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Arlene Sierra

Name  Arlene Sierra

Role  Composer
Arlene Sierra wwwprsformusicfoundationcomimagesgrantees172
Education  Yale University, Oberlin College
Nominations  Latin Grammy Award for Best Classical Contemporary Composition

Arlene sierra the evolution of process


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Arlene Sierra (born June 1, 1970, in Miami) is an American composer of contemporary classical music, working in London, United Kingdom. She studied at Oberlin College Conservatory of Music, Yale University School of Music and the University of Michigan, Ann Arbor, receiving a DMA in 1999; her principal teachers were Martin Bresnick, Michael Daugherty and Jacob Druckman. A composition fellow at the Britten-Pears School (Aldeburgh Festival) in 2000 and Tanglewood in 2001, teachers included Louis Andriessen, Oliver Knussen, Magnus Lindberg, and Colin Matthews. She also worked with Judith Weir at the Dartington International Summer School in 1999, Paul Heinz Dittrich in Berlin in 1997-8, and Betsy Jolas and Dominique Troncin at The American Conservatory of Fontainebleau Schools in 1993.

Arlene Sierra wwwcardiffacukdataassetsimage0005147875

Her music has been commissioned by organizations including the Seattle Symphony, Tanglewood Music Festival, the New York Philharmonic, the Huddersfield Contemporary Music Festival, the Albany Symphony, the Cheltenham International Festival, the Jerome, PRS and Cheswatyr Foundations, and the Ralph Vaughan Williams Trust. Performers of her work have included New York City Opera VOX, the American Composers Orchestra, the London Sinfonietta, the New Music Players, Psappha, the International Contemporary Ensemble, Chroma, the Schubert Ensemble, the BBC National Orchestra of Wales, and the Tokyo Philharmonic. In 2001, she was the first woman to win the Takemitsu Prize; in 2007 she received a Charles Ives Fellowship from the American Academy of Arts and Letters with a citation for music, "by turns, urgent, poetic, evocative and witty." In 2011, a debut CD of chamber music was released by Bridge Records: Arlene Sierra, Volume 1 and she was named Composer of the Year by the Classical Recording Foundation. A second CD, Game of Attrition: Arlene Sierra, Vol. 2, was released in 2014 including four orchestral works recorded by the BBC National Orchestra of Wales, Jac Van Steen, conductor. Her work Moler from the same disc was nominated for a Latin Grammy Award in 2014.

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Sierra was a Composition Tutor at Cambridge University in 2003-4 before joining Cardiff University School of Music as Lecturer in Composition in 2004. She was promoted to Senior Lecturer in 2010 and to Reader (academic rank) in Composition 2016. Sierra is married to British composer Kenneth Hesketh.

Her music is published exclusively by Cecilian Music (ASCAP).

Arlene sierra on contact


Musical style

Arlene Sierra's compositions are rooted in early training in classical piano with Dr Rosalina Sackstein (a student of Claudio Arrau) and in electronic music at the Oberlin Conservatory of Music, as well as her interests in dance and orchestral sonority and timbre. Many of Sierra's mature works have their origins in military strategy and game theory, with literary sources including Vitruvius and Sun Tzu, notably: Ballistae (2000) for large ensemble, Truel (2002-4) for piano trio, A Conflict of Opposites (2005) for violin or clarinet with piano, Surrounded Ground (2008) for sextet, and Art of War (2010), a concerto for piano and orchestra.

Sierra is also inspired by bird song, insect calls and sounds and processes from the natural world. Her 2009 work, Game of Attrition – commissioned by the New York Philharmonic – takes its structure from processes described by Charles Darwin in The Origin of Species. Other works that employ natural sounds and processes include Cicada Shell (2006) for ensemble, Birds and Insects, Books 1 and 2 (2007, 2015) for piano solo, Insects in Amber (2010) for string quartet, Butterflies Remember a Mountain (2013) for piano trio, and Urban Birds (2014) for three pianos with percussion and electronics.

Sierra has also demonstrated an interest in dramatic and stage works centered on women protagonists, in scenarios ranging from Faust in the opera Faustine to human trafficking in the collaborative chamber opera Cuatro Corridos. Since 2012, she has been working on a series of new scores to films by Maya Deren, including Meditation on Violence and Ritual in Transfigured Time.

Works for Orchestra

  • Moler for Orchestra (2012)
  • Game of Attrition for Chamber Orchestra (2009)
  • Aquilo for Orchestra (2001)
  • Aquae for Orchestra (2000)
  • Ballistae for Orchestra (2000)
  • Mantegna Diptych for Orchestra (2000)
  • Soloist and Orchestra

  • Art of War Concerto for Piano and Orchestra (2010)
  • Dedication and Dance Trombone Concerto for Orchestra or Symphonic Winds (1994, revised 2003)
  • Wind Ensemble

  • Dedication and Dance Trombone Concerto for Orchestra or Symphonic Winds (1994, revised 2003)
  • Large Ensemble (7 or more players)

  • Colmena for 14 Players (2008)
  • Cicada Shell for Septet (2006)
  • Tiffany Windows for 12 players (2002)
  • Four Choreographic Studies for 10 Players (2001)
  • Ballistae for 13 Players (2000)
  • Soloist and Large Ensemble (7 or more players)

  • Neruda Settings for Soprano and Chamber Ensemble (2002-5)
  • Works for 2 to 6 Players

  • Butterflies Remember a Mountain for Piano Trio (2013)
  • Avian Mirrors for Violin and Cello (2013)
  • Insects in Amber String Quartet (2010)
  • Surrounded Ground for Sextet (2008)
  • A Conflict of Opposites for Violin or Clarinet and Piano (2005)
  • Truel for Piano Trio or Clarinet Trio (2004-7)
  • Truel 1 for Piano Trio or Clarinet Trio (2002-3)
  • Counting-Out Rhyme for Cello and Piano (2002)
  • Zwei Huhner for Oboe and Trombone (200o)
  • Harrow-Lines for Quintet (1999)
  • of Risk and Memory for Two Pianos (1997)
  • Four Love Songs for Viola and Piano (1993)
  • Duo for Violoncelli (1993)
  • Solo Works

  • Birds and Insects, Book 2 Piano Solo (2015)
  • Cricket-Viol for Solo Viola/Voice (2010)
  • Birds and Insects, Book 1 Piano Solo (2007)
  • The Art of Lightness Flute Solo (2006)
  • Two Etudes After Mantegna Cello Solo (1998)
  • Solo Voice and up to 6 Players

  • Hearing Things for Soprano and Piano (2008)
  • Streets and Rivers for Baritone and Piano (2007)
  • Two Neruda Odes for Soprano, Cello and Piano (2004)
  • Hand Mit Ringen for Soprano and Trio (2002)
  • Three Descriptions for Soprano and Piano (1997)
  • Electroacoustic Works

  • Urban Birds for 3 Pianos with Percussion and Recorded Birdsong (2014)
  • Works with Film

  • Meditation on Violence chamber ensemble score to the Maya Deren film (2012)
  • Ritual in Transfigured Time chamber ensemble score to the Maya Deren film (2016)
  • Opera and Music Theatre

  • Cuatro Corridos - Dalia Opera Scena for Soprano and Ensemble (2013)
  • Faustine Opera in one act for 5 Singers and Orchestra (2011-)
  • Dance

  • Four Choreographic Studies for 10 Players (2001)
  • Chorus

  • Alike Dissolving for SATB, Children's Choir and String Orchestra (2001)
  • Alike Dissolving for Unaccompanied SATB (2001)
  • Alleluya (Bitter-Sweet) for four men's voices or SATB Chorus (2000)
  • Articles and interviews

  • 'Unflinching Depictions of Nature - A Conversation with Arlene Sierra Natural Light, Published September 7, 2015
  • 'Ten Questions to Arlene Sierra' Sinfini Music, Published April 29, 2014
  • 'The Evolution of Process' Gardner, Alexandra, New Music Box Published: May 1, 2013
  • 'Composer Arlene Sierra: Process, Strategy, Evolution' Schulslaper, Robert, Fanfare (magazine) Published: October 13, 2011
  • 'Sierra: Cicada Shell; Birds and Insects Book 1; Surrounded Ground, etc – review' Clements, Andrew, The Guardian Published: July 14, 2011
  • 'Odes, Bees and Battles in Textured Works' Schweitzer, Vivien, New York Times Published: March 16, 2009
  • 'CompositionToday: Arlene Sierra Interview' Published: November 24, 2009
  • 'Contact - by Arlene Sierra' NewMusicBox Published: December 16, 2009
  • References

    Arlene Sierra Wikipedia


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