collages made from handmade paper may incorporate found objects or impressions of street litter, bottle caps and discarded cigarette butts. Eco-conscious messages are sometimes written on the work itself.

She created assemblages and an outdoor installation titled “Hazardous Waste Site” warning of the dangers of toxic and medical waste at Islip Art Museum’s “Outdoor Sculpture Now” exhibit on Long Island, New York in July, 1989.

Mastrangelo’s body of work includes using diverse materials such as metal, wood, paint, paper, fiber, canvas, cement, builders’ foam sheets and spray foam. Larger works measure up to 60 inches long, and may be framed or unframed wall pieces or three-dimensional sculpture.

The artist submits one of her pieces or “art happenings” to be reproduced in color as a post card for National Postcard Week each year. These include themes of conservation, American Pride, anti-terrorism, the history of cover designs, roads and infrastructure.

Solo exhibitions

2011 “Water Works” Toho Water Authority Gallery: Kissimmee FL

2010 “Sewers of the World, Unite”

2006 “Grate Works” Osceola Arts Center Kissimmee FL

2004 “Underfoot: Manhole & Other Covers” The Attleboro Area Industrial Museum, MA

2003 “Grate Works” Toast Gallery: Port Jefferson, NY

1998 “Grate Works” Baltimore, MD: Museum of Public Works

1997 “Permanent Collection of Grate Works” Islip Art Museum: East Islip, NY

1994 “Manhole Covers” Invitational, N Y Hall of Science: Corona

1993-1999 “Water Works III” Suffolk County (NY) Water Authority

Group exhibitions

2011 "75th National Midyear Exhibition" Butler Institute of American Art: Youngstown, Ohio

2010 “CURATE THIS! 2010” Denver Biennial of the Americas: The Beca Foundation

2010 “Water S(our)ce” Gwinnett Environmental & Heritage Center: Buford GA

2004 “NY Collects Buffalo State” Burchfield-Penney Art Center: Buffalo, NY

1999 “Winners Showcase Exhibit” Smithtown, NY Arts Council

1995 "Listen to the Earth” (Invitational) Hamilton College: Clinton, NY

1992 "City Views” Staller Arts Center SUNY: Stony Brook, NY

1988 “Water Works” Mills Pond House Gallery St. James NY