Blue Sky Studios

1980–89: Formation and early computer animation

In the late 1970s, Chris Wedge, then an undergraduate at Purchase College studying film, was employed by Mathematical Applications Group, Inc. (MAGI). MAGI was an early computer technology company which produced SynthaVision, a software application that could replicate the laws of physics to measure nuclear radiation rays for U.S. government contracts. At MAGI, Wedge met Eugene Troubetzkoy, who held a Ph.D in theoretical physics and was one of the first computer animators. Using his background in character animation, Wedge helped MAGI produce animation for television commercials, which eventually led to an offer from Walt Disney Productions to produce animation for the film Tron (1982). For Tron, MAGI hired Michael Ferraro, a systems architect, and Carl Ludwig, an electrical engineer. As MAGI's success began to decline, the company employed David Brown from CBS/Fox Video to be a marketing executive and Alison Brown to be a managing producer. After MAGI shut down, the six individuals—Wedge, Troubetzkoy, Ferraro, Ludwig, David Brown, and Alison Brown—founded Blue Sky Studios in February 1987 to continue their work in computer animation.

Ferraro began to build a programming language specifically tailored for Blue Sky's proprietary animation software, CGI Studio. At the time, scanline renderers were prevalent in the computer graphics industry, and they required computer animators and digital artists to add lighting effects in manually; Troubetzkoy, Ferraro, and Ludwig developed CGI Studio to use ray tracing, which allows the renderer to simulate the physical properties of light and produce lighting effects automatically. To accomplish this, Ludwig examined how light passes through water, ice, and crystal, and programmed those properties into the software. Following the stock market crash of 1987, Blue Sky Studios did not find their first client until about two years later: a company "that wanted their logo animated so it would be seen flying over the ocean in front of a sunset." In order to receive the commission, Blue Sky spent two days rendering a single frame and submitted it to the prospective client. However, once the client accepted their offer, Blue Sky found that they could not produce the entire animation in time without help from a local graphics studio, which provided them with extra computer processors.

1989–2002: Television commercials, visual effects, and Bunny

Throughout the late 1980s and 1990s, Blue Sky Studios concentrated on the production of television commercials and visual effects for film. The studio began by animating commercials that depicted the mechanisms of time-release capsules for pharmaceutical corporations. The studio also produced a Chock Full O' Nuts commercial with a talking coffee bean and developed the first computer-animated M&M's. Using CGI Studio, the studio produced over 200 other commercials for clients such as Chrysler, General Foods, Texaco, and the United States Marines. Blue Sky Studios also produced the computer animation for the "Mathman" video game segments of PBS's Square One Television.

In the mid-1990s, MTV hired Blue Sky Studios to animate their network IDs, which led to additional collaboration between the two companies on the film Joe's Apartment (1996), for which Blue Sky animated the insect characters. Other clients included Bell Atlantic, Rayovac, Gillette, and Braun. The Braun commercial was awarded a CLIO Award for Advertising. Recalling the award, Carl Ludwig stated that the judges had initially mistaken the commercial as a live action submission as a result of the photorealism of the computer-animated razor. In August 1997, 20th Century Fox's Los Angeles-based visual effects company, VIFX, acquired majority interest in Blue Sky Studios to form a new visual effects and animation company, temporarily renamed "Blue Sky/VIFX". Following the studio's expansion, Blue Sky produced character animation for the films Alien: Resurrection (1997), A Simple Wish (1997), Mousehunt (1997), Star Trek: Insurrection (1998), and Fight Club (1999).

Meanwhile, starting in 1990, Chris Wedge had been working on a short film named Bunny, intended to demonstrate CGI Studio. The film revolves around a rabbit widow who is irritated by a moth. The moth subsequently leads the rabbit into "a heavenly glow, reuniting her with her husband." At the time, Wedge had been the thesis advisor for Carlos Saldanha while Saldanha was a graduate student at the School of Visual Arts; Wedge shared storyboard panels for Bunny with Saldanha during this time. After Saldanha's graduation, Blue Sky Studios hired him as an animator, and he later directed a few commercials. It was not until 1996 when Nina Rappaport, a producer at Blue Sky Studios, assigned Wedge to complete the Bunny project, which required CGI Studio to render fur, glass, and metal from multiple light sources, such as a swinging light bulb and an "ethereal cloudscape". In the initial stages of the Bunny project, Carl Ludwig modified CGI Studio to simulate radiosity, which tracks light rays as they reflect off of multiple surfaces. Blue Sky Studios released Bunny in 1998, and it received the Academy Award for Best Animated Short Film. Bunny's success gave Blue Sky Studios the opportunity to produce feature length films.

2002–present: Feature films

Due to the F/X market crash, Fox decided to leave the visual effects business. In March 1999, they sold VIFX to another visual effects house, Rhythm & Hues Studios, and considered selling Blue Sky next. At the time, the studio got the opportunity with the Ice Age script to turn it into a comedy. In 2002, Ice Age was released to great critical and commercial success. The film got a nomination for an Academy Award for Best Animated Feature, and established Blue Sky as the third studio, after Pixar and DreamWorks Animation, to launch a successful CGI franchise.

In January 2009, the studio moved from White Plains, New York to Greenwich, Connecticut.

In 2013, Chris Wedge took a leave of absence to direct Paramount Animation's live-action/computer-animated film Monster Trucks.

Contributions