|Similar Tanah Lot, Uluwatu Temple, Pura Besakih, Pura Ulun Danu Bratan, Tirta Empul|
A Pura is a Balinese Hindu temple. and the place of worship for the adherents of Balinese Hinduism in Indonesia. Puras are built in accordance to rules, style, guidance and rituals found in Balinese architecture. Most of the puras are found on the island of Bali, as Hinduism is the predominant religion in the island; however many puras exist in other parts of Indonesia where there are significant numbers of Balinese people. Mother Temple of Besakih is the most important, the largest and holiest temple in Bali. A large number of puras have been built in Bali, leading it to be titled "the Island of a Thousand Puras".
The term pura originates from the Sanskrit word (-pur, -puri, -pura, -puram, -pore), meaning "city", "walled city", "towered city", or "palace". During the development of the Balinese language the term pura came to refer to a religious temple complex, while the term puri came to refer to palace, the residence of kings and nobles, similar to Javanese kratons.
Design and layout
Unlike the common towering indoor Indian Hindu temple, puras are designed as an open air place of worship within enclosed walls, connected with a series of intricately decorated gates between its compounds. This walled compounds contains several shrines, meru (towers), and bale (pavilions). The design, plan and layout of the pura follows the trimandala concept of Balinese space allocation. Three mandala zones arranged according to a sacred hierarchy:
- Nista mandala (jaba pisan): the outer zone, which directly connects the pura compound with the outer realm, and the entrance to the temple. This zone usually takes the form of an open field or a garden that can be used for religious dance performances, or act as an additional space for preparations during religious festivals.
- Madya mandala (jaba tengah): the middle zone of the temple, where the activity of adherents takes place, and also the location for supporting facilities of the temple. In this zone usually several pavilions are built, such as the bale kulkul (wooden Slit drum tower), bale gong (gamelan pavilion), wantilan (meeting pavilion), bale pesandekan, and bale perantenan, the temple's kitchen.
- Utama mandala (jero): the holiest and the most sacred zone within the pura. This enclosed and typically highest of the compounds usually contains a padmasana, the towering lotus throne of the highest god, Acintya (the Sang Hyang Widhi Wasa, or "All-in-one God", in modern Balinese), the pelinggih meru (a multi-tiered tower-shrine), and several pavilions, such as bale pawedan (vedic chanting pavilion), bale piyasan, bale pepelik (offering pavilion), bale panggungan, bale murda, and gedong penyimpenan (storehouse of the temple's relics).
However, the layout rules for arrangements the facilities of the two outer zones, nista mandala and madya mandala, are somewhat flexible. Several structures, such as the bale kulkul, could be built as outer corner tower; also, the perantenan (temple's kitchen) could be located in the Nista mandala.
There are two types of gates within Balinese architecture: the split gate, known as candi bentar, and the roofed tower gate known as paduraksa or kori agung. Both types of gates have specific roles in Balinese architectural design. Candi bentar is the gate used in the nista mandala, while the kori agung is employed as the gate between the madya mandala and Utama mandala inner compounds. The rules for gate types are also valid for non-religious compounds such as puri, nobles' and kings' residences.
Types of pura
There are several types of pura, each serving certain functions of Balinese rituals throughout the Balinese calendar. The Balinese temples are arranged according to the physical and spiritual realm of Balinese people, which corresponds to kaja-kelod sacred axis, from mountain tops the realms of gods, hyang spirits, the middle fertile plain the realm of humans, all the way to the beach and ocean, the realm of sea deities and demons.
The Sad Kahyangan, Sad Kahyangan Jagad or the "six sanctuaries of the world" are the six holiest places of worship on Bali. According to Balinese beliefs, they are the pivotal points of the island, and are meant to provide spiritual balance to Bali. The number of these most sacred sanctuaries always adds up six, but depending on the region, the specific temples that are listed may vary. A list of the Sad Kahyangan may include:
Bali has a number of important "sea temples" (Balinese: pura segara) which were founded in the 16th century by a Majapahit Brahmin from Java named Nirartha to honour the gods of the sea. Each of the temples is traditionally said to be visible from the next, forming a 'chain' around the coast of Bali. Many of the most important sea temples are located along the south-west coast of the island. The temples' positions was meant to provides a chain of spiritual protection for the Bali island.
Listed counterclockwise from Nirartha's legendary point of arrival in Bali, some of the most prominent Balinese sea temples include:
At this site Nirartha is said to have made a gift of a lock of his hair, which was worshipped. Rambut Siwi translates as 'worship of the hair' and the tale is reminiscent of the Buddhist story of Gautama giving eight hairs to Tapussa and Bhallika, which are now enshrined at Shwedagon.