Name Alexander Alyabyev | Parents Alexandre Alyabyev | |
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Similar People Anton Delvig, Ivan Kozlov, Anton Arensky, Alexander Rudin, Franz Liszt | ||
Alexander alyabyev three tens or the new two day adventure ouverture
Alexander Aleksandrovich Alyabyev (Russian: Алекса́ндр Алекса́ндрович Аля́бьев; 15 August [O.S. 4 August] 1787 – 6 March [O.S. 22 February] 1851), also rendered as Alabiev or Alabieff, was a Russian composer known as one of the fathers of the Russian art song. He wrote seven operas, twenty musical comedies, a symphony, three string quartets, more than 200 songs, and many other pieces.
Contents
- Alexander alyabyev three tens or the new two day adventure ouverture
- Alexander alyabyev symphonic poem the tempest
- Biography
- The Nightingale
- Compositions
- References
Alexander alyabyev symphonic poem the tempest
Biography
Born to a wealthy family in Tobolsk in Siberia, Alyabyev learned music in his early years. He joined the Russian Army in 1812, during the Napoleonic War, and fought as an officer until 1823. He participated in the entry of the Russian forces into Dresden and Paris, and he won two awards.
After the mysterious death of a man he spent all night gambling with in February 1825, he was arrested on a charge of murder. While the evidence was not conclusive, Tsar Nicholas I expressly ordered him into exile to his native town of Tobolsk. Freed in 1831, he spent some years in the Caucasus before returning to Moscow, where he died in 1851.
The Nightingale
Alyabyev's most famous work is The Nightingale (Соловей), a song based on a poem by Anton Delvig. It was composed while Alyabyev was in prison, in 1825. It has entered Russian consciousness as akin to a folk song.
The song became more widely known after having been introduced into Rosina's singing lesson scene in Gioachino Rossini's The Barber of Seville by Pauline Viardot, followed by Adelina Patti and Marcella Sembrich.
Mikhail Glinka wrote piano variations based on the song, as did Mily Balakirev. Franz Liszt also wrote a transcription of it (S. 250/1).
It was one of Pyotr Ilyich Tchaikovsky's favourite songs from his earliest childhood, as his mother often sang it to him.