Anand Thakore was born in Mumbai in 1971. His father Sandeep Thakore was a sitar enthusiast and a disciple of the late Ustad Mohammed Khan Beenkaar. As a child he was fascinated by Hindu Mythology and Indian classical music and dance. His Grandmother, Kapila Thakore was an award-winning Gujarati children's writer and translator.
He spent a part of his childhood in the UK and has lived in India since then. He was educated at Solihull School, in the West Midlands, and at Cathedral and John Connon School, Mumbai. While in the UK, he received instruction in Western choral singing and violin. On returning to Mumbai he studied Hindustani vocal music under Ustad Aslam Khan and Pandit Satyasheel Deshpande, senior disciple of Pandit Kumar Gandharva.
He gave his first public performance at the Vitaan Festival of Music and Dance, 1989, hosted by the Sheriff of Mumbai. He has been giving public concerts and 'mehfils' regularly since. While learning music he simultaneously developed a passion for English literature and various Indian languages: Hindi, Urdu, Sanskrit and Braj Bhasha. In addition to writing poetry in English, he began, in his late teens, to compose his own Hindustani compositions with Braj and Hindi lyrics.
He earned a BA in English Literature from the University of Mumbai where he also studied courses in Sanskrit literature. He then earned an MA in English Literature from the University of Pune.
Anand Thakore has been writing verse in English since his teens. He is the author of three books of verse Elephant Bathing, Mughal Sequence and Waking in December. He has also authored a number of critical essays on music and poetry and a pamphlet of 'Khayal' lyrics in Hindi.
Thakore's poems first appeared in Literature alive, a British Council Journal. His work has appeared in various national and international journals and anthologies since then. He has read work at major literary festivals
Post-Colonial critic Bruce King points out in World Literature Today ( Vol. 75, No. 3/4, Summer - Autumn, 2001, p. 136) : "That Thakore is a classical singer shows in his imagery and complex patterns of sound, and in the texture of his verse. There is a song-like quality about his verse".
Jeet Thayil writes about Anand Thakore in the book The Bloodaxe Book of Contemporary Indian Poets (Newcastle: Bloodaxe, 2008) : "Both cultures feed and animate his work. His poems have a line and weight reminiscent of mid-twentieth century British verse; his music reaches out to antiquity".
"From a child who grew up partly in England writing prose, Thakore evolved into a teenager who explored Braj lyrics, which he had to sing as a student of music. His love for poetry took him to literary greats who lived in Mumbai such as Adil Jussawalla, Dom Moraes and Gieve Patel who guided him through the jungle of words. But he considers Hart Crane as one of his earliest poetic influences ... The metre and discipline of traditional verse forms helped Thakore find a 'deeper integration of ideas and meanings.' "Free verse," he says, "was driving me crazy. There was too much linguistic and cultural chaos in my head'." - Anupama Raju, The Hindu.
In 2001 Anand Thakore co-founded Harbour Line - a publishing collective devoted to English verse on the Indian subcontinent. Harbour Line was founded in collaboration with poets Jane Bhandari, ( 'Aquarius',2002, ISBN 81-902981-1-9), Deepankar Khiwani ('Entr'acte', 2006, ISBN 81-902981-2-7) and Vivek Narayanan (Universal Beach, 2006, ISBN 81-902981-3-5).
The verse of Waking in December, Thakore's first book shows a reverence for definite form and an interest in classical structures like the sonnet and the villanelle, exemplified in poems like Chandri Villa or What I can Get away with. This interest in classical forms is linked to his training as a Hindustani classical vocalist and composer.
In 2006 he received a Charles Wallace India Trust grant for an experimental music-poetry collaboration in the UK with composer and guitarist Pete Wyer. He has a number of recorded readings with music - both Hindustani and western- some now available with his books of verse.
His poems and critical essays on music and poetry have appeared in leading national and international journals and anthologies. His poetry in included in Anthology of Contemporary Indian Poetry ( United States ).
Anand Thakore was judge and a co-editor for the first Montreal International Poetry Prize (2011) with Valerie Bloom, Fred D'Aguiar, John Kinsella and Stephanie Bolster, amongst others.Mughal Sequence (Poetrywala, 2012). ISBN 978-81-922254-3-2
Elephant Bathing (Poetrywala, 2012). ISBN 978-81-922254-4-9
Waking in December (Harbour Line, 2001). ISBN 81-902981-0-0
On the Music of 'A Missing Person': Adil Jussawalla and the Craft of Despair (New Quest, Pune, Ed. Dilip Chitre)
Myth and Monologue (New Quest, Pune, Issue 167, 2007, ed. Dilip Chitre)
If Music be the food of speech (New Quest, issue 169, 2007, ed. Dilip Chitre)
Ormsby, Eric; Thakore, Arand, eds. (2011). Global Poetry Anthology: 2011. Montreal: Vehicle Press. ISBN 978-1-55065-318-2.
Sarpa Satra. Pras Prakashan. 2004. ISBN 81-902110-1-3.
Thakore's poetry has appeared in the following anthologies amongst others:The HarperCollins Book of English Poetry (Harper Collins, 2012 ed. Sudeep Sen)
Sixty Indian Poets (Penguin India 2008, ed. Jeet Thayil)
Reasons For Belonging (Viking, 2002, ed. Ranjit Hoskote). ISBN 0-670-89094-4
Journal of Postcolonial Writing (Oxford, UK, 2007 ed. Janet Wilson)
Poetry Wales (Summer Issue 2002, Bridgend, Wales ed. Robert Minhinnick)
Fulcrum Three (Cambridge, MA, USA, 2004, ed. Philip Nikolayev)
The Bloodaxe book of Contemporary Indian Poets (Bloodaxe, UK, 2008 ed. Jeet Thayil)
Both Sides Of The Sky (National Book trust, India, 2008, ed. Eunice de Souza)
Poetry with Prakriti (Prakriti Foundation, 2009)
As a child, Anand Thakore learnt Hindustani vocal music, sitar and Tabla. When the family moved to England for a period, he studied rudimentary western musical theory, and violin and sang soprano in the Solihull Chapel Choir. He has always maintained a strong interest in Western Classical music and jazz though fusion as such, is not his choice of form. On returning to Mumbai he trained for a while with Ustad Aslam Khan of the Atrauli Gharana; though most of his training has been under Pandit Satyasheel Deshpande, senior disciple of Pandit Kumar Gandharva.
Inspired by his Guru, Pandit Satyasheel Deshpande and Pandit Kumar Gandharva (whose music he had the good fortune to listen to at close quarters), Anand Thakore began to compose his own compositions at the age of sixteen, working with Hindi Lyrics in the traditional form known as the Bandish. In addition to being taught a host of traditional compositions from different gharana-s and sources, he was also initiated into various aspects of gayaki ( i.e. modes of improvisation and raga-development) and he was encouraged to seek out his own mode of presentation and expression. He played a supportive role in the musicological research and documentational activities at the Samvaad Foundation run by his Guru, where he had the good fortune to interact with a wide spectrum of artists of the older generation; to vocally accompany and comparatively analyse the music of such stalwarts as Ustad Salamat Ali, Pandit Ramashreya Jha, Pandit K G Ginde, and Pandit Sharadchandra Arolkar, amongst others.
In 1994 he received a scholarship to study music full-time from the Ministry of Human Resource Development (India). He then studied music for several years under Pandit Baban Haldankar of the Agra Gharana. This Taleem (training) familiarized him with a large number of Agra-Gharana compositions and various aspects of the Agra tradition: Bol-alaap, Nom-tom alaap and Layakari.
Thakore's first professional concert was at the Vitaan Festival of Music and Dance 1989, hosted by the Sheriff of Mumbai. He has accompanied his Guru-s and performed across the country as a soloist at mehfil-s and music festivals since then.
In 2001 he co-founded Kshitij, an interactive forum for musicians, devoted to the spirit of the live Hindustani mehfil. Kshitij was founded in collaboration with vocalists Sanjeev Chimmalgi, Kedar Bodas, Krishna Bhat and Tabla accompanist Rupak Kharvandikar. The group has organized concerts of senior and younger artists in semi-private soirees as well as public auditoriums. It also functions as a musicians' salon, repeatedly creating space for interaction between musicians, connoisseurs,critics and musicologists.
In 2006 he received a grant from the Charles Wallace India Trust to work on a collaborative experimental project with British composer and jazz-guitarist Pete Wyer. A participant in the Time Structured Mapping project, he collaborated with soprano Evelyne Beech, microtonal vocalist Toby Twining, Pianist Burkhard Finke and the Orchestra of the Swan on a piece called Four Bridges; a score or Time Structured Map, with scope for improvisation, simultaneously recorded in various parts of the world.
In 2009 Anand Thakore presented Sabadpiya Ki Khoj, a concert and presentation at the National Centre for the Performing Arts, Mumbai, focusing on his work as a composer of bandish-es composed under the Takhallus or pseuodonym Sabadpiya (sabadpiya implying lover of the word and reminiscent of Agra gharana pen-names like Ustad Khadim Hussain Sajan piya etc.) The event brought together his work both as a composer in Hindustani Raga and Tala and as a lyric-writer in Hindi. A pamphlet of the words of these compositions brought out by Kshitij was also published at the event.
Guldasta-e-Khayal (2011) is his latest Hindustani classical CD. The CD features a live 'mehfil' in Mumbai with ragas Multani, Tilak Kamod, Darbari and Malkauns and is distributed by Underscore Records Pvt. ltd.Guldasta-e-Khayal ( Underscore Records Pvt. Ltd. 2011)
Live Mehfil ( Musicians' Guild, 2009)
He is the recipient of a National scholarship for music from the Ministry of Human Resource Development, a grant from the Charles Wallace India Trust for experimental work in the UK.
He has received "Sur-mani" award for excellence in classical music, conferred by the Sur Singar Samsad.